Research output per year
Research output per year
- 14 results
Search results
-
2024
Exploring Dolby Atmos: Past, Present, and Future
Visser, A., Pratt, D. & Bourbon, A., 27 Mar 2024, Innovation in Music: Cultures and Contexts. Gullo, J-O., Hepworth-Sawyer, R., Paterson, J., Toulson, R. & Marrington, M. (eds.). Oxford: Routledge, p. 19-34 16 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Exploring the history of distortion in drum and bass
Moore, A., Shields, L. & Dewey, C., 27 Mar 2024, Innovation in Music : Cultures and Contexts. Gullö, J-O., Hepworth-Sawyer, R., Paterson, J., Toulson, R. & Marrington, M. (eds.). 1st ed. Routledge, p. 75-89 15 p. (Perspectives on Music Production).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2023
Contemporary Approaches to Metal Music Mixing and Production: Heavy Metal, Death Metal, and Metalcore
Herbst, J. & Mynett, M., 25 Sep 2023, (Accepted/In press) The Routledge Companion to Metal Music Composition. Burns, L. & Scotto, C. (eds.). Routledge, Taylor & Francis GroupResearch output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Low Order Distortion in Creative Recording and Mixing
Bourbon, A., 12 Jun 2023, Distortion in Music Production: The Soul of Sonics. Bromham, G. & Moore, A. (eds.). 1st ed. Routledge, p. 65-90 26 p. (Perspectives on Music Production).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Mapping the origins of heaviness between 1970-1995: A historical overview of metal music production
Herbst, J. & Mynett, M., 14 Sep 2023, The Cambridge Companion to Metal Music. Herbst, J-P. (ed.). Cambridge University Press, p. 29-42 14 p. (Cambridge Companions to Music).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
Open AccessFile -
Non-linearity and Dynamic Range Compressors
Moore, A., 12 Jun 2023, Distortion in Music Production : The Soul of Sonics. Bromham, G. & Moore, A. (eds.). 1st ed. Routledge, p. 47-64 18 p. (Perspectives on Music Production ).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Towards a Lexicon for Distortion Pedals
Rice, T. & Moore, A., 12 Jun 2023, Distortion in Music Production : The Soul of Sonics. Bromham, G. & Moore, A. (eds.). 1st ed. Routledge, p. 128-144 17 p. (Perspectives on Music Production ).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2022
Three-Dimensional Doom: My Dying Bride's “Your Broken Shore” (2020)
Mynett, M., 29 Dec 2022, Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks. Moylan, W., Burns, L. & Alleyne, M. (eds.). 1st ed. Routledge, p. 294-304 11 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2021
Psychoacoustics of height perception in 3D audio
Lee, H., 26 Jul 2021, 3D Audio. Paterson, J. & Lee, H. (eds.). 1st ed. New York: Routledge, p. 82-98 17 p. (Perspectives on Music Production).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
1 Citation (Scopus) -
2020
Maximum Sonic Impact: (Authenticity/Commerciality) Fidelity-Dualism in Contemporary Metal Music Production
Mynett, M., 6 Feb 2020, The Bloomsbury Handbook of Music Production. Zagorski-Thomas, S. & Bourbon, A. (eds.). 1st ed. Bloomsbury Academic, p. 293-302 10 p. (Bloomsbury Handbooks).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Studying Mixing: Creating A Contemporary Apprenticeship
Bourbon, A., 6 Feb 2020, The Bloomsbury Handbook of Music Production. Zagorski-Thomas, S. & Bourbon, A. (eds.). 1 ed. Bloomsbury Publishing, p. 337-346 10 p. (Bloomsbury Handbooks).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Towards a definition of compression glue in mastering
Moore, A., 30 Dec 2020, Mastering in Music. Braddock, J. P., Hepworth-Sawyer, R., Hodgson, J., Shelvock, M. & Toulson, R. (eds.). 1st ed. Routledge, Taylor & Francis Group, p. 44-59 16 p. (Perspectives on Music Production).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2019
Tracking with Processing and Coloring as You Go
Moore, A., 19 Mar 2019, Producing Music. Hepworth-Sawyer, R., Hodgson, J. & Marrington, M. (eds.). Routledge, Taylor & Francis Group, p. 209-226 18 p. (Perspectives on Music Production).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
3 Citations (Scopus) -
2016
The distortion paradox: Analyzing contemporary metal production
Mynett, M., 8 Apr 2016, Global Metal Music and Culture: Current Directions in Metal Studies. Brown, A. R., Spracklen, K., Kahn-Harris, K. & Scott, N. (eds.). Taylor and Francis Inc., p. 68-86 19 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
15 Citations (Scopus)