Research output per year
Research output per year
- 1 - 50 out of 94 results
Search results
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2025
Collaboration in an Online Environment: Creativity in Popular Music Songwriting and Production During Covid-19 Lockdowns
Pietrzak, J. N. & Herbst, J., 5 May 2025, Song and Popular Culture: Popular Music Songwriting as Cultural, Creative, and Economic Practice. Ahlers, M., Herbst, J-P. & Holtsträter, K. (eds.). Münster: Waxmann Verlag GMBH, Vol. 69. p. 111-136 26 p. (Yearbook 'Lied und Populäre Kultur / Song and Popular Culture' of the Centre for Popular Culture and Music; vol. 69).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Contemporary Approaches to Metal Music Mixing and Production: Heavy Metal, Death Metal, and Metalcore
Herbst, J. & Mynett, M., 13 Jun 2025, The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production. Burns, L. & Scotto, C. (eds.). 1st ed. Routledge, Taylor & Francis Group, p. 469-481 13 p. (Routledge Music Handbooks).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
1 Citation (Scopus) -
2024
Introduction to the Cambridge Companion to the Electric Guitar
Herbst, J. & Waksman, S., 17 Oct 2024, The Cambridge Companion to the Electric Guitar. Herbst, J-P. & Waksman, S. (eds.). Cambridge: Cambridge University Press, p. 1-14 14 p. (Cambridge Companions to Music).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Songwriting Camps: Geschichte, Theorien und Forschungsansätze zur Fließband-Produktion von populärer Musik
Translated title of the contribution :Songwriting Camps: History, theories and research approaches to the assembly line production of popular music Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Thumping, Glitch, and Butterfly Tapping: Innovations in Guitar Technique in the New Millennium
Vallejo, A. & Herbst, J., 17 Oct 2024, The Cambridge Companion to the Electric Guitar. Herbst, J. & Waksman, S. (eds.). Cambridge University Press, p. 165-188 24 p. (Cambridge Companions to Music).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2023
Ambient music
Till, R., 13 Jul 2023, The Bloomsbury Handbook of Religion and Popular Music. Partridge, C. & Moberg, M. (eds.). 2nd ed. London: Bloomsbury Academic, p. 423-434 12 p. (Bloomsbury Handbooks).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Introduction
Herbst, J., 14 Sep 2023, The Cambridge Companion to Metal Music. Herbst, J-P. (ed.). Cambridge University Press, p. 1-11 11 p. (Cambridge Companions to Music).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Mapping the origins of heaviness between 1970-1995: A historical overview of metal music production
Herbst, J. & Mynett, M., 14 Sep 2023, The Cambridge Companion to Metal Music. Herbst, J-P. (ed.). Cambridge University Press, p. 29-42 14 p. (Cambridge Companions to Music).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
Open AccessFile -
'The Man for His Time and Place': Identity, Musical Comedy, and the Compiled Soundtrack in The Big Lebowski
Haworth, C., 25 Oct 2023, The Palgrave Handbook of Music in Comedy Cinema. Audissino, E. & Wennekes, E. (eds.). 1st ed. Palgrave Macmillan, Cham, p. 155-171 17 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
1 Citation (Scopus) -
‘It just is my Inner Refusal’: Innovation and Conservatism in Guitar Amplification Technology
Herbst, J., 12 Jun 2023, Distortion in Music Production: The Soul of Sonics. Bromham, G. & Moore, A. (eds.). Routledge, p. 174-184 11 p. (Perspectives on Music Production).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
Open AccessFile -
2022
Case Studies I: Patterns in the Veneration of Regional and Local Saints in Insular Liturgical Sources
Buckley, A. & Colton, L., 1 Jan 2022, Music and Liturgy in Medieval Britain and Ireland. Buckley, A. & Colton, L. (eds.). Cambridge: Cambridge University Press, p. 101-104 4 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Case Studies II: Textual Witnesses to Insular-Continental Networks
Buckley, A. & Colton, L., 1 Jan 2022, Music and Liturgy in Medieval Britain and Ireland. Buckley, A. & Colton, L. (eds.). Cambridge: Cambridge University Press, p. 237-241 5 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Composing for the francoist side during the Spanish Civil War
Contreras-Zubillaga, I., 24 Jan 2022, Music and the Spanish Civil War. Pérez-Zalduondo, G. & Iglesias, I. (eds.). Bern: Peter Lang Publishing Group, p. 59-78 20 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
1 Citation (Scopus) -
Epilogue: Pathways to Further Research in Medieval Insular Liturgies
Buckley, A. & Colton, L., 1 Jan 2022, Music and Liturgy in Medieval Britain and Ireland. Buckley, A. & Colton, L. (eds.). Cambridge: Cambridge University Press, p. 313-314 2 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Infrastructure of the German Music Business
Herbst, J., 20 Oct 2022, The Cambridge Companion to Krautrock. Schütte, U. (ed.). Cambridge University Press, p. 59-73 15 p. (Cambridge Companions to Music).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
Open AccessFile -
Liturgy and Devotion in Insular Witnesses to the Cult of the Three Kings of Cologne
Colton, L., 1 Jan 2022, Music and Liturgy in Medieval Britain and Ireland. Buckley, A. & Colton, L. (eds.). Cambridge: Cambridge University Press, p. 292-312 21 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
1 Citation (Scopus) -
Martin Birch - Catalyst: The Pivotal Role of Deep Purple’s Sound Engineer on the Classic Mk. 2 Albums
Herbst, J., 2 Jun 2022, (Accepted/In press) Who Do We Think They Are? : Deep Purple and Metal Studies. Brown, A. R. (ed.). Equinox Publishing, (Studies In Popular Music).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Music in the Margins: Queerness in the Clerical Imagination, 1200–1500
Colton, L., 1 Apr 2022, The Oxford Handbook of Music and Queerness. Everett Maus, F. & Whiteley, S. (eds.). Oxford: Oxford University Press, p. 421-440 20 p. (Oxford Handbooks).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
Open Access -
Shakespeare and Soviet Music
Assay, M., 19 May 2022, The Oxford Handbook of Shakespeare and Music. Wilson, C. R. & Cooke, M. (eds.). Oxford University Press, p. 642-670 29 p. (Oxford Handbooks).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Textual Witnesses to Insular Liturgies
Buckley, A. & Colton, L., 1 Jan 2022, Music and Liturgy in Medieval Britain and Ireland. Buckley, A. & Colton, L. (eds.). Cambridge: Cambridge University Press, p. 3-16 14 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Transformations of the National: Rammstein’s “Deutschland” as a Provocation of Germany’s History
Espinoza Garrado, L., Herbst, J., Jürgensen, C., Nover, I., Schaffrick, M., Schiller, M., Seidel, A., Stubenrauch, E. & Wilhelms, K., 20 Oct 2022, Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies). Jacke, C., Flath, B. & Troike, M. (eds.). IASPM D-A-CH, Vol. 2. p. 179-203 25 p. (~Vibes).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
Open Access -
Universal Acid in the Computer Chip: Music, Memetics and Metacreation
Jan, S., 17 Sep 2022, Proceedings of the 3rd Conference on AI Music Creativity: AIMC 2022. AI Music Creativity, 12 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
Open Access -
“Going all the Way with Marot”: Empowerment in the Pastourelle Motet L’autrier m’esbatoie/Demenant grant joie/MANERE
Colton, L., 26 Aug 2022, Female-Voice Song and Women’s Musical Agency in the Middle Ages. Grau, A. K. & Colton, L. (eds.). Leiden: Brill, Vol. 5. p. 271-296 26 p. (Brill's Companions to the Musical Culture of Medieval and Early Modern Europe; vol. 5).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2021
Chansons polies? Expressing Gendered Identity and Experience in the Ars antiqua Motet
Colton, L., 12 Oct 2021, Gender and Voice in Medieval French Literature and Song. Golden, R. M. & Kong, K. (eds.). Gainesville: University of Florida, p. 173-202 30 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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'Discovering' North: Postcards from the Edge
Cowgill, R., 1 Jan 2021, Music and Ideas of North. Cowgill, R. & Scott, D. B. (eds.). 1 ed. Abingdon: RoutledgeResearch output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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El artista y el aparato: repensar la relación entre el compositor y el Estado en contexto de dictadura
Translated title of the contribution :The Artist and the Apparatus: Rethinking the Relationship Between the Composer and the State in Dictatorships Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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The evolution of music: The development of sonic representation and meaning
Till, R., 1 Apr 2021, The Oxford Handbook of Human Symbolic Evolution. Gontier, N., Lock, A. & Sinha, C. (eds.). Oxford: Oxford University Press, (Oxford Library of Psychology).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2020
Containing Chaos? Aspects of Medieval Liturgy in James MacMillan's Visitatio Sepulchri
Colton, L., 20 Aug 2020, James MacMillan Studies. Parsons, G. & Sholl, R. (eds.). Cambridge: Cambridge University Press, p. 200-216 17 p. (Cambridge Composer Studies).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Conversations in Berlin: Discourse on Gender, Equilibrium, and Empowerment in Audio Production
Dobson, E., 22 Apr 2020, Gender in Music production. Hepworth-Sawyer, R., Hogson, J., King, L. & Marrington, M. (eds.). 1 ed. Abingdon & New York: Routledge, p. 268-284 17 p. (Perspectives on Music Production).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Form through Sound: Klangfarbe and Texture in Mendelssohn's Instrumental Compositions
Schmidt, T., 18 Jun 2020, Rethinking Mendelssohn. Taylor, B. (ed.). Oxford University Press, p. 263-287 25 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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German Metal Attack: Power Metal in and from Germany
Herbst, J-P., 22 Sep 2020, Made in Germany: Studies in Popular Music. Seibt, O., Ringsmut, M. & Wickström, D-E. (eds.). 1 ed. London: Routledge, p. 81-89 9 p. (Routledge Global Popular Music Series).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
Open AccessFile -
Hamlet’s Soviet Operatic Afterlife: Between Individuality and Allegory
Assay, M., 8 Jul 2020, The Shakespearean International Yearbook 18: Special Section: Soviet Shakespeare. Bishop, T., Joubin, A. A. & Khomenko, N. (eds.). 1st ed. Routledge, Vol. 18. 19 p. (The Shakespearean International Yearbook; vol. 18).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Making Sense of Omnis/Habenti: An Ars Nova Motet in England
Colton, L., 16 Oct 2020, Music and Instruments of The Middle Ages: Essays in Honour of Christopher Page. Knighton, T. & Skinner, D. (eds.). Woodbridge, Suffolk; Rochester, NY: Boydell & Brewer, p. 221-246 26 p. (Studies in Medieval and Renaissance Music).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Past Tense: Creative Medievalism in the Music of Margaret Lucy Wilkins
Colton, L., 30 Apr 2020, The Oxford Handbook of Music and Medievalism. Meyer, S. C. & Yri, K. (eds.). 1 ed. New York: Oxford University Press, p. 301-326 26 p. (Oxford Handbooks).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Performance Piety: The Value of Post-Mortem Music and Liturgical Display in Fifteenth-Century London
Colton, L., 11 Aug 2020, Performance, Ceremony and Display in Late Medieval England: Proceedings of the 2018 Harlaxton Symposium . Boffey, J. (ed.). Donington: Shaun Tyas, p. 212-235 24 p. (Harlaxton Medieval Studies; vol. XXX).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Russian Carmens and 'Carmenism': From Imperial Import to Ideological Benchmark
Assay, M., 30 Jul 2020, Carmen Abroad: Bizet's Opera on the Global Stage. Langham Smith, R. & Rowden, C. (eds.). Cambridge: Cambridge University Press, p. 263-283 21 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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"Singing All The Time": Constructions of Cultural Identity in Beyoncé's I am... Sasha Fierce
Colton, L., 17 Nov 2020, Beyoncé: At Work, On Screen, and Online. Iddon, M. & Marshall, M. L. (eds.). Bloomington: Indiana University Press, p. 68–90 23 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Sound Archaeology and the Soundscape
Till, R., 2020, The Archaeology of Sound, Acoustics & Music: Studies in Honour of Cajsa S. Lund. Kolltveit, G. & Rainio, R. (eds.). Berlin: Ekho Verlag, Vol. 3. p. 31-54 24 p. (ICTM Study Group on Music Archaeology; vol. 3).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Views of German Producers on ›Teutonic‹ Metal: Production Approaches and Generational Effects
Herbst, J., 6 Nov 2020, One Nation Under a Groove: »Nation« als Kategorie populärer Musik. von Appen, R. & Hindrichs, T. (eds.). 1st ed. Transcript, p. 183-206 24 p. (Beiträge zur Popularmusikforschung; vol. 46).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
Open AccessFile -
What is at stake in data visualization? A feminist critique of the rhetorical power of data visualizations in the media
Hill, R. L., 16 Apr 2020, Data Visualization in Society. Engebretsen, M. & Kennedy, H. (eds.). Amsterdam: Amsterdam University Press, p. 391-405 15 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
Open AccessFile -
2019
"Brave New Ideas Begin": Disability, Gender, and Life-Writing in Twenty-First-Century Pop
Stras, L., 16 Apr 2019, Popular Music and the Politics of Hope: Queer and Feminist Interventions. Fast, S. & Jennex, C. (eds.). 1 ed. New York: Routledge, p. 85-104 20 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Channelling the Ecstasy of Hildegard von Bingen: “O Euchari” Remixed
Colton, L., 30 Jul 2019, Music Beyond Airports: appraising ambient music. Adkins, M. & Cummings, S. (eds.). Huddersfield: University of Huddersfield Press, p. 147-175 29 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
Open Access -
Einʼ feste Burg ist unser Gott? Der Choral in der Instrumentalmusik des 19. Jahrhunderts zwischen sakralem Andachtstopos und konfessionellem Statement
Translated title of the contribution :A mighty fortress our God is?: The chorale in 19th-century instrumental music between devotional topic and confessional statement Research output: Chapter in Book/Report/Conference proceeding › Chapter
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High or Low? Medieval English Carols as Part of Vernacular Culture, 1380-1450
Colton, L. & McInnes, L., 10 Aug 2019, Vernacular Aesthetics in the Later Middle Ages: Politics, Performativity, and Reception from Literature to Music. Jager, K. W. (ed.). 1 ed. New York: Palgrave Macmillan, Cham, p. 119-149 31 p. (The New Middle Ages).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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In Search of "Lutheran" Music in Post-Reformation Germany: Aspects of Transmission and Genre
Schmidt, T., 1 Feb 2019, Music and Theology in the European Reformations. Burn, D., McDonald, G., Verheyden, J. & De Mey, P. (eds.). Turnhout: Brepols Publishers, p. 149-189 41 p. (Epitome Musical).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Moonlight Shadows: ”Licht und Schatten“ in Pink Floyds The Dark Side Of The Moon
Translated title of the contribution :Moonlight Shadows: Light and shadow in Pink Floyd’s The Dark Side Of The Moon Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Shostakovich's 'Leningrad' Symphony: Music of endurance
Fanning, D. & Assay, M., 18 Dec 2019, The Routledge Handbook to Music under German Occupation, 1938-1945: Propaganda, Myth and Reality. Fanning, D. & Levi, E. (eds.). 1st ed. Abingdon & New York: Routledge, p. 418-447 30 p. (Routledge Music Handbooks).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
1 Citation (Scopus) -
The Artist’s Impression: Ethel Waters as Mimic and Auteur
Stras, L., Sep 2019, A Voice as Something More: Essays Toward Materiality. Feldman, M. & Zeitlin, J. T. (eds.). University of Chicago Press, (New Material Histories of Music).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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The Coherence of the Cycle? The Notation of the Motetti Missales in Manuscript and Print: The Libroni of the Duomo in the Sforza Milan: With a Catalog of Libroni edited by Cristina Cassia
Schmidt, T., 2019, Codici per Cantare: I Libroni del Duomo nella Milano slorzesca. Filippi, D. V. & Pavanello, A. (eds.). Lucca: Libreria Musicale Italiana, p. 171-186 16 p. (Studies and Essays).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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The Conservatoire in occupied Kiev (19 September 1941 to 6 November 1943)
Zinkevych, E. & Assay, M., 18 Dec 2019, The Routledge Handbook to Music under German Occupation, 1938-1945: Propaganda, Myth and Reality. Fanning, D. & Levi, E. (eds.). 1st ed. Routledge, p. 33-60 28 p. (Routledge Music Handbooks).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review