Research Output per year
Organization profile
Profile Information
CeReNeM has outstanding facilities such as the HISS and SPIRAL studios; curates a programme of concerts with artists and ensembles in residence including Apartment House, Bozzini Quartet and the ELISION Ensemble; has partnerships with Electric Spring and the Huddersfield Contemporary Music Festival, the British Music Collection and Sound & Music; publishes HCR CDs, Divergence Press and the CeReNeM Journal; and directs 'Speculations in Sound', a programme of international lectures, symposia and publications in collaboration with, amongst others, Université de Montréal (CIRMMT), Queens College Belfast (SARC), IRCAM Paris, NoTAM, National University of Singapore (Yong Siew Toh Conservatory & IDMI), Harvard University, and Columbia University.
Fingerprint Dive into the research topics where Centre for Research in New Music is active. These topic labels come from the works of this organisation's members. Together they form a unique fingerprint.
Network
Recent external collaboration on country level. Dive into details by clicking on the dots.
Profiles
Monty Adkins
- Vice-Chancellor's Office - Dean of Graduate School
- Department of History, English, Linguistics and Music
- Centre for Research in New Music - Directorate
Person: Academic
Robert Adlington
- Department of History, English, Linguistics and Music - Queen's Anniversary Prize Chair in Contemporary Music
- School of Music, Humanities and Media
- Centre for Research in New Music - Directorate
- Centre for Music, Culture and Identity - Affiliate
Person: Academic
Research Output
A Comparison of Human against Machine-Classification of Spatial Audio Scenes in Binaural Recordings of Music
Zieliński, S., Lee, H., Antoniuk, P. & Dadan, O., 1 Sep 2020, In : Applied Sciences (Switzerland). 10, 17, 24 p., 5956.Research output: Contribution to journal › Article
Open Access
Audio Morphing Using Matrix Decomposition and Optimal Transport
Roma, G., Green, O. & Tremblay, P. A., 9 Sep 2020, Proceedings of the 23rd International Conference on Digital Audio Effects. Evangelista, G. (ed.). Vol. 1. p. 147-154 8 p. (Digital Audio Effects (DAFx) Proceedings Series).Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
Open Access
behind the transparent surface (2020): for small ensemble with Harry-Partch-Instruments
Bellamy, M., 9 Mar 2020Research output: Non-textual form › Composition
Projects
FluCoMa: Fluid Corpus Manipulations
Tremblay, P. A., Green, O., Roma, G., Harker, A., Clarke, M. & Dufeu, F.
1/09/17 → 31/08/22
Project: Research
John Cage and the 'Concert for piano and orchestra'
Thomas, P. & Iddon, M.
1/10/15 → 29/10/18
Project: Research
Learning Freedom: Democracy and New Music in Post-Francoist Spain
Adlington, R. & Contreras-Zubillaga, I.
7/09/18 → 7/09/21
Project: Research
Activities
Música y democracia en la transición española (1975-1986)
Igor Contreras-Zubillaga (Speaker)
24 Sep 2020
Activity: Talk or presentation types › Oral presentation
Themed Session: 'Music and the Third Wave of Democratisation in Southern Europe and the Global South'
Igor Contreras-Zubillaga (Speaker), Robert Adlington (Speaker), Mia Pistorius (Speaker), Daniel Party (Speaker) & Anna Papaeti (Speaker)
10 Sep 2020
Activity: Talk or presentation types › Oral presentation
AES: Journal of the Audio Engineering Society (Journal)
Hyunkook Lee (Reviewer)
4 Aug 2020 → …
Activity: Publication peer-review and editorial work types › Editorial work
Press / Media
Morton Feldman: Piano review – connecting the dots on a modern master
11/10/19
1 item of Media coverage
Press/Media: Research
asinglewordisnotenough3 on ScoreFollower
21/09/19
1 Media contribution
Press/Media: Public Engagement Activities