Centre for Music, Culture and Identity

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2020

Hamlet’s Soviet Operatic Afterlife: Between Individuality and Allegory

Assay, M., 8 Jul 2020, The Shakespearean International Yearbook 18: Special Section: Soviet Shakespeare. Bishop, T., Joubin, A. A. & Khomenko, N. (eds.). 1st ed. Routledge, Vol. 18. 19 p. (The Shakespearean International Yearbook; vol. 18).

Research output: Chapter in Book/Report/Conference proceedingChapter

Past Tense: Creative Medievalism in the Music of Margaret Lucy Wilkins

Colton, L., 30 Apr 2020, The Oxford Handbook of Music and Medievalism. Meyer, S. C. & Yri, K. (eds.). 1 ed. New York: Oxford University Press, p. 301-326 26 p. (Oxford Handbooks).

Research output: Chapter in Book/Report/Conference proceedingChapter

What is at stake in data visualization? A feminist critique of the rhetorical power of data visualizations in the media

Hill, R. L., 16 Apr 2020, Data Visualization in Society. Engebretsen, M. & Kennedy, H. (eds.). Amsterdam: Amsterdam University Press, p. 391-405 15 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Open Access
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2019

"Brave New Ideas Begin": Disability, Gender, and Life-Writing in Twenty-First-Century Pop

Stras, L., 17 Apr 2019, Popular Music and the Politics of Hope: Queer and Feminist Interventions. Fast, S. & Jennex, C. (eds.). 1 ed. New York: Routledge, p. 85-104 20 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

High or Low? Medieval English Carols as Part of Vernacular Culture, 1380-1450

Colton, L. & McInnes, L., 10 Aug 2019, Vernacular Aesthetics in the Later Middle Ages: Politics, Performativity, and Reception from Literature to Music. Jager, K. W. (ed.). 1 ed. New York: Palgrave Macmillan, Cham, p. 119-149 31 p. (The New Middle Ages).

Research output: Chapter in Book/Report/Conference proceedingChapter

Moonlight Shadows: ”Licht und Schatten“ in Pink Floyds The Dark Side Of The Moon

Translated title of the contribution: Moonlight Shadows: Light and shadow in Pink Floyd’s The Dark Side Of The MoonHerbst, J-P., 27 Sep 2019, Vom Schatten aus: Denk- und Handlungsräume in Kunst und Kunstpädagogik. Kathke, P. (ed.). Hannover: Fabrico Verlag, p. 130-152 23 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Music in the Margins: Queerness in the Clerical Imagination, 1200–1500

Colton, L., 1 Mar 2019, The Oxford Handbook of Music and Queerness. Everett Maus, F. & Whiteley, S. (eds.). Oxford: Oxford University Press

Research output: Chapter in Book/Report/Conference proceedingChapter

Russian Carmens and 'Carmenism': From Imperial Import to Ideological Benchmark

Assay, M., 2019, (Accepted/In press) Carmen Abroad: Bizet's Opera on the Global Stage. Langham Smith, R. & Rowden, C. (eds.). Cambridge: Cambridge University Press

Research output: Chapter in Book/Report/Conference proceedingChapter

Shostakovich’s ‘Leningrad' Symphony: Music of Endurance

Fanning, D. & Assay, M., 18 Dec 2019, The Routledge Handbook to Music under German Occupation, 1938-1945: Propaganda, Myth and Reality. Fanning, D. & Levi, E. (eds.). 1 ed. Abingdon & New York: Routledge, Taylor & Francis Group, p. 418-447 30 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Tango: Dancing to a Global Music Culture

Asaba, Y., 17 May 2019, (Accepted/In press) The Oxford Handbook of Global Popular Music. Krüger Bridge, S. (ed.). Oxford University Press, (Oxford Handbook Online: Music).

Research output: Chapter in Book/Report/Conference proceedingChapter

The Artist’s Impression: Ethel Waters as Mimic and Auteur

Stras, L., Sep 2019, A Voice as Something More: Essays Toward Materiality. Feldman, M. & Zeitlin, J. T. (eds.). University of Chicago Press, (New Material Histories of Music).

Research output: Chapter in Book/Report/Conference proceedingChapter

The Coherence of the Cycle? The Notation of the Motetti Missales in Manuscript and Print: The Libroni of the Duomo in the Sforza Milan: With a Catalog of Libroni edited by Cristina Cassia

Schmidt, T., 2019, Codici per Cantare: I Libroni del Duomo nella Milano slorzesca. Filippi, D. V. & Pavanello, A. (eds.). Lucca: Libreria Musicale Italiana, p. 171-186 16 p. (Studies and Essays).

Research output: Chapter in Book/Report/Conference proceedingChapter

2018

Digital Audio Ecofeminism (DA’EF): The Glocal Impact of All-Female Communities on Learning and Sound Creativities

Dobson, E., 19 Apr 2018, Creativities in Arts Education, Research and Practice: International Perspectives for the Future of Learning and Teaching. de Bruin, L., Burnard, P. & Davis, S. (eds.). Leiden/Boston: Brill, Vol. 15. p. 201-222 22 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Introduction

Cox, G., 23 Jul 2018, Soundings : Documentary Film and the Listening Experience. Cox, G. & Corner, J. (eds.). University of Huddersfield Press, p. 1-14 14 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Open Access

Medievalism, music and agency in 'The Wicker Man' (1973)

Colton, L., 7 Feb 2018, Recomposing the Past: Representations of Early Music on Stage and Screen. Cook, J., Kolassa, A. & Whittaker, A. (eds.). Abingdon: Routledge, p. 213-228 16 p. (Ashgate Screen Music Series).

Research output: Chapter in Book/Report/Conference proceedingChapter

Open Access

Naimenka sareta modānitī: Nihon ni okeru tango ongaku bunka

Translated title of the contribution: Internalised Modernity: The Tango Music Culture of JapanAsaba, Y., 7 Dec 2018, (Accepted/In press) Popyurā ongaku no bunkashi: Sengo nihon o yominaosu . Wajima, Y. (ed.). Minerva Shobo

Research output: Chapter in Book/Report/Conference proceedingChapter

Shakespeare and Soviet Music

Assay, M., 12 Sep 2018, (Accepted/In press) Oxford Handbook to Shakespeare and Music. Cooke, M. & Wilson, C. (eds.). Oxford University Press, (Oxford Handbooks).

Research output: Chapter in Book/Report/Conference proceedingChapter

Song in space and space in song: Physical and conceptual boundaries in English devotional music, 1250–1500

Colton, L., 14 Jun 2018, Devotional Interaction in Medieval England and its Afterlives. Foster, E., Perratore, J. & Rozenski, S. (eds.). Leiden: Brill, 41 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Weave Me a Rainbow ‘The march, the march of colour and pattern’: Music and cinematography at the service of the creative promotion of the 1960s Scottish woollen industry

Cox, G., 23 Jul 2018, Soundings: Documentary Film and the Listening Experience. Cox, G. & Corner, J. (eds.). University of Huddersfield Press, p. 37-67 31 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Open Access
2017

Ambient Music

Till, R., 6 Apr 2017, The Bloomsbury Handbook of Religion and Popular Music. Partridge, C. & Moberg, M. (eds.). 1 ed. London: Bloomsbury Academic, (Bloomsbury Handbooks in Religion).

Research output: Chapter in Book/Report/Conference proceedingChapter

Einfluss der Verzerrung auf Gitarrenakkordstrukturen: Akustische Effekte und Wahrnehmungszusammenhänge

Translated title of the contribution: Influence of distortion on guitar chord structures: Acoustic effects and perceptual correlatesHerbst, J-P., 1 Dec 2017, Musikpsychologie: Akustik und musikalische Hörwahrnehmung. Auhagen, W., Bullerjahn, C. & Louven, C. (eds.). 1 ed. Hogrefe Verlag GmbH and Co. KG, Vol. 27. p. 26-47 22 p. (Yearbook of the German Society for Music Psychology; vol. 27).

Research output: Chapter in Book/Report/Conference proceedingChapter

Open Access

Popular music education: A step into the light

Till, R., 20 Jan 2017, The Routledge Research Companion to Popular Music Education. Dylan Smith, G., Moir, Z., Brennan, M., Rambarran, S. & Kirkman, P. (eds.). Abingdon: Routledge, p. 14-30 17 p. (Routledge Research Companions).

Research output: Chapter in Book/Report/Conference proceedingChapter

1 Citation (Scopus)

'Sowndys and melodiis': Perceptions of Sound and Music in Late Medieval England

Colton, L., 2017, Cultural Histories of Noise, Sound and Listening in Europe, 1300–1918. Gibson, K. & Biddle, I. (eds.). Abingdon: Routledge, p. 19-30 12 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Star quality? Song, celebrity and the jukebox musical in Mamma Mia!

Haworth, C., Jul 2017, Contemporary Musical Film. Donnelly, K. J. & Carroll, B. (eds.). Edinburgh: Edinburgh University Press, p. 107-122

Research output: Chapter in Book/Report/Conference proceedingChapter

The Prairie is a Lonesome Place at Night: The absent sweethearts of hillbilly music

Martin, T., Aug 2017, The Popular Culture of Romantic Love in Australia. Teo, H. M. (ed.). North Melbourne: Australian Scholarly Publishing, 20 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2016

Proofs of Genius: Wolfgang Amadeus Mozart and the Construction of Musical Prodigies in Early Georgian London

Cowgill, R., 2016, Musical Prodigies: Interpretations from Psychology, Education, Musicology, and Ethnomusicology. McPherson, G. E. (ed.). Oxford: Oxford University Press, p. 511-549 39 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Singer-songwriter authenticity, the unconscious and emotions (feat. Adele's "Someone Like You")

Till, R., 2016, The Cambridge Companion to the Singer-Songwriter. Williams, K. & Williams, J. A. (eds.). Cambridge: Cambridge University Press, p. 291-304 14 p. (Cambridge Companions to Music).

Research output: Chapter in Book/Report/Conference proceedingChapter

2015

Evolutionary Thought in Music Theory and Analysis: A Corrective to “Babelization”?

Jan, S., 2015, L’analyse musicale aujourd’hui: Music analysis today. Hascher, X., Ayari, M. & Bardez, J-M. (eds.). De la Tour, p. 55-75 21 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Permission to Play: Fostering Enterprise Creativities in Music Technology through Extracurricular Interdisciplinary Collaboration

Dobson, E., 2015, Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education. Burnard, P. & Haddon, E. (eds.). Bloomsbury Publishing, p. 75-96 22 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Pussy Galore: women and music in Goldfinger

Haworth, C., Oct 2015, For His Eyes Only: The Women of James Bond. Funnell, L. (ed.). New York, USA: Columbia University, p. 157-166 10 p. Chapter 16

Research output: Chapter in Book/Report/Conference proceedingChapter

2014

Who's calling? Telephone songs, female vocal empowerment and signification

Colton, L., 1 Jan 2014, Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture. Iddon, M. & Marshall, M. (eds.). Taylor and Francis AS, p. 67-81 15 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2010

Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre

Mynett, M., Wakefield, J. & Till, R., 1 Feb 2010, Heavy Fundamentalisms: Music, Metal and Politics. Spracklen, K. & Hill, R. (eds.). Inter-Disciplinary Press, p. 141-146

Research output: Chapter in Book/Report/Conference proceedingChapter

Paganism, popular music and stonehenge

Till, R., 1 Jan 2010, Pop Pagans: Paganism and Popular Music. Acumen Publishing Limited, p. 24-42 19 p.

Research output: Chapter in Book/Report/Conference proceedingChapter