Research output per year
Research output per year
Organization profile
Profile Information
The Centre for Music, Culture and Identity brings together researchers investigating music and musical cultures through a variety of historical, critical and analytical methodologies. With specialisms ranging from medieval music through to contemporary pop production and film music to evolutionary mimetics, we are a diverse and interdisciplinary group of musicologists and practice researchers with a thriving postgraduate community.
Fingerprint
Dive into the research topics where Centre for Music, Culture and Identity is active. These topic labels come from the works of this organisation's members. Together they form a unique fingerprint.
Network
Recent external collaboration on country level. Dive into details by clicking on the dots or
Profiles
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Robert Adlington
- Department of History, English, Linguistics and Music - Queen's Anniversary Prize Chair in Contemporary Music
- School of Music, Humanities and Media
- Centre for Research in New Music - Directorate
- Centre for Music, Culture and Identity - Affiliate
Person: Academic
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Yuiko Asaba
- Department of History, English, Linguistics and Music - Senior Research Fellow
- School of Music, Humanities and Media
- Centre for Music, Culture and Identity - Member
Person: Academic
Research output
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Gear Acquisition Syndrome: Consumption of Instruments and Technology in Popular Music
Herbst, J-P. & Menze, J., 19 Apr 2021, Huddersfield: University of Huddersfield Press. 284 p.Research output: Book/Report › Book › peer-review
Open Access -
Teutonic Metal: Effects of Place- and Mythology-based Labels on Record Production
Herbst, J., 8 Apr 2021, In: International Journal of the Sociology of Leisure. 23 p.Research output: Contribution to journal › Article › peer-review
Open Access -
Book Review: Mediaeval Carols, transcribed and ed. by John Stevens, 3rd rev. edn prepared by David Fallows, Musica Britannica 4. London: Stainer & Bell and the Musica Britannica Trust, 2018. David Fallows, Henry V and the Earliest English Carols: 1413–1440. Abingdon: Routledge, 2018.
Colton, L., 1 Oct 2020, In: Plainsong and Medieval Music. 29, 2, p. 180-184 5 p.Research output: Contribution to journal › Book/Film/Dance Article review › peer-review
Projects
- 1 Active
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Learning Freedom: Democracy and New Music in Post-Francoist Spain
Adlington, R. & Contreras-Zubillaga, I.
7/09/18 → 7/09/21
Project: Research
Activities
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Recording studios as museums? Record producers’ perspectives on German rock studios and accounts of their heritage practices
Jan Herbst (Speaker)
13 Mar 2021Activity: Talk or presentation types › Invited talk
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One Nation Under a Groove
Jan Herbst (Discussant)
27 Jan 2021Activity: Participating in or organising an event types › Participating in a conference, workshop, ...
Press / Media
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Reviews and media coverage of From Darkness Into Light
22/10/19 → 3/04/20
11 items of Media coverage
Press/Media: Other
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Sounds criminal: scoring the 1940s crime film at RKO Radio Pictures
30/05/19
1 Media contribution
Press/Media: Research
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