Centre for Research in New Music

Research output

Research output per year 1990 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 2024 2025

• 172 Composition
• 100 Conference contribution
• 98 Article
• 59 Digital or Visual Products
• 188 More
  • 51 Chapter
  • 40 Performance
  • 20 Book
  • 12 Exhibition
  • 11 Software
  • 10 Editorial
  • 9 Artefact
  • 7 Book/Film/Dance Article review
  • 7 Review article
  • 6 Foreword/postscript
  • 4 Web publication/site
  • 3 Other chapter contribution
  • 2 Special issue
  • 1 Commissioned report
  • 1 Entry for encyclopedia/dictionary
  • 1 Comment/debate
  • 1 Letter
  • 1 Other contribution
  • 1 Preprint

Research output per year

Research output per year

Search results

• 2023

  Planting Sounds: re-framing the acoustic environment in 'Tree People' (2014), the story of the Colne Valley Tree Society

  Cox, G., 31 Jul 2023, The Place of Poetics within Documentary Filmmaking: The Art of Fact. Marley, K. (ed.). Cambridge Scholars Publishing, p. 62-74 13 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 2022

  Composing for the francoist side during the Spanish Civil War

  Contreras-Zubillaga, I., 24 Jan 2022, Music and the Spanish Civil War. Pérez-Zalduondo, G. & Iglesias, I. (eds.). Bern: Peter Lang Publishing Group, p. 59-78 20 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  1 Citation (Scopus)

• Gerhard's Cultural Milieu: An Explorer and a Survivor

  Adkins, M., 10 Nov 2022, Roberto Gerhard: Re-Appraising a Musical Visionary in Exile. Adkins, M. & Mann, R. E. (eds.). Oxford: Oxford University Press, p. 9-37 29 p. (Proceedings of the British Academy; vol. 252).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Survivors 100%
  • Milieu 72%
  • Exile 71%
  • England 60%
  • Composer 51%

• Universal Acid in the Computer Chip: Music, Memetics and Metacreation

  Jan, S., 17 Sep 2022, Proceedings of the 3rd Conference on AI Music Creativity: AIMC 2022. AI Music Creativity, 12 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  Open Access

  • Darwinism 100%
  • Memetics 89%
  • Music 64%
  • Evolutionary 39%
  • Intercession 20%
• 2021

  El artista y el aparato: repensar la relación entre el compositor y el Estado en contexto de dictadura

  Translated title of the contribution: The Artist and the Apparatus: Rethinking the Relationship Between the Composer and the State in DictatorshipsContreras-Zubillaga, I., 11 Jan 2021, El franquismo en caleidoscopio: Perspectivas y estudios transdisciplinares sobre dictadura . Box, Z. & Rina Simon, C. (eds.). 1st ed. Editorial Comares, p. 125-145 21 p. (Comares Historia).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Ensemble interaction in indeterminate music: A case study of Christian Wolff’s Exercises

  Payne, E. & Thomas, P., 4 Nov 2021, Together In Music: Coordination, expression, participation. Timmers, R., Bailes, F. & Daffern, H. (eds.). Oxford University Press, p. 148-154 7 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • music 100%
  • apartment house 65%
  • interaction 55%
  • composer 54%
  • musician 45%
  1 Citation (Scopus)

• Psychoacoustics of height perception in 3D audio

  Lee, H., 26 Jul 2021, 3D Audio. Paterson, J. & Lee, H. (eds.). 1st ed. New York: Routledge, p. 82-98 17 p. (Perspectives on Music Production).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Loudspeakers 100%
  • Microphones 41%
  • Acoustic waves 31%
  1 Citation (Scopus)

• Towards a Queer Laboratory

  Spatz, B., 22 Sep 2021, The Palgrave Handbook of Queer and Trans Feminisms in Contemporary Performance. Rosenberg, T., D'Urso, S. & Winget, A. R. (eds.). Palgrave Macmillan, p. 381-396 16 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • performance 100%
  • gender 53%
• 2020

  Curating Difference: Elliott Carter and Democracy

  Adlington, R., 3 Nov 2020, Finding Democracy in Music. Adlington, R. & Buch, E. (eds.). 1st ed. Routledge, p. 80-100 21 p. (Musical Cultures of the Twentieth Century).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • democracy 100%
  • composer 41%
  • artist 28%
  • twentieth century 25%
  • music 25%

• Getting Exercised: Ensemble Relations in Christian Wolff's Exercises

  Payne, E. & Thomas, P., 3 Nov 2020, Finding Democracy in Music. Adlington, R. & Buch, E. (eds.). 1st ed. Routledge, p. 101-124 24 p. (Musical Cultures of the Twentieth Century).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Christian Wolff 100%
  • Ensemble 64%
  • Exercise 52%
  • Music 34%
  • Democratic Socialism 24%

• Mourning and music

  Pistorius, J. M., 11 Aug 2020, On Commemoration: Global Reflections upon Remembering War. Gilbert, C., McLoughlin, K. & Munro, N. (eds.). Verlag Peter Lang AG, p. 247-248 2 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Music 100%
  • Grief 98%
  • music 80%
  • Soundtrack 78%
  • musician 72%

• Screen grammar for mobile frame media: The audiovisual language of cinematic virtual reality, case studies and analysis

  Gillies, S., 10 Jun 2020, Sound and Image: Aesthetics and Practices. Knight-Hill, A. (ed.). 1st ed. London: Routledge, Taylor & Francis Group, p. 206-218 13 p. (Sound Design).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • virtual reality 100%
  • grammar 94%
  • social construction 25%
  • recording 22%
  • music 21%
• 2019

  Post-experimental survivor: Finnissy the experimentalist

  Thomas, P., 21 May 2019, Critical Perspectives on Michael Finnissy: Bright Futures, Dark Pasts. Pace, I. & McBride, N. (eds.). 1 ed. Abingdon & New York: Routledge, p. 39-56 18 p. (Ashgate Studies in Theory and Analysis of Music after 1900 ).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Survivors 100%
  • Music 87%
  • Experimentalism 37%
  • Musical Activities 35%
  • Vampire 34%
  1 Citation (Scopus)
• 2018

  Changing realities: 1968 and new music

  Adlington, R., 2018, Get Real: programme book for the 2018 Rainy Days Festival. Luxembourg: Philhamonie Luxembourg, p. 182-185 4 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• Intervention: Knots and other forms of Entanglement

  Lim, L., 8 Feb 2018, Distributed Creativity : Collaboration and Improvisation in Contemporary Music. Clarke, E. & Doffman, M. (eds.). Oxford University Press, (Studies in Musical Performance as Creative Practice).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Introduction

  Cox, G., 23 Jul 2018, Soundings : Documentary Film and the Listening Experience. Cox, G. & Corner, J. (eds.). University of Huddersfield Press, p. 1-14 14 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  Open Access

• Letters to an empty room

  Spatz, B., 14 Sep 2018, Conversations on Embodiment Across Higher Education: Teaching, Practice and Research. Leigh, J. (ed.). 1st ed. Taylor and Francis Ltd., p. 39-49 11 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Modernism: the people's music?

  Adlington, R., 11 Sep 2018, The Routledge Research Companion to Modernism in Music. Heile, B. & Wilson, C. (eds.). Routledge

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Music 100%
  • Genealogy 43%
  • Musicians 40%
  • Modernist 40%
  • Free Jazz 37%

• Negotiating Sonic Space for Group Electronics

  Green, O. & Williams, S., 1 Oct 2018, Music and Sonic Art: Theories and Practices. Doğantan-Dack, M. & Dack, J. (eds.). 1st ed. Cambridge Scholars Publishing, p. 200-217 18 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Weave Me a Rainbow ‘The march, the march of colour and pattern’: Music and cinematography at the service of the creative promotion of the 1960s Scottish woollen industry

  Cox, G., 23 Jul 2018, Soundings: Documentary Film and the Listening Experience. Cox, G. & Corner, J. (eds.). University of Huddersfield Press, p. 37-67 31 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  Open Access
• 2017

  Choreography as Research: Iteration, Object, Context

  Spatz, B., 13 Dec 2017, Contemporary choreography: A critical reader. Butterworth, J. & Wildschut, L. (eds.). 2nd ed. Routledge

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • epistemology 100%
  • dance 93%
  • corporeality 20%
  • realism 15%
  • invention 15%
  2 Citations (Scopus)

• Electronic music and the moving image

  D'Escrivan Rincon, J., 9 Nov 2017, The Cambridge Companion to Electronic Music. Collins, N. & D'Escrivan, J. (eds.). 2nd ed. Cambridge: Cambridge University Press, p. 154

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Extending the Instrumental Sound World Using Electronics

  Adkins, M., 9 Nov 2017, The Cambridge Companion to Electronic Music. Collins, N. & d'Escrivan, J. (eds.). Cambridge University Press, p. 258-273 16 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
  1 Citation (Scopus)

• Interactive Tools for the Study of Electroacoustic Music Composition Methods: Resources for teaching and learning from the TaCEM software

  Clarke, M., Dufeu, F. & Manning, P., May 2017, Innovative Tools and Methods for Teaching Music and Signal Processing. Pottier, L. (ed.). Paris: Presses des Mines, p. 27-35 9 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Introduction III: Mad Lab - or why we can’t do practice as research

  Spatz, B., 11 Dec 2017, Performance as Research: Knowledge, Methods, Impact. Arlander, A., Barton, B., Dreyer-Lude, M. & Spatz, B. (eds.). 1st ed. London and New York: Routledge, p. 209-223 15 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Practice as Research 100%
  • Performance Practice 25%
  • Performance 25%
  • Experimentation 22%
  • Genealogy 20%

• Sound Sharing and Retrieval

  Font, F., Roma, G. & Serra, X., 22 Sep 2017, Computational Analysis of Sound Scenes and Events. Virtanen, T., Plumbley, M. & Ellis, D. (eds.). 1st ed. Springer, Cham, p. 279-301 23 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Acoustic waves 100%
  • Metadata 41%
  13 Citations (Scopus)

• What do we Document? Dense Video and the Epistemology of Practice

  Spatz, B., 23 Mar 2017, Documenting Performance: The Context and Processes of Digital Curation and Archiving. Sant, T. (ed.). Bloomsbury Publishing, p. 241-252 12 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  Open Access

  • Epistemology 100%
  • Ephemerality 37%
  • Documentation 33%
  • Performance 30%
  • Performing Arts 18%
  4 Citations (Scopus)
• 2016

  Abstruse Bagatelles: Music for solo piano by Christopher Fox

  Thomas, P., 1 Aug 2016, Perspectives on the Music of Christopher Fox: Straight Lines in Broken Times. Dodd, R. (ed.). 1st ed. London: Routledge, p. 128-148 21 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Music 100%
  • Solo 96%
  • Composer 78%
  • Minimalist 36%
  • Compositional Method 24%

• Claustrophilia: A musical gift from Roberto Gerhard to John Cage

  Duque, C. & Adkins, M., 2016, Essays on Roberto Gerhard. Adkins, M. & Russ, M. (eds.). Cambidge: Cambridge Scholars Publishing, p. 261-278 17 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • John Cage 100%
  • Gift 81%
  • England 72%
  • Serialism 56%
  • Quintet 55%

• Creative Interaction

  Clarke, M., Pearson, L-A. & McNichol, A., 29 Dec 2016, The Routledge Companion to Music, Technology, and Education. King, A., Himonides, E. & Ruthmann, S. A. (eds.). Taylor and Francis, p. 367-376 10 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
  2 Citations (Scopus)

• De l’improvisation collective à son redéploiement électroacoustique

  Translated title of the contribution: From collective improvisation to electroacoustic redeploymentDufeu, F. & Rabin, J., 2016, L'Improvisation musicale collective. Castanet, P. A. & Otto, P. (eds.). L'Harmattan, p. 151-162 12 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Isoluminance

  Wolfe, K., 2016, Sustain // Decay: A Philosophical Investigation of Drone Music and Mysticism. Coggins, O. & Harris, J. (eds.). Void Front Press, p. 70-85

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Sound 100%
  • Mystic 82%
  • Unreality 51%
  • Conflation 43%
  • Yolngu 30%

• Les pratiques musicales provoquées par le numérique: quelles ruptures pour l’acte de création ?

  Translated title of the contribution: The musical practices provoked by the digital: what breaks for the act of creation?Dufeu, F. & Rabin, J., 1 Jul 2016, Défier la décence. Crise du sens et nouveaux visages du scandale dans l’art. Brogowski, L., Delaplace, J. & Laurent, J. (eds.). Arras: Artois Presses Universite, p. 163-172 10 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• 'The Crises of Sense': Listening to 'Un re in ascolto'

  Adlington, R., 1 Apr 2016, Le théâtre musical de Luciano Berio: De Un re in ascolto à Cronaca del Luogo. Ferrari, G. (ed.). Paris: Editions l'Harmattan, Vol. 2. p. 53-78

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Using experience design in curricula to enhance creativity and collaborative practice in electronic music

  Adkins, M., 2016, Music, Technology and Education: Critical Perspectives. King, A. & Himonides, E. (eds.). Routledge, p. 191-209 19 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  1 Citation (Scopus)

• Utilitarian electronics: Portrait mit Cage and Stockhausen (Barlow und Kagel sind auch dabei)

  Adkins, M., 1 Aug 2016, Perspectives on the Music of Christopher Fox: Straight Lines in Broken Times. Dodd, R. (ed.). 1st ed. Routledge, p. 70-96 27 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Karlheinz Stockhausen 100%
  • Cage 83%
  • Music 72%
  • Composer 56%
  • Richard Dawkins 31%
• 2015

  Entre composition et improvisation: analyse du programme informatique de Soliloque sur [X, X, X et X] de Fabien Lévy

  Translated title of the contribution: Between composition and improvisation: Analysis of the computer program of Soliloque on [X, X, X and X] by Fabien LévyDufeu, F., 2015, Penser l’improvisation. Ayari, M. (ed.). France: Editions Delatour France, p. 249-272 24 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Evolutionary Thought in Music Theory and Analysis: A Corrective to “Babelization”?

  Jan, S., 2015, L’analyse musicale aujourd’hui: Music analysis today. Hascher, X., Ayari, M. & Bardez, J-M. (eds.). De la Tour, p. 55-75 21 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 2014

  Stream-­Form and the loss of traditional virtuosity: Thoughts and a method

  D'Escrivan Rincon, J. & Adkins, M., 2014, Mono #2 Cochlear Poetics: Writings on Music and Sound Arts. Tudela, P. & Carvalhais, M. (eds.). Porto, Vol. 2. p. 189-204 15 p. (Mono; vol. 2).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 2013

  In search of a 'third way'

  Adkins, M., 2013, The Roberto Gerhard Companion. Ashgate Publishing Ltd., p. 257-283 27 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Introduction

  Cassidy, A. & Einbond, A., Oct 2013, Noise in and as Music. Cassidy, A. & Einbond, A. (eds.). University of Huddersfield Press, p. xiii-xx 8 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  Open Access

• Le support sonore comme instrument de musique chez Christian Marclay: The recording medium as instrument in Christian Marclay's works

  Bossis, B., Marclay, C. & Dufeu, F., 2013, La musique et ses instruments. Castellengo, M. & Genevois, H. (eds.). Sampzon: Editions Delatour France, p. 419-435 (Pensée Musicale).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Mémoires numériques et comportements instrumentaux: quels dialogues entre le musicien et la machine?

  Dufeu, F., Feb 2013, Libérez les machines !: L’imaginaire technologique à l’épreuve de l’art. Braun, P. (ed.). Les Presses du Réel, p. 105-113

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Noise and the Voice: exploring the thresholds of vocal transgression

  Cassidy, A., Oct 2013, Noise in and as Music. Cassidy, A. & Einbond, A. (eds.). University of Huddersfield Press, p. 33-53 21 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access
• 2011

  Replication, Parataxis, and Evolution: Meme Journeys through the First Movement of a Mozart Sonata

  Jan, S., 2011, A-Life for Music: Music and Computer Models of Living Systems. Miranda, E. R. (ed.). Middleton, WI: A-R Editions, p. 217-260 44 p. (Computer Music and Digital Audio Series).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 2010

  For Pianist: The Solo Piano Music

  Thomas, P., 28 Aug 2010, Changing the System: The Music of Christian Wolff. Thomas, P. & Chase, S. (eds.). 1st ed. Ashgate Publishing Ltd., p. 51-92 42 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Playing the game? Five reflections upon performing Christian Wolff's music

  Thomas, P., 28 Aug 2010, Changing the System: The Music of Christian Wolff. Chase, S. & Thomas, P. (eds.). Ashgate Publishing Ltd., p. 211-218 8 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  1 Citation (Scopus)
• 2008

  Determinate Action/Indeterminate Sound: Tablature and Chance in Several Recent Works

  Cassidy, A., 1 Jun 2008, Facets of the Second Modernity. Mahnkopf, C-S., Cox, F. & Schurig, W. (eds.). Hofheim: Wolke Verlag, p. 17-32 16 p. (New Music and Aesthetics in the 21st Century; vol. 6).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 2006

  From SYnthia to calma to Sybil: Developing strategies for interactive learning in music

  Clarke, M., 1 Dec 2006, Technology Supported Learning and Teaching: A Staff Perspective. O'Donoghue, J. (ed.). IGI Global, p. 292-308 17 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Music 100%
  • Teaching 83%
  • music 80%
  • Acoustic waves 74%
  • Huddersfield 73%
  3 Citations (Scopus)
• 2004

  Performative physicality and choreography as morphological determinants

  Cassidy, A., 1 Jun 2004, Musical Morphology: New Music & Aesthetics in the 21st Century. Mahnkopf, C-S., Schurig, W. & Cox, F. (eds.). Germany: Wolke Verlag, Vol. 2. (New music and aesthetics in the 21st century; vol. 2).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review