Centre for Research in New Music

Phone01484 472003
Websitehttps://research.hud.ac.uk/institutes-centres/cerenem/

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Creative Arts Building
HD1 3DH Huddersfield
United Kingdom

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2024

Opening up Openings: Zooming in on improvisation in the Theatre of Home
Burke, R., Sappho, M., Birrell, R., MacDonald, R. & De Nora, T., 15 May 2024, (E-pub ahead of print) In: Psychology of Music. 12 p.
Research output: Contribution to journal › Article › peer-review

Open Access
Practitioners' Perspectives on Spatial Audio: Insights into Dolby Atmos and Binaural Mixes in Popular Music
Dewey, C., Moore, A. & Lee, H., 9 Jul 2024, In: AES: Journal of the Audio Engineering Society. 72, 7/8, p. 504-516 13 p., 22647.
Research output: Contribution to journal › Article › peer-review

Open Access
File
Song and dance: a memetic angle on the evolution of musicality and music via case studies of a musemeplex in Saint-Saëns and ABBA
Jan, S., 28 Feb 2024, In: Frontiers in Psychology. 14, 19 p., 1260262.
Research output: Contribution to journal › Article › peer-review

Open Access
Spatial Analysis and Synthesis Methods: Subjective and Objective Evaluations Using Various Microphone Arrays in the Auralization of a Critical Listening Room
Pawlak, A., Lee, H., Makivirta, A. & Lund, T., 12 Aug 2024, (Accepted/In press) In: IEEE/ACM Transactions on Audio Speech and Language Processing. 16 p., 10645201.
Research output: Contribution to journal › Article › peer-review

Open Access
White Atmospheres: Choreographing Racial Materialities in Academic Space
Spatz, B., 1 Feb 2024, In: Arts. 13, 1, 8 p., 24.
Research output: Contribution to journal › Article › peer-review

Open Access
2023
Balancing Conflicting Types of Authenticity in the Reconstruction of Sound and Music in the Installation Work Blikk (1970)
Rudi, J., 1 Jan 2023, In: Curator. 66, 1, p. 85-106 22 p.
Research output: Contribution to journal › Article › peer-review

Open Access
Between Death and Ceremony
Spatz, B., 1 Apr 2023, In: Public. 34, 67, p. 62-80 19 p.
Research output: Contribution to journal › Article › peer-review

Open Access
File
Making Mycorrhizal Noise: Hypermedia, Digitality, and Interpreting the Parafictional Universes of the Noisebringers
Sappho, M., McPherson, H. & Catherin, B., 28 Dec 2023, (Accepted/In press) In: Liminalities: A Journal of Performance Studies.
Research output: Contribution to journal › Article › peer-review
Postmemory: Fragments / Crypt
Spatz, B., Cohen, L., Dodd, L., Ercin, N. E., Kolar, P. & Mendel, A., 17 Jul 2023, In: Performance Matters. 9, 1-2, p. 171-186 16 p.
Research output: Contribution to journal › Article › peer-review

Open Access
2022
Automatic discrimination between front and back ensemble locations in HRTF-convolved binaural recordings of music
Zieliński, S., Antoniuk, P., Lee, H. & Johnson, D., 15 Jan 2022, In: Eurasip Journal on Audio, Speech, and Music Processing. 2022, 1, 29 p., 3.
Research output: Contribution to journal › Article › peer-review

Open Access
6 Citations (Scopus)
Enabling Programmatic Data Mining as Musicking: The Fluid Corpus Manipulation Toolkit
Tremblay, P. A., Roma, G. & Green, O., 1 Jul 2022, In: Computer Music Journal. 45, 2, p. 9-23 15 p.
Research output: Contribution to journal › Article › peer-review

Open Access
6 Citations (Scopus)
Instrumental, Hermeneutic, and Ontological Indeterminacy in Hugh Davies’s Live Electronic Music
Mooney, J., Green, O. & Williams, S., 4 Jul 2022, In: Contemporary Music Review. 41, 2-3, p. 193-215 23 p.
Research output: Contribution to journal › Article › peer-review

Open Access
2 Citations (Scopus)
Subjective Evaluations of Three-Dimensional, Surround and Stereo Loudspeaker Reproductions using Classical Music Recordings
Eaton, C. & Lee, H., 1 Mar 2022, In: Acoustical Science and Technology. 43, 2, p. 149-161 13 p.
Research output: Contribution to journal › Article › peer-review

Open Access
8 Citations (Scopus)
The Prisoner: A missing link in England’s history of electronic music
Gillies, S., 12 Dec 2022, In: Organised Sound. 27, 3, p. 401-409 9 p.
Research output: Contribution to journal › Article › peer-review

Open Access
whiteness
Spatz, B., Ercin, N., Krawczyk, I. & Mendel, A., 13 Jun 2022, In: Performance Philosophy. 7, 2, p. 169-172 4 p.
Research output: Contribution to journal › Article › peer-review

Open Access
2021
3D Microphone Array Comparison: Objective Measurements
Lee, H. & Johnson, D., 8 Nov 2021, In: AES: Journal of the Audio Engineering Society. 69, 11, p. 871-887 17 p.
Research output: Contribution to journal › Article › peer-review

Open Access
8 Citations (Scopus)
A General Framework for Visualization of Sound Collections in Musical Interfaces
Roma, G., Xambó, A., Green, O. & Tremblay, P. A., 15 Dec 2021, In: Applied Sciences (Switzerland). 11, 24, 22 p., 11926.
Research output: Contribution to journal › Article › peer-review

Open Access
4 Citations (Scopus)
ancestors: an illuminated video
Spatz, B., Ercin, N. & Mendel, A., 5 May 2021, In: International Journal of Performance Arts and Digital Media. 17, 1, p. 46-55 10 p.
Research output: Contribution to journal › Article › peer-review

Open Access
Artistic research and the queer prophetic
Spatz, B., 1 May 2021, In: Text and Performance Quarterly. 41, 1-2, p. 81-105 25 p.
Research output: Contribution to journal › Article › peer-review

Open Access
1 Citation (Scopus)
Donohue+: Developing performer-specific electronic improvisatory accompaniment for instrumental improvisation
Gillies, S. & Sappho, M., 1 Apr 2021, In: Organised Sound. 26, 1, p. 129-139 11 p.
Research output: Contribution to journal › Article › peer-review

Open Access
Earthing the Laboratory: Speculations for Doctoral Training
Spatz, B., 31 Aug 2021, In: Performance Research. 25, 8, p. 33-41 9 p.
Research output: Contribution to journal › Article › peer-review

Open Access
Illuminations
Spatz, B., 11 Oct 2021, In: Journal of Embodied Research. 4, 2
Research output: Contribution to journal › Article › peer-review

Open Access
Listener-Position and Orientation Dependency of Auditory Perception in an Enclosed Space: Elicitation of Salient Attributes
Bacila, B. & Lee, H., 9 Feb 2021, In: Applied Sciences (Switzerland). 11, 4, 24 p., 1570.
Research output: Contribution to journal › Article › peer-review

Open Access
5 Citations (Scopus)
Our Virtual Tribe: Sustaining and Enhancing Community via Online Music Improvisation
MacDonald, R., Burke, R., De Nora, T., Sappho, M. & Birrell, R., 23 Feb 2021, In: Frontiers in Psychology. 11, 19 p., 623640.
Research output: Contribution to journal › Article › peer-review

Open Access

34 Citations (Scopus)
The Field as Actant: Performing-With Multiple Entities in Recording Sounding the Weight of an Object
Frank, C., 1 Dec 2021, In: Filigrane. 26
Research output: Contribution to journal › Article › peer-review

Open Access
2020
A Comparison of Human against Machine-Classification of Spatial Audio Scenes in Binaural Recordings of Music
Zieliński, S., Lee, H., Antoniuk, P. & Dadan, O., 1 Sep 2020, In: Applied Sciences (Switzerland). 10, 17, 24 p., 5956.
Research output: Contribution to journal › Article › peer-review

Open Access
10 Citations (Scopus)
Posthuman Performances: Giving Attention to Machine Songs in Public Places
Frank, C., 1 Jul 2020, Comparative Media Arts Journal, 8 9 p.
Research output: Contribution to specialist publication › Article

Open Access
Spatial Unmasking Effect on Speech Reception Threshold in the Median Plane
Berwick, N. & Lee, H., 1 Aug 2020, In: Applied Sciences (Switzerland). 10, 15, 7 p., 5257.
Research output: Contribution to journal › Article › peer-review

Open Access
2 Citations (Scopus)
The Butterfly Schema in the Classical Instrumental Style: A Product of the Tendency for Congruence
Rawbone, T. & Jan, S., 1 Mar 2020, In: Music Analysis. 39, 1, p. 85-127 43 p.
Research output: Contribution to journal › Article

Open Access
File
7 Citations (Scopus)
The 'Explorer': Gerhard’s Work on Magnetic Tape
Adkins, M., 4 Nov 2020, In: Quodlibet. 73, 1, p. 90-129 40 p.
Research output: Contribution to journal › Article › peer-review

Open Access
“We also like to be surprised”: Disruption, provocation and surprise in the music of Christian Wolff
Thomas, P. & Payne, E., 15 Sep 2020, In: Circuit. 30, 2, p. 27-45 19 p.
Research output: Contribution to journal › Article › peer-review
2019
Automatic Spatial Audio Scene Classification in Binaural Recordings of Music
Zieliński, S. & Lee, H., 1 May 2019, In: Applied Sciences (Switzerland). 9, 9, 22 p., 1724.
Research output: Contribution to journal › Article › peer-review

Open Access
12 Citations (Scopus)
Disruption and Discipline: Approaches to Performing John Cage’s Concert for Piano and Orchestra
Thomas, P., Iddon, M. & Payne, E., 15 Dec 2019, In: Music & Practice. 5, 17 p.
Research output: Contribution to journal › Article › peer-review

Open Access
Inhabiting Whiteness: The Eoan Group La Traviata, 1956
Pistorius, J. M., 1 Mar 2019, In: Cambridge Opera Journal. 31, 1, p. 63-84 22 p.
Research output: Contribution to journal › Article › peer-review

Open Access
File
3 Citations (Scopus)
Molecular Identities: Digital Archives and Decolonial Judaism in a Laboratory of Song
Spatz, B., 2019, In: Performance Research. 24, 1, p. 66-79 14 p.
Research output: Contribution to journal › Article › peer-review

Open Access
5 Citations (Scopus)
Notes for Decolonizing Embodiment
Spatz, B., 1 Aug 2019, In: Journal of Dramatic Theory and Criticism. p. 9-22 14 p.
Research output: Contribution to journal › Article › peer-review

Open Access
File
Triptych: Genesis, Kavana, Sabbath
Spatz, B., Ercin, N., Gatt, C. & Mendel, A., 31 Jan 2019, In: PARtake: The Journal of Performance as Research. 2, 2, p. 1-10 10 p., 8.
Research output: Contribution to journal › Article › peer-review

Open Access
File
What Is a Song?
Ang, G. P., Balduzzi, M., Berkeley, D., Jones, D. A., Lamar, M., Sinha, S., Tenenbaum, T. & Spatz, B., 2 Jan 2019, In: Performance Research. 24, 1, p. 80-93 14 p.
Research output: Contribution to journal › Article › peer-review

Open Access

1 Citation (Scopus)
2018

Des outils interactifs pour l’étude des méthodes de composition des musiques électroacoustiques: les logiciels TaCEM comme ressources pédagogiques
Translated title of the contribution: Interactive tools for the study of composition methods for electroacoustic music: TaCEM software as teaching resourcesClarke, M., Dufeu, F. & Manning, P., 1 Jul 2018, In: Revue Francophone d'Informatique & Musique. 6
Research output: Contribution to journal › Article › peer-review

Open Access
Diaspora (An Illuminated Video Essay)
Spatz, B., Ercin, N., Mendel, A. & Spatz-Rabinowitz, E., 6 Jul 2018, In: Global Performance Studies. 2, 1
Research output: Contribution to journal › Article › peer-review

Open Access
Maneras de distinción, deseos de pertenencia: Dosier: ‘Nueva Música, sesenta años'
Translated title of the contribution: Ways of distinction, desire to belong: Dosier: 'New Music, sixty yearsContreras-Zubillaga, I., 2018, Scherzo, 344, p. 93-96 4 p.
Research output: Contribution to specialist publication › Article
Politics and the Popular in British Music Theatre of the Vietnam Era
Adlington, R., 5 Oct 2018, In: Journal of the Royal Musical Association. 143, 2, p. 433-471 39 p.
Research output: Contribution to journal › Article › peer-review

Open Access
File
1 Citation (Scopus)
The Frequency and Loudspeaker-Azimuth Dependencies of Vertical Interchannel Decorrelation on the Vertical Spread of an Auditory Image
Gribben, C. & Lee, H., 20 Aug 2018, In: AES: Journal of the Audio Engineering Society. 66, 7-8, p. 537-555 19 p.
Research output: Contribution to journal › Article › peer-review

Open Access
9 Citations (Scopus)
The Two Brothers: Reconciling perceptual-cognitive and statistical models of musical evolution
Jan, S., 4 Apr 2018, In: Frontiers in Psychology. 9, APR, 344.
Research output: Contribution to journal › Article › peer-review

Open Access
File
4 Citations (Scopus)
The Video Way of Thinking
Spatz, B., 2018, In: South African Theatre Journal. 31, 1, p. 146-154 9 p.
Research output: Contribution to journal › Article › peer-review

Open Access
File
6 Citations (Scopus)
User-independent Accelerometer Gesture Recognition for Participatory Mobile Music
Roma, G., Xambó, A. & Freeman, J., 18 Jun 2018, In: AES: Journal of the Audio Engineering Society. 66, 6, p. 430-438 9 p.
Research output: Contribution to journal › Article › peer-review
3 Citations (Scopus)
‘Shape, Form, Colour’ … and Music: Abstraction, Meaning, and Nostalgia in 1960s Scottish Industrial Documentary
Cox, G., 1 Aug 2018, In: Music and Letters. 99, 3, p. 386-426 41 p.
Research output: Contribution to journal › Article › peer-review

Open Access
File
2017
A Comparison between Horizontal and Vertical Interchannel Decorrelation
Gribben, C. & Lee, H., 22 Nov 2017, In: Applied Sciences. 7, 11, 21 p., 1202.
Research output: Contribution to journal › Article › peer-review

Open Access
6 Citations (Scopus)
Colors Like Knives: Embodied Research and Phenomenotechnique in 'Rite of the Butcher'
Spatz, B., 18 Jul 2017, In: Contemporary Theatre Review. 27, 2, p. 195-215 21 p.
Research output: Contribution to journal › Article › peer-review

Open Access
5 Citations (Scopus)
Embodiment as first affordance: tinkering, tuning, tracking
Spatz, B., 13 Jan 2017, In: Performance Philosophy. 2, 2, p. 257-271 15 p.
Research output: Contribution to journal › Article › peer-review

Open Access