Centre for Research in New Music

Research output

Research output per year 1990 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 2024 2025

• 172 Composition
• 100 Conference contribution
• 97 Article
• 59 Digital or Visual Products
• 188 More
  • 51 Chapter
  • 40 Performance
  • 20 Book
  • 12 Exhibition
  • 11 Software
  • 10 Editorial
  • 9 Artefact
  • 7 Book/Film/Dance Article review
  • 7 Review article
  • 6 Foreword/postscript
  • 4 Web publication/site
  • 3 Other chapter contribution
  • 2 Special issue
  • 1 Commissioned report
  • 1 Entry for encyclopedia/dictionary
  • 1 Comment/debate
  • 1 Letter
  • 1 Other contribution
  • 1 Preprint

Research output per year

Research output per year

Search results

• 2024

  Influence of Multichannel versus Stereo Formats on Narrative Engagement: A Comparative Study Using Physiological and Self-Report Measures

  Sochaczewska, K., Lee, H. & Dewey, C., 9 Aug 2024, (Accepted/In press) Proceedings of 157th AES convention 2024. Audio Engineering Society

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
• 2023

  A digital toolbox for musical analysis of computer music: exploring music and technology through sonic experience

  Clarke, M., Dufeu, F. & Takahashi, K., 14 Jun 2023, Proceedings of the Sound and Music Computing Conference 2023: SMC 2023. Bresin, R. & Falkenberg, K. (eds.). Zenodo, p. 312-316 5 p.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

• Audibility of Binaural Beats Depending on Frequency and Modulation Rate

  Nipkow, L. & Lee, H., 23 Aug 2023, Proceedings of AES International Conference on Spatial and Immersive Audio 2023. Fenton, S. & Kearney, G. (eds.). Audio Engineering Society, p. 415-418 4 p. 48

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

• Directional Analysis of Early Reflections in Small Shoebox-Shaped Listening Rooms

  Pawlak, A., Lee, H., Mäkivirta, A. & Lund, T., 13 May 2023, AES Europe 2023: 154th Audio Engineering Society Convention. Peters, N. & Schlecht, S. (eds.). Audio Engineering Society, 83

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

• Frequency Dependency of Loudness Perception for Immersive Audio Formats

  Dickinson, S. & Lee, H., 23 Aug 2023, Proceedings of AES International Conference on Spatial and Immersive Audio 2023. Fenton, S. & Kearney, G. (eds.). Audio Engineering Society, p. 373-380 8 p. 43

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

• Investigating the Impact of Room Divergence Effect on the Film Watching Experience in Multi-Channel Binauralized Content

  Petrea, T. & Lee, H., 23 Aug 2023, Proceedings of AES International Conference on Spatial and Immersive Audio 2023. Fenton, S. & Kearney, G. (eds.). Audio Engineering Society, p. 500-507 8 p. 59

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

• Perceptual dimensions of listener envelopment (LEV) in a positional and directional-varying context

  Bacila, B. & Lee, H., 23 Aug 2023, Proceedings of AES International Conference on Spatial and Immersive Audio 2023. Fenton, S. & Kearney, G. (eds.). Audio Engineering Society, p. 484-491 8 p. 57

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
  1 Citation (Scopus)

• SoniCross: Evaluating Annoyance in Sonifications for Electric Vehicles using Audio-Visual simulation

  Svoronos-Kanavas, I. & Lee, H., 23 Aug 2023, Proceedings of AES International Conference on Spatial and Immersive Audio 2023. Fenton, S. & Kearney, G. (eds.). Audio Engineering Society, p. 475-483 9 p. 56

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

• Towards the neurophysiological characterization of immersive attributes in auditory events

  Naal-Ruiz, N. E., Lee, H., Gonzalez, A., Gonzalez, R., Duville, M. M., Alonso-Valerdi, L. M. & Ibarra-Zarate, D. I., 23 Aug 2023, Proceedings of AES International Conference on Spatial and Immersive Audio 2023. Fenton, S. & Kearney, G. (eds.). Audio Engineering Society, p. 435-443 9 p. 51

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
• 2022

  Computer music and post-acousmatic practices

  Holbrook, U. & Rudi, J., 3 Jul 2022, Proceedings of the International Computer Music Conference, ICMC 2022. Torre, G. (ed.). San Francisco: International Computer Music Association, p. 140-144 5 p. (International Computer Music Conference, ICMC Proceedings; vol. 2022).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

  • music 100%
  • genre 29%
  • mainframe 24%
  • social factors 14%
  • history 9%

• Max as a Tool for the Musicological Analysis of Computer Music

  Dufeu, F., Clarke, M. & Manning, P., 3 Jul 2022, Proceedings of the International Computer Music Conference 2022, ICMC 2022. Torre, G. (ed.). International Computer Music Association, p. 43-48 6 p. (International Computer Music Conference, ICMC Proceedings; vol. 2022-July).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  • Computer music 100%
  • Programming 66%
  • Repertoire 62%
  • Musical Creation 51%
  • Software 44%

• Online acoustic recording education using MARRS

  Lee, H. & Goddard, N., 24 Oct 2022, Proceedings of the 24th International Congress on Acoustics: ICA 2022 Proceedings. ICA International Commission for Acoustics, Vol. 2022. 2 p. (Proceedings of the International Congress on Acoustics; vol. 2022).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

• Playback level calibration by hand rubbing for remote listening test

  Lee, H. & Johnson, D., 24 Oct 2022, Proceedings of the 24th International Congress on Acoustics: ICA 2022 Proceedings. ICA International Commission for Acoustics, Vol. 2022. 4 p. (Proceedings of the International Congress on Acoustics; vol. 2022).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

• With Love. From An Invader: An Exploration of Landscape and Identity

  Adkins, M. & Preston, Y. W., 6 Jul 2022, Proceedings of the 10th Conference on Computation, Communication, Aesthetics & X. Carvalhais, M., Verdicchio, M., Ribas, L. & Rangel, A. (eds.). Portugal: I2ADS, p. 261-276 16 p.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  • Sound Recording 100%
  • Backlash 95%
  • Habitat 95%
  • England 75%
  • Documentary 66%
• 2021

  Binaural Mixing of Popular Music

  Morell, P. A. & Lee, H., 13 Oct 2021, 151st Audio Engineering Society Convention 2021. Audio Engineering Society, p. 414-418 5 p. 665

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  • music 100%
  • drums 97%
  • rocks 57%
  • electronics 30%
  • engineering 14%
  6 Citations (Scopus)

• Digging it: Programmatic Data Mining as Musicking

  Tremblay, P. A., Roma, G. & Green, O., 28 Jul 2021, Proceedings of the International Computer Music Conference: ICMC 2021. Cádiz, R. F. (ed.). International Computer Music Association, p. 295-300 6 p. (International Computer Music Conference Proceedings ).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

  File

  • Data mining 100%
  • Acoustic waves 95%
  • Feedback 38%

• Graph-Based Audio Looping And Granulation

  Roma, G., Tremblay, P. A. & Green, O., 11 May 2021, Proceedings of the 24th International Conference on Digital Audio Effects : (DAFx). IEEE, p. 253-259 7 p. (Proceedings of the International Conference on Digital Audio Effects (DAFx)).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

  • Granulation 100%
  • Cluster analysis 90%
  1 Citation (Scopus)

• Soundscapes for experiencing architecture in virtual reality - elements and considerations

  Rudi, J., 10 Dec 2021, Electroacoustic Music Studies Network, Conference Proceedings. Electroacoustic Music Studies Network, 8 p. 5772984

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

  • Virtual Reality 100%
  • Oslo 99%
  • Soundscape 95%
  • Research Projects 76%
  • Virtual Environments 54%

• Subjective evaluation of spatial analysis and synthesis methods using different microphone arrays

  Pawlak, A., Lee, H., Makivirta, A. & Lund, T., 23 Nov 2021, 2021 Immersive and 3D Audio: From Architecture to Automotive, I3DA 2021. Institute of Electrical and Electronics Engineers Inc., 7 p. 9610905. (2021 Immersive and 3D Audio: From Architecture to Automotive, I3DA 2021).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  • Spatial Analysis 100%
  • Direction of arrival 85%
  • microphones 81%
  • Microphones 81%
  • Impulse response 79%
  6 Citations (Scopus)

• The Effect of Direct-to-Reverberant Energy Ratio on Front-Back Confusion in Binaural Reproduction

  Lee, H., Johnson, D. & Zielinski, S. K., 23 Nov 2021, 2021 Immersive and 3D Audio: From Architecture to Automotive, I3DA 2021. IEEE, 5 p. 9610831

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  • confusion 100%
  • Impulse response 83%
  • Loudspeakers 68%
  • Confusion 67%
  • Energy 62%
  1 Citation (Scopus)

• Towards a User-Friendly System for Environmental Sound Synthesis in Games

  Floroiu, C. & Gibson, I., 1 Jun 2021, Proceedings of the150th Audio Engineering Society Convention, AES 2021. Angus, J. & Wenmaekers, R. (eds.). Audio Engineering Society, 10466

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  • games 100%
  • Sound 76%
  • Synthesis 72%
  • Game 65%
  • Acoustic waves 63%
  1 Citation (Scopus)
• 2020

  Audio Morphing Using Matrix Decomposition and Optimal Transport

  Roma, G., Green, O. & Tremblay, P. A., 9 Sep 2020, Proceedings of the 23rd International Conference on Digital Audio Effects. Evangelista, G. (ed.). Vol. 1. p. 147-154 8 p. (Digital Audio Effects (DAFx) Proceedings Series).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

  • HPSS 100%
  • Interpolation 95%
  • Decomposition 80%
  • Audio recordings 77%
  • Source separation 72%
  4 Citations (Scopus)

• Creating Virtual Height Loudspeakers for Dolby Atmos and Auro-3D Using VHAP

  Lee, H. & Borzym, K., 28 May 2020, Proceedings of 148th AES Convention. Audio Engineering Society, 592

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  • Loudspeakers 100%
  • Phantoms 28%
  • Degradation 18%
  4 Citations (Scopus)

• Huddersfield Universal Listening Test Interface Generator (HULTI-GEN) Version 2

  Johnson, D. & Lee, H., 22 Oct 2020, Proceedings of the 149th AES Convention. Andreopoulou, A. & Boren, B. (eds.). Audio Engineering Society, 633

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  • Psychometrics 100%
  • Software 80%
  7 Citations (Scopus)

• Imagining Democracy in Music: Lessons from the Past

  Adlington, R., 1 Dec 2020, Darmstädter Beiträge zur Neuen Musik. Rebhahn, M. & Schaefer, T. (eds.). Schott Music GmbH & Co, Vol. 25. p. 28-34 7 p. (Contributions of New Music from Darmstadt; vol. 25).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  • music lessons 100%
  • music 73%
  • musician 66%
  • democracy 58%
  • genre 51%

• Listener-perspective dependency of perceived auditory attributes in a concert hall

  Bacila, B. & Lee, H., 28 May 2020, Proceedings of the 148th AES Convention. Audio Engineering Society, 10326

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  • Impulse response 100%
  • Virtual reality 85%
  • Acoustics 79%

• Listener-perspective-dependent variation of interaural cross-correlation coefficient in a reverberant space

  Bacila, B. & Lee, H., 22 Oct 2020, Proceedings of the 149th AES Convention. Andreopoulou, A. & Boren, B. (eds.). Audio Engineering Society, 10435

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
  1 Citation (Scopus)

• Performing Audiences: Composition Strategies for Network Music using Mobile Phones

  Xambó, A. & Roma, G., 21 Jul 2020, Proceedings of the International Conference on New Interfaces for Musical Expression 2020. Michon, R. & Schroeder, F. (eds.). Birmingham City University, p. 55-60 6 p. (Proceedings of the conference on New Interface for Musical Expression (NIME)).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

  • Network Music 100%
  • Mobile Phone 82%
  • Musical Genre 36%
  • Cinema 20%
  • Musical Performance 17%

• Rendering a Negatively Elevated Image Based on Relative HRTF Cues

  Nasatasa, A. M. & Lee, H., 28 May 2020, Proceedings of the 148th AES Convention. Audio Engineering Society, 586

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  • white noise 100%
  • analysis 42%
  • test 31%
  • method 17%

• The Effects of the Depth and Width of an Ambience Microphone Array on Perceived Depth, Width and Listener Envelopment

  Lee, H., 22 Oct 2020, Proceedings of the 149th AES Convention. Andreoupoulou, A. & Boren, B. (eds.). Audio Engineering Society, 10434

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  • effect 100%
  • sound 50%
  • test 47%
  1 Citation (Scopus)

• The influence of loudspeaker-listener distance on the detection of low-bitrate audio coding artefacts

  Pawlak, A. & Lee, H., 28 May 2020, Proceedings of the 148th AES Convention. Audio Engineering Society, 576

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  • artifact 100%
  • detection 69%
  • test 46%
  • recommendation 14%
• 2019

  Adaptive Mapping of Sound Collections for Data-driven Musical Interfaces

  Roma, G., Green, O. & Tremblay, P. A., Jun 2019, Proceedings of the International Conference on New Interfaces for Musical Expression. Queiroz, M. & Sedó, A. X. (eds.). Porto Alegre, p. 313-318 6 p. (Proceedings of the conference on New Interface for Musical Expression (NIME)).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

  • Acoustic waves 100%
  • Dimensionality reduction 69%
  • Experiments 22%
  12 Citations (Scopus)

• From collections to corpora: Exploring sounds through fluid decomposition

  Tremblay, P. A., Green, O., Roma, G. & Harker, A., 1 Sep 2019, 45th International Computer Music Conference, ICMC 2019. International Computer Music Association, p. 223-228 6 p. (International Computer Music Conference Proceedings ).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

  File

  • Decomposition 100%
  • Sound recording 93%
  • Acoustic waves 92%
  • Sound 79%
  • Sound Recording 75%
  12 Citations (Scopus)

• Interdisciplinary Research as Musical Experimentation: A case study in musicianly approaches to sound corpora

  Green, O., Tremblay, P. A. & Roma, G., 24 Jan 2019, Proceedings of the Electroacoustic Music Studies Network Conference . Zenodo, 12 p.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

  • Interdisciplinarity 100%
  • Electroacoustic music 88%
  • Interdisciplinary Research 87%
  • Experimentation 69%
  • Categorical 69%

• map mop

  Roma, G., 4 Dec 2019, Proceedings of the 2019 Web Audio Conference. Xambó, A., Martín, S. R. & Roma, G. (eds.). Norwegian University of Science and Technology, p. 166 1 p. (WAC Proceedings; vol. 2019).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

  • Acoustic waves 100%
  • Visualization 97%

• ProxSynity: A Real-Time, Networked, Performance System

  Gibson, I., 1 Sep 2019, Proceedings of the 2019 International Computer Music Conference . International Computer Music Association, p. 285-288 4 p.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  • Mobile computing 100%

• The Effect of the Grid Resolution of Binaural Room Acoustic Auralization on Spatial and Timbral Fidelity

  Johnson, D. & Lee, H., 8 Oct 2019, Proceedings of the 147th Audio Engineering Society International Convention 2019. Andreopoulou, A. & Boren, B. (eds.). Audio Engineering Society, 10303

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  • Acoustics 100%
  • Ray tracing 70%

• The IRiMaS software: Integrating interactive listening and play into musicological research

  Dufeu, F., Takahashi, K., Roebel, A. & Clarke, M., 1 Sep 2019, Proceedings of the 2019 International Computer Music Conference, ICMC-NYCEMF 2019 : International Computer Music Conference New York City Electroacoustic Music Festival. International Computer Music Association, p. 124-129 6 p. (International Computer Music Conference Proceedings ).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  • Music 100%
  • Aural 73%
  • Notation 65%
  • Sound 64%
  • Software 62%
  2 Citations (Scopus)

• Time Scale Modification of Audio Using Non-Negative Matrix Factorization

  Roma, G., Green, O. & Tremblay, P. A., 2 Sep 2019, Proceedings of the 22nd International Conference on Digital Audio Effects : (DAFx-19). Birmingham: Birmingham City University, p. 213-218 6 p. 38. (DAFx Proceedings Series; vol. 2019).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

  • Factorization 100%
  • Acoustic waves 79%
  • Chemical activation 45%
• 2018

  A Javascript Library for Flexible Visualization of Audio Descriptors

  Roma, G., Xambó, A., Green, O. & Tremblay, P. A., 19 Sep 2018, Proceedings of the 4th Web Audio Conference, WAC-2018. 6 p.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

  • Visualization 100%
  • Audio recordings 90%

• All the Noises: Hijacking Listening Machines for Performative Research

  Bowers, J. & Green, O., 1 Jun 2018, Proceedings of the International Conference on New Interfaces for Musical Expression. Virginia Tech, p. 114-119 6 p. (NIME Proceeings).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

  File

  • Stretching 100%
  • Productivity 75%
  • Uncertainty 59%
  24 Citations (Scopus)

• Improving single-network single-channel separation of musical audio with convolutional layers

  Roma, G., Green, O. & Tremblay, P. A., 6 Jun 2018, Latent Variable Analysis and Signal Separation: 14th International Conference, LVA/ICA 2018, Guildford, UK, July 2–5, 2018, Proceedings. Gannot, S., Deville, Y., Mason, R., Plumbley, M. D. & Ward, D. (eds.). Springer Verlag, p. 306-315 (Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics); vol. 10891 LNCS).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

  File

  • Network Architecture 100%
  • Neural Networks 92%
  • Network architecture 92%
  • Convolutional neural networks 89%
  • Image Classification 53%
  6 Citations (Scopus)

• iPlug 2: Desktop Plug-in Framework Meets Web Audio Modules

  Larkin, O., Harker, A. & Kleimola, J., 19 Sep 2018, 4th Web Audio Conference: WAC '18. TU Berlin, 6 p. 13. (Proceedings of ... Web Audio Conference; vol. 2018).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

  • Application programming interfaces (API) 100%
  • Audio signal processing 40%
  • Musical instruments 37%
  • Graphical user interfaces 26%
  • Application programs 23%

• Jam with Jamendo: Querying a Large Music Collection by Chords from a Learner's Perspective

  Xambó, A., Pauwels, J., Roma, G., Barthet, M. & Fazekas, G., 12 Sep 2018, AM'18: Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion. Association for Computing Machinery (ACM), 7 p. a30. (ACM International Conference Proceeding Series).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  • Transcription 100%
  • Search engines 86%
  • User experience 84%
  • Metadata 84%
  • Application programs 77%
  5 Citations (Scopus)

• Live Repurposing of Sounds: MIR Explorations with Personal and Crowdsourced Databases

  Xambó, A., Roma, G., Lerch, A., Barthet, M. & Fazekas, G., 18 Jun 2018, NIME 2018: New Interfaces for Musical Expression. p. 364-369 6 p.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

  File

  • Information retrieval 100%
  • Acoustic waves 81%
  • Feedback 10%

• No merge conflicts

  Roma, G., 1 Sep 2018, Proceedings of the International Web Audio Conference. Monschke, J., Guttandin, C., Schnell, N., Jenkinson, T. & Schaedler, J. (eds.). Berlin: TU Berlin, (WAC Proceedings; vol. 2018).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

  • Audiovisual 100%
  • Accelerometers 41%
  • Smartphones 40%
  • Acoustic waves 34%
  • Chemical analysis 28%

• Stationary/transient audio separation using convolutional autoencoders

  Roma, G., Green, O. & Tremblay, P. A., 4 Sep 2018, Proceedings of the 21st International Conference on Digital Audio Effects (DAFx-18). p. 65-71 7 p.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

  File

  • Acoustic waves 100%
  1 Citation (Scopus)

• The Theory and Analysis of Computer-Generated Music: A Case-Study of Colossus

  Jan, S., Aug 2018, Proceedings of the Third Conference on Computer Simulation of Musical Creativity, CSMC2018. Dublin, Eire, 24 p.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

  File

  • music 100%
  • aesthetics 36%
  • coherence 18%
  • continuity 16%
  • vocabulary 15%
• 2017

  FrameLib: Audio DSP using frames of arbitrary length and timing

  Harker, A., 2017, 2017 ICMC/EMW - 43rd International Computer Music Conference and the 6th International Electronic Music Week. Shanghai: Shanghai Conservatory of Music, Vol. 2. p. 271-278 8 p.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  • Rapid prototyping 100%
  • Digital signal processing 93%
  • Length 70%
  • Scheduling 62%
  • Data storage equipment 55%
  3 Citations (Scopus)

• Shadow Worlds | Writer’s Rooms: Freud’s House

  Adkins, M., Lewis, C., Pettican, A. & Mojsiewicz, K., 2017, Proceedings of the Fifth Conference on Computation, Communication, Aesthetics & X (xCoAx), (Lisbon, 6-7 July 2017). Ribas, L., Rangel, A., Verdicchio, M. & Carvalhais, M. (eds.). Universidade do Porto, p. 273-280 8 p. (xCoAx Proceedings).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

  Open Access

  • Sigmund Freud 100%
  • Brass 77%
  • Scanner 41%
  • Sojourn 39%
  • Footage 39%