Research output per year
Research output per year
Organization profile
CeReNeM has outstanding facilities such as the HISS and SPIRAL studios; curates a programme of concerts with artists and ensembles in residence including Apartment House, Bozzini Quartet and the ELISION Ensemble; has partnerships with Electric Spring and the Huddersfield Contemporary Music Festival, the British Music Collection and Sound & Music; publishes HCR CDs, Divergence Press and the CeReNeM Journal; and directs 'Speculations in Sound', a programme of international lectures, symposia and publications in collaboration with, amongst others, Université de Montréal (CIRMMT), Queens College Belfast (SARC), IRCAM Paris, NoTAM, National University of Singapore (Yong Siew Toh Conservatory & IDMI), Harvard University, and Columbia University.
UN Sustainable Development Goals
In 2015, UN member states agreed to 17 global Sustainable Development Goals (SDGs) to end poverty, protect the planet and ensure prosperity for all. Our work contributes towards the following SDG(s):
Fingerprint
Dive into the research topics where Centre for Research in New Music is active. These topic labels come from the works of this organisation's members. Together they form a unique fingerprint.
Network
Recent external collaboration on country/territory level. Dive into details by clicking on the dots or
Profiles
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Monty Adkins
- Vice-Chancellor's Office - Dean of the Graduate School
- School of Arts and Humanities
- Department of Music & Design Arts - Professor
- Centre for Research in New Music - Directorate
Person
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Mary Bellamy
- Department of Music & Design Arts - Senior Lecturer
- School of Arts and Humanities
- Centre for Research in New Music
Person: Academic
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Michael Clarke
- Department of Music & Design Arts - Professor of Music - Director of IRiMaS
- School of Arts and Humanities
- Centre for Research in New Music
Person: Academic
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Balancing Conflicting Types of Authenticity in the Reconstruction of Sound and Music in the Installation Work Blikk (1970)
Rudi, J., 1 Jan 2023, In: Curator. 66, 1, p. 85-106 22 p.Research output: Contribution to journal › Article › peer-review
Open Access -
Automatic discrimination between front and back ensemble locations in HRTF-convolved binaural recordings of music
Zieliński, S., Antoniuk, P., Lee, H. & Johnson, D., 15 Jan 2022, In: Eurasip Journal on Audio, Speech, and Music Processing. 2022, 1, 29 p., 3.Research output: Contribution to journal › Article › peer-review
Open Access1 Citation (Scopus)
Projects
- 4 Finished
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FluCoMa: Fluid Corpus Manipulations
Tremblay, P. A., Green, O., Roma, G., Harker, A., Clarke, M. & Dufeu, F.
1/09/17 → 31/08/22
Project: Research
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John Cage and the 'Concert for piano and orchestra'
Thomas, P. & Iddon, M.
1/10/15 → 29/10/18
Project: Research
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Learning Freedom: Democracy and New Music in Post-Francoist Spain
Adlington, R. & Contreras-Zubillaga, I.
7/09/18 → 28/02/22
Project: Research
Activities
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As ignorable, as interesting? Ambient music in the music artists perspective. (Jak dalece niezauważalna - jak bardzo interesująca? Muzyka ambient w ujęciu artystów.)
Monty Adkins (Participant)
26 Sep 2022Activity: Other activity types › Grant peer-review
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TIAALS as a software environment for identifying, analysing, and comparing timbres in a musicological context
Frédéric Dufeu (Speaker), Keitaro Takahashi (Contributor to Paper or Presentation) & Michael Clarke (Contributor to Paper or Presentation)
10 Sep 2022Activity: Talk or presentation types › Oral presentation
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Analysing texture and gesture in classical music supported by interactive software
Michael Clarke (Speaker), Frédéric Dufeu (Contributor to Paper or Presentation) & Keitaro Takahashi (Contributor to Paper or Presentation)
10 Sep 2022Activity: Talk or presentation types › Oral presentation
Press/Media
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Radio broadcast 'Métaclassique' on 'Tant que les révolutions ressemblent à cela'. L’avant-garde musicale sous Franco.
Igor Contreras-Zubillaga
3/03/21
1 item of Media coverage
Press/Media: Public Engagement Activities
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Radio broadcast 'Sous la couverture' on 'Tant que les révolutions ressemblent à cela'. L’avant-garde musicale sous Franco.
Igor Contreras-Zubillaga
20/02/21
1 item of Media coverage
Press/Media: Public Engagement Activities
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Spatial Audio: Poetics and Workflows: An interview with composer, Pierre Alexandre Tremblay, February 2020 about his piece, Bucolic and Broken.
1/05/20
1 Media contribution
Press/Media: Research
Datasets
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The Gerhard Machine
Gillies, S. (Creator) & Adkins, M. (Creator), University of Huddersfield, 1 Jun 2022
DOI: https://doi.org/10.34696/pcs3-4b73, https://huddersfield.box.com/s/i29cisp56lvl751dj2pk24y70craleiv
Dataset
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Performance Cartography, Performance Cartology: Multimedia Appendices
Hart, J. (Creator), Dufeu, F. (Supervisor), Green, O. (Supervisor) & Tremblay, P. A. (Supervisor), University of Huddersfield, 1 Oct 2021
DOI: https://doi.org/10.34696/p0y3-7f65, https://huddersfield.box.com/v/JacobHartThesisAppendices
Dataset
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John Cage and the Concert for Piano and Orchestra web apps
Thomas, P. (Creator), Melen, C. (Creator), Iddon, M. (Contributor) & Payne, E. (Contributor), University of Huddersfield, 8 Aug 2019
Dataset