Centre for Music, Culture and Identity

  • United Kingdom

Research Output 2010 2020

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2019

"Brave New Ideas Begin": Disability, Gender, and Life-Writing in Twenty-First-Century Pop

Stras, L., 17 Apr 2019, Popular Music and the Politics of Hope: Queer and Feminist Interventions. Fast, S. & Jennex, C. (eds.). 1 ed. New York: Routledge, p. 85-104 20 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Life-writing
Health
Music
Invention
Anglophone

High or Low? Medieval English Carols as Part of Vernacular Culture, 1380-1450

Colton, L. & McInnes, L., 10 Aug 2019, Vernacular Aesthetics in the Later Middle Ages: Politics, Performativity, and Reception from Literature to Music. Jager, K. W. (ed.). 1 ed. New York: Palgrave Macmillan, Cham, p. 119-149 31 p. (The New Middle Ages).

Research output: Chapter in Book/Report/Conference proceedingChapter

Todd Haynes
Medieval Period
Latin Language
Lyrics
Reception

Moonlight Shadows: ”Licht und Schatten“ in Pink Floyds The Dark Side Of The Moon

Translated title of the contribution: Moonlight Shadows: Light and shadow in Pink Floyd’s The Dark Side Of The MoonHerbst, J-P., 27 Sep 2019, Vom Schatten aus: Denk- und Handlungsräume in Kunst und Kunstpädagogik. Kathke, P. (ed.). Hannover: Fabrico Verlag, p. 130-152 23 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Pink Floyd
Music
Albums

Music in the Margins: Queerness in the Clerical Imagination, 1200–1500

Colton, L., 1 Mar 2019, The Oxford Handbook of Music and Queerness. Everett Maus, F. & Whiteley, S. (eds.). Oxford: Oxford University Press

Research output: Chapter in Book/Report/Conference proceedingChapter

Queerness
Music
Medieval Period
Legal Texts
Sexual

The Artist’s Impression: Ethel Waters as Mimic and Auteur

Stras, L., Sep 2019, A Voice as Something More: Essays Toward Materiality. Feldman, M. & Zeitlin, J. T. (eds.). University of Chicago Press, (New Material Histories of Music).

Research output: Chapter in Book/Report/Conference proceedingChapter

The Coherence of the Cycle? The Notation of the Motetti Missales in Manuscript and Print: The Libroni of the Duomo in the Sforza Milan: With a Catalog of Libroni edited by Cristina Cassia

Schmidt, T., 2019, Codici per Cantare: I Libroni del Duomo nella Milano slorzesca. Filippi, D. V. & Pavanello, A. (eds.). Lucca: Libreria Musicale Italiana, p. 171-186 16 p. (Studies and Essays).

Research output: Chapter in Book/Report/Conference proceedingChapter

2018

Digital Audio Ecofeminism (DA’EF): The Glocal Impact of All-Female Communities on Learning and Sound Creativities

Dobson, E., 19 Apr 2018, Creativities in Arts Education, Research and Practice: International Perspectives for the Future of Learning and Teaching. de Bruin, L., Burnard, P. & Davis, S. (eds.). Leiden/Boston: Brill, Vol. 15. p. 201-222 22 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

creativity
learning
community
Creativity
Ecofeminism

Introduction

Cox, G., 23 Jul 2018, Soundings : Documentary Film and the Listening Experience. Cox, G. & Corner, J. (eds.). University of Huddersfield Press, p. 1-14 14 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Open Access

Medievalism, music and agency in 'The Wicker Man' (1973)

Colton, L., 7 Feb 2018, Recomposing the Past: Representations of Early Music on Stage and Screen. Cook, J., Kolassa, A. & Whittaker, A. (eds.). Abingdon: Routledge, p. 213-228 16 p. (Ashgate Screen Music Series).

Research output: Chapter in Book/Report/Conference proceedingChapter

Open Access
Medievalism
Wicker
Music
Murder
Placement

Song in space and space in song: Physical and conceptual boundaries in English devotional music, 1250–1500

Colton, L., 14 Jun 2018, Devotional Interaction in Medieval England and its Afterlives. Foster, E., Perratore, J. & Rozenski, S. (eds.). Leiden: Brill, 41 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Music
Song
Physical
Permeability
Musical Structure

Weave Me a Rainbow ‘The march, the march of colour and pattern’: Music and cinematography at the service of the creative promotion of the 1960s Scottish woollen industry

Cox, G., 23 Jul 2018, Soundings: Documentary Film and the Listening Experience. Cox, G. & Corner, J. (eds.). University of Huddersfield Press, p. 37-67 31 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Open Access
2017

Ambient Music

Till, R., 6 Apr 2017, The Bloomsbury Handbook of Religion and Popular Music. Partridge, C. & Moberg, M. (eds.). 1 ed. London: Bloomsbury Academic, (Bloomsbury Handbooks in Religion).

Research output: Chapter in Book/Report/Conference proceedingChapter

Music
Religion
Spirituality
Stillness
Chill

Influence of distortion on guitar chord structures: Acoustic effects and perceptual correlates

Herbst, J-P., Dec 2017, Musikpsychologie: Akustik und musikalische Hörwahrnehmung. Auhagen, W., Bullerjahn, C. & Louven, C. (eds.). 1 ed. Hogrefe Verlag GmbH and Co. KG, Vol. 27. p. 26-47 22 p. (Yearbook of the German Society for Music Psychology; vol. 27).

Research output: Chapter in Book/Report/Conference proceedingChapter

Open Access
music
acoustics
metal
rock
experimental design

Past Tense: Creative Medievalism in the Music of Margaret Lucy Wilkins

Colton, L., 2017, (Accepted/In press) The Oxford Handbook of Music and Medievalism. Meyer, S. C. & Yri, K. (eds.). Oxford and New York: Oxford University Press, (Oxford Handbooks).

Research output: Chapter in Book/Report/Conference proceedingChapter

1 Citation (Scopus)

Popular music education: A step into the light

Till, R., 20 Jan 2017, The Routledge Research Companion to Popular Music Education. Dylan Smith, G., Moir, Z., Brennan, M., Rambarran, S. & Kirkman, P. (eds.). Abingdon: Routledge, p. 14-30 17 p. (Routledge Research Companions).

Research output: Chapter in Book/Report/Conference proceedingChapter

music lessons
music
educational activities
field of study
educational program

'Sowndys and melodiis': Perceptions of Sound and Music in Late Medieval England

Colton, L., 2017, Cultural Histories of Noise, Sound and Listening in Europe, 1300–1918. Gibson, K. & Biddle, I. (eds.). Abingdon: Routledge, p. 19-30 12 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Medieval England
Sound
Late Medieval Period
Music
Religion

Star quality? Song, celebrity and the jukebox musical in Mamma Mia!

Haworth, C., Jul 2017, Contemporary Musical Film. Donnelly, K. J. & Carroll, B. (eds.). Edinburgh: Edinburgh University Press, p. 107-122

Research output: Chapter in Book/Report/Conference proceedingChapter

Mamma Mia
Celebrity
Song
Queerness
Confusion

The Prairie is a Lonesome Place at Night: The absent sweethearts of hillbilly music

Martin, T., Aug 2017, The Popular Culture of Romantic Love in Australia. Teo, H. M. (ed.). North Melbourne: Australian Scholarly Publishing, 20 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2016

Proofs of Genius: Wolfgang Amadeus Mozart and the Construction of Musical Prodigies in Early Georgian London

Cowgill, R., 2016, Musical Prodigies: Interpretations from Psychology, Education, Musicology, and Ethnomusicology. McPherson, G. E. (ed.). Oxford: Oxford University Press, p. 511-549 39 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Genius
Wolfgang Amadeus Mozart
Prodigy
Musicians
Virtuoso

Singer-songwriter authenticity, the unconscious and emotions (feat. Adele's "Someone Like You")

Till, R., 2016, The Cambridge Companion to the Singer-Songwriter. Williams, K. & Williams, J. A. (eds.). Cambridge: Cambridge University Press, p. 291-304 14 p. (Cambridge Companions to Music).

Research output: Chapter in Book/Report/Conference proceedingChapter

Feat
Emotion
Authenticity
Musicians
Singer-songwriter
2015

Evolutionary Thought in Music Theory and Analysis: A Corrective to “Babelization”?

Jan, S., 2015, L’analyse musicale aujourd’hui: Music analysis today. Hascher, X., Ayari, M. & Bardez, J-M. (eds.). De la Tour, p. 55-75 21 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Permission to Play: Fostering Enterprise Creativities in Music Technology through Extracurricular Interdisciplinary Collaboration

Dobson, E., 2015, Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education. Burnard, P. & Haddon, E. (eds.). Bloomsbury Publishing, p. 75-96 22 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

creativity
music
apprenticeship
community

Pussy Galore: women and music in Goldfinger

Haworth, C., Oct 2015, For His Eyes Only: The Women of James Bond. Funnell, L. (ed.). New York, USA: Columbia University, p. 157-166 10 p. Chapter 16

Research output: Chapter in Book/Report/Conference proceedingChapter

Music
Composer
Bond Film
Title Sequences
Scoring
2014

Who's calling? Telephone songs, female vocal empowerment and signification

Colton, L., 1 Jan 2014, Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture. Iddon, M. & Marshall, M. (eds.). Taylor and Francis AS, p. 67-81 15 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Song
Empowerment
Signification
Telephone
2010

Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre

Mynett, M., Wakefield, J. & Till, R., 1 Feb 2010, Heavy Fundamentalisms: Music, Metal and Politics. Spracklen, K. & Hill, R. (eds.). Inter-Disciplinary Press, p. 141-146

Research output: Chapter in Book/Report/Conference proceedingChapter

Metals
Acoustic waves
Masks

Paganism, popular music and stonehenge

Till, R., 1 Jan 2010, Pop Pagans: Paganism and Popular Music. Acumen Publishing Limited, p. 24-42 19 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Popular music
Stonehenge
Paganism
Pagans
Sun