Research Output per year
Organization profile
Profile Information
CeReNeM has outstanding facilities such as the HISS and SPIRAL studios; curates a programme of concerts with artists and ensembles in residence including Apartment House, Bozzini Quartet and the ELISION Ensemble; has partnerships with Electric Spring and the Huddersfield Contemporary Music Festival, the British Music Collection and Sound & Music; publishes HCR CDs, Divergence Press and the CeReNeM Journal; and directs 'Speculations in Sound', a programme of international lectures, symposia and publications in collaboration with, amongst others, Université de Montréal (CIRMMT), Queens College Belfast (SARC), IRCAM Paris, NoTAM, National University of Singapore (Yong Siew Toh Conservatory & IDMI), Harvard University, and Columbia University.
Fingerprint Dive into the research topics where Centre for Research in New Music is active. These topic labels come from the works of this organisation's members. Together they form a unique fingerprint.
Music
Arts & Humanities
Sound
Arts & Humanities
Ensemble
Arts & Humanities
Composer
Arts & Humanities
Solo
Arts & Humanities
Huddersfield
Arts & Humanities
Software
Arts & Humanities
Memetics
Arts & Humanities
Network
Recent external collaboration on country level. Dive into details by clicking on the dots.
Profiles
Monty Adkins
- School of Music, Humanities and Media - Associate Dean (Research and Enterprise)
- Department of Music and Drama
- Centre for Research in New Music - Directorate
Person: Academic
Robert Adlington
- Department of Music and Drama - Queen's Anniversary Prize Chair in Contemporary Music
- School of Music, Humanities and Media
- Centre for Research in New Music - Directorate
- Centre for Music, Culture and Identity - Affiliate
Person: Academic
Mary Bellamy
- Department of Music and Drama - Senior Lecturer
- Centre for Research in New Music
- School of Music, Humanities and Media
Person: Academic
Research Output 1996 2020
Halftoning
Tremblay, P. A., Bonney, A. & Pluta, S., 19 Jan 2020Research output: Non-textual form › Digital or Visual Products
Open Access
boxes
electronics
acoustics
John Cage's Concert for Piano and Orchestra
Iddon, M. & Thomas, P., 1 Jan 2020, (Accepted/In press) Oxford University Press. 480 p. (Studies in Musical Genesis, Sketches and Interpretation)Research output: Book/Report › Book
John Cage
Cage
Concert
Indeterminacy
Solo
Self-portrait, 1996: A way of making ghosts, part 2
Cassidy, A., 11 Jan 2020Research output: Non-textual form › Composition
Ghost
Self-portrait
Quartet
Layering
Expressive
Projects 2012 2022
Learning Freedom: Democracy and New Music in Post-Francoist Spain
Adlington, R. & Contreras-Zubillaga, I.
7/09/18 → 7/09/21
Project: Research
John Cage and the 'Concert for piano and orchestra'
Thomas, P. & Iddon, M.
1/10/15 → 29/10/18
Project: Research
The impact of technology on the creative processes of composing electroacoustic music
1/08/12 → 1/03/15
Project: Research
Activities 2015 2020
The FluCoMa Project: Empowering techno-fluent sound artists
Pierre Alexandre Tremblay (Speaker)15 Feb 2020
Activity: Talk or presentation types › Invited talk
Unland
Kristina Wolfe (Speaker)Oct 2019 → Dec 2019
Activity: Talk or presentation types › Invited talk
Composing & improvising with information
Pierre Alexandre Tremblay (Speaker)20 Sep 2019
Activity: Talk or presentation types › Invited talk
Press / Media
Morton Feldman: Piano review – connecting the dots on a modern master
11/10/19
1 item of Media coverage
Press/Media: Research
asinglewordisnotenough3 on ScoreFollower
21/09/19
1 Media contribution
Press/Media: Public Engagement Activities