Centre for Research in New Music

  • Creative Arts Building

    HD1 3DH Huddersfield

    United Kingdom

Organization profile

Profile Information

CeReNeM has outstanding facilities such as the HISS and SPIRAL studios; curates a programme of concerts with artists and ensembles in residence including Apartment House, Bozzini Quartet and the ELISION Ensemble; has partnerships with Electric Spring and the Huddersfield Contemporary Music Festival, the British Music Collection and Sound & Music; publishes HCR CDs, Divergence Press and the CeReNeM Journal; and directs 'Speculations in Sound', a programme of international lectures, symposia and publications in collaboration with, amongst others, Université de Montréal (CIRMMT), Queens College Belfast (SARC), IRCAM Paris, NoTAM, National University of Singapore (Yong Siew Toh Conservatory & IDMI), Harvard University, and Columbia University.

Fingerprint The fingerprint is based on mining the text of the scientific documents related to the associated persons. Based on that an index of weighted terms is created, which defines the key subjects of research unit

Music Arts & Humanities
Sound Arts & Humanities
Ensemble Arts & Humanities
Composer Arts & Humanities
Solo Arts & Humanities
Huddersfield Arts & Humanities
Software Arts & Humanities
Memetics Arts & Humanities

Network Recent external collaboration on country level. Dive into details by clicking on the dots.

Research Output 1996 2019

Automatic Spatial Audio Scene Classification in Binaural Recordings of Music

Zieliński, S. & Lee, H., 26 Apr 2019, In : Applied Sciences (Switzerland). 9, 9, 22 p., 1724.

Research output: Contribution to journalArticle

Open Access
music
rooms
recording
Impulse response
impulses

Inhabiting Whiteness: The Eoan Group La Traviata, 1956

Pistorius, J., 27 Feb 2019, (Accepted/In press) In : Cambridge Opera Journal.

Research output: Contribution to journalArticle

Open Access
File
Whiteness
Italy
Colonies
Civility
Aesthetics

Post-Experimental Survivor: Finnissy the Experimentalist

Thomas, P., 2019, (Accepted/In press) Critical Perspectives on Michael Finnissy: Bright Futures, Dark Pasts. Pace, I. & McBride, N. (eds.). 1 ed. Routledge, (Ashgate Studies in Theory and Analysis of Music after 1900 ).

Research output: Chapter in Book/Report/Conference proceedingChapter

Music
Survivors
Composer
Questioning
Performer

Projects 2012 2022

John Cage and the 'Concert for piano and orchestra'

Thomas, J. & Iddon, M.

1/10/1529/10/18

Project: ResearchResearch Council

FluCoMa: Fluid Corpus Manipulations

Tremblay, P., Green, O., Roma, G., Harker, A., Clarke, J. & Dufeu, F.

1/09/1731/08/22

Project: ResearchEU Government

Activities 2015 2019

Durham University

Philip Thomas (Visiting researcher)
11 Feb 201920 Mar 2019

Activity: Visiting an external institution typesVisiting an external academic institution

Culture & International History VI

Igor Contreras-Zubillaga (Contributor to Paper or Presentation)
7 May 2019

Activity: Talk or presentation typesOral presentation

The Colour of Scotland

Geoff Cox (Speaker), Fiona Jardine (Speaker)
24 Apr 2019

Activity: Talk or presentation typesInvited talk