Research Output per year
Organization profile
Profile Information
CeReNeM has outstanding facilities such as the HISS and SPIRAL studios; curates a programme of concerts with artists and ensembles in residence including Apartment House, Bozzini Quartet and the ELISION Ensemble; has partnerships with Electric Spring and the Huddersfield Contemporary Music Festival, the British Music Collection and Sound & Music; publishes HCR CDs, Divergence Press and the CeReNeM Journal; and directs 'Speculations in Sound', a programme of international lectures, symposia and publications in collaboration with, amongst others, Université de Montréal (CIRMMT), Queens College Belfast (SARC), IRCAM Paris, NoTAM, National University of Singapore (Yong Siew Toh Conservatory & IDMI), Harvard University, and Columbia University.
Fingerprint Dive into the research topics where Centre for Research in New Music is active. These topic labels come from the works of this organisation's members. Together they form a unique fingerprint.
Music
Arts & Humanities
Sound
Arts & Humanities
Ensemble
Arts & Humanities
Composer
Arts & Humanities
Solo
Arts & Humanities
Huddersfield
Arts & Humanities
Software
Arts & Humanities
Memetics
Arts & Humanities
Network
Recent external collaboration on country level. Dive into details by clicking on the dots.
Profiles
Monty Adkins
- School of Music, Humanities and Media - Associate Dean (Research and Enterprise)
- Department of Music and Drama
- Centre for Research in New Music - Directorate
Person: Academic
Robert Adlington
- Department of Music and Drama - Queen's Anniversary Prize Chair in Contemporary Music
- School of Music, Humanities and Media
- Centre for Research in New Music - Directorate
- Centre for the Study of Music, Culture and Identity - Affiliate
Person: Academic
Mary Bellamy
- Department of Music and Drama - Senior Lecturer
- Centre for Research in New Music
- School of Music, Humanities and Media
Person: Academic
Research Output 1996 2019
Adaptive Mapping of Sound Collections for Data-driven Musical Interfaces
Roma, G., Green, O. & Tremblay, P. A., 20 Mar 2019, (Accepted/In press) NIME – The International Conference on New Interfaces for Musical Expression. Porto Alegre, p. 313-318 6 p. (Proceedings of the conference on New Interface for Musical Expression (NIME)).Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
Open Access
File
Acoustic waves
Experiments
at143: Messiaen + Linda Catlin Smith
Lukoszevieze, A., Benjamin, M., Roche, H. & Thomas, P., 25 May 2019Research output: Non-textual form › Digital or Visual Products
fins
Automatic Spatial Audio Scene Classification in Binaural Recordings of Music
Zieliński, S. & Lee, H., 1 May 2019, In : Applied Sciences (Switzerland). 9, 9, 22 p., 1724.Research output: Contribution to journal › Article
Open Access
music
rooms
recording
Impulse response
impulses
Projects 2012 2022
The impact of technology on the creative processes of composing electroacoustic music
1/08/12 → 1/03/15
Project: Research › Research Council
John Cage and the 'Concert for piano and orchestra'
Thomas, J. & Iddon, M.
1/10/15 → 29/10/18
Project: Research › Research Council
FluCoMa: Fluid Corpus Manipulations
Tremblay, P., Green, O., Roma, G., Harker, A., Clarke, J. & Dufeu, F.
1/09/17 → 31/08/22
Project: Research › EU Government
Activities 2015 2019
Mapping Spaces, Sounding Places: Geographies of Sound in Audiovisual Media
Geoff Cox (Speaker)20 Mar 2019
Activity: Talk or presentation types › Invited talk
Electroacoustic Music Studies Network (Event)
Frédéric Dufeu (Member)11 Jun 2019 → 15 Jun 2019
Activity: Membership types › Membership of committee
Durham University
Philip Thomas (Visiting researcher)11 Feb 2019 → 20 Mar 2019
Activity: Visiting an external institution types › Visiting an external academic institution