Department of Music & Design Arts

Research output

Research output per year 1990 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 2024

• 226 Article
• 196 Exhibition
• 152 Composition
• 150 Chapter
• 522 More
  • 100 Conference contribution
  • 96 Digital or Visual Products
  • 83 Artefact
  • 56 Performance
  • 45 Book
  • 24 Book/Film/Dance Article review
  • 23 Editorial
  • 14 Review article
  • 11 Conference article
  • 10 Other chapter contribution
  • 9 Entry for encyclopedia/dictionary
  • 7 Web publication/site
  • 6 Foreword/postscript
  • 6 Design
  • 6 Software
  • 5 Comment/debate
  • 3 Commissioned report
  • 2 Other report
  • 2 Short survey
  • 2 Book/Film/Article review
  • 2 Other contribution
  • 2 Patent
  • 2 Special issue
  • 1 Anthology
  • 1 Scholarly edition
  • 1 Abstract
  • 1 Letter
  • 1 Featured article
  • 1 Working paper

Research output per year

Research output per year

Search results

• 2017

  Thinking Sculpturally

  Bailey, R., Aug 2017, Tony Cragg: A rare category of objects. Pheby, H. (ed.). Yorkshire Sculpture Park, p. 11-21 11 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Tony Cragg 100%
  • Henry Moore Institute 55%
  • Yorkshire Sculpture Park 49%
  • Mastery 31%
  • Artist 30%
• 2016

  Abstruse Bagatelles: Music for solo piano by Christopher Fox

  Thomas, P., 1 Aug 2016, Perspectives on the Music of Christopher Fox: Straight Lines in Broken Times. Dodd, R. (ed.). 1st ed. London: Routledge, p. 128-148 21 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Music 100%
  • Solo 96%
  • Composer 78%
  • Minimalist 36%
  • Compositional Method 24%

• Claustrophilia: A musical gift from Roberto Gerhard to John Cage

  Duque, C. & Adkins, M., 2016, Essays on Roberto Gerhard. Adkins, M. & Russ, M. (eds.). Cambidge: Cambridge Scholars Publishing, p. 261-278 17 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • John Cage 100%
  • Gift 81%
  • England 72%
  • Serialism 56%
  • Quintet 55%

• Creative Interaction

  Clarke, M., Pearson, L-A. & McNichol, A., 29 Dec 2016, The Routledge Companion to Music, Technology, and Education. King, A., Himonides, E. & Ruthmann, S. A. (eds.). Taylor and Francis, p. 367-376 10 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
  2 Citations (Scopus)

• De l’improvisation collective à son redéploiement électroacoustique

  Translated title of the contribution: From collective improvisation to electroacoustic redeploymentDufeu, F. & Rabin, J., 2016, L'Improvisation musicale collective. Castanet, P. A. & Otto, P. (eds.). L'Harmattan, p. 151-162 12 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Les pratiques musicales provoquées par le numérique: quelles ruptures pour l’acte de création ?

  Translated title of the contribution: The musical practices provoked by the digital: what breaks for the act of creation?Dufeu, F. & Rabin, J., 1 Jul 2016, Défier la décence. Crise du sens et nouveaux visages du scandale dans l’art. Brogowski, L., Delaplace, J. & Laurent, J. (eds.). Arras: Artois Presses Universite, p. 163-172 10 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Moment 2

  Goldthorpe, C., 24 Nov 2016, :#Moments: A Research Laboratory on Fashion Culture. Loppa, L. (ed.). Milan: Skira, p. 51-61 11 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • contemporary art 100%
  • dialogue 52%

• Singer-songwriter authenticity, the unconscious and emotions (feat. Adele's "Someone Like You")

  Till, R., 1 Feb 2016, The Cambridge Companion to the Singer-Songwriter. Williams, K. & Williams, J. A. (eds.). Cambridge: Cambridge University Press, p. 291-304 14 p. (Cambridge Companions to Music).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Singer-songwriter 100%
  • Feat 81%
  • Authenticity 60%
  • Musicians 59%
  • Artist 55%
  6 Citations (Scopus)

• 'Sowndys and melodiis': Perceptions of Sound and Music in Late Medieval England

  Colton, L., 11 Nov 2016, Cultural Histories of Noise, Sound and Listening in Europe, 1300–1918. Gibson, K. & Biddle, I. (eds.). 1st ed. Abingdon: Routledge, p. 19-30 12 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Late Medieval England 100%
  • Music 77%
  • Sound 49%
  • Religion 25%
  • Margery Kempe 14%
  1 Citation (Scopus)

• The Digital Print Room - A Bespoke Approach to Print Technology

  Ryall, H. & Macbeth, P., 8 Sep 2016, Crafting Textiles in the Digital Age. Nimkulrat, N., Kane, F. & Walton, K. (eds.). 1st ed. London: Bloomsbury Academic, p. 77-90 13 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Textiles 100%

• Using experience design in curricula to enhance creativity and collaborative practice in electronic music

  Adkins, M., 2016, Music, Technology and Education: Critical Perspectives. King, A. & Himonides, E. (eds.). Routledge, p. 191-209 19 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  1 Citation (Scopus)

• Utilitarian electronics: Portrait mit Cage and Stockhausen (Barlow und Kagel sind auch dabei)

  Adkins, M., 1 Aug 2016, Perspectives on the Music of Christopher Fox: Straight Lines in Broken Times. Dodd, R. (ed.). 1st ed. Routledge, p. 70-96 27 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Karlheinz Stockhausen 100%
  • Cage 83%
  • Music 72%
  • Composer 56%
  • Richard Dawkins 31%
• 2015

  Dilemmas of Development and the Reconstruction of Fashion

  Shah, K., 31 Aug 2015, Environmental Implications of Recycling and Recycled Products. Muthu, S. S. (ed.). Springer Verlag, p. 101-134 34 p. (Environmental Footprints and Eco-design of Products and Processes).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  Open Access

  • reconstruction 100%
  • sustainable development 95%
  • industry 66%
  • value system 64%
  • environmental impact 52%
  2 Citations (Scopus)

• Entre composition et improvisation: analyse du programme informatique de Soliloque sur [X, X, X et X] de Fabien Lévy

  Translated title of the contribution: Between composition and improvisation: Analysis of the computer program of Soliloque on [X, X, X and X] by Fabien LévyDufeu, F., 2015, Penser l’improvisation. Ayari, M. (ed.). France: Editions Delatour France, p. 249-272 24 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Evolutionary Thought in Music Theory and Analysis: A Corrective to “Babelization”?

  Jan, S., 2015, L’analyse musicale aujourd’hui: Music analysis today. Hascher, X., Ayari, M. & Bardez, J-M. (eds.). De la Tour, p. 55-75 21 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• In sight. In visible. In situ

  Devlin, L., 1 Feb 2015, High-rise. Dovey, K., Wilson, R., Devlin, L. & Drake, D. (eds.). Cardiff: ffotogallery Wales Ltd, p. 88-93 5 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Permission to Play: Fostering Enterprise Creativities in Music Technology through Extracurricular Interdisciplinary Collaboration

  Dobson, E., 2015, Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education. Burnard, P. & Haddon, E. (eds.). Bloomsbury Publishing, p. 75-96 22 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • music 100%
  • creativity 92%
  • apprenticeship 43%
  4 Citations (Scopus)

• Pussy Galore: women and music in Goldfinger

  Haworth, C., Oct 2015, For His Eyes Only: The Women of James Bond. Funnell, L. (ed.). New York, USA: Columbia University, p. 157-166 10 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • music 100%
  • song 64%
  • composer 54%
  • femininity 40%
  • economic success 24%
• 2014

  Architecture

  Clear, N., 1 Nov 2014, The Oxford Handbook of Science Fiction. Latham, R. (ed.). Oxford: Oxford University Press, p. 277-290 14 p. (Oxford Handbooks).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  • Science Fiction 100%
  • International Style 23%
  • Science Fiction Films 22%
  • Banality 22%
  • Fiction 20%

• Expressiveness in Historical Perspective: Nineteenth-Century Ideals and Practices

  Milsom, D. & Da Costa, N. P., 3 Jul 2014, Expressiveness in music performance: Empirical approaches across styles and cultures. Fabian, D., Timmers, R. & Schubert, E. (eds.). Oxford: Oxford University Press, p. 80-97 18 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Expressivity 100%
  • Expressiveness 95%
  • Historical Perspective 87%
  • Ideal 57%
  • Portamento 47%

• Outside Intervention

  Barber, C. (ed.), 1 Jun 2014, Outside: Activating Cloth to Enhance the Way We Live. MacBeth, P. & Barber, C. (eds.). Newcastle-upon-Tyne: Cambridge Scholars Publishing, p. 17-32 16 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Stream-­Form and the loss of traditional virtuosity: Thoughts and a method

  D'Escrivan Rincon, J. & Adkins, M., 2014, Mono #2 Cochlear Poetics: Writings on Music and Sound Arts. Tudela, P. & Carvalhais, M. (eds.). Porto, Vol. 2. p. 189-204 15 p. (Mono; vol. 2).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Who's calling? Telephone songs, female vocal empowerment and signification

  Colton, L., 1 Jan 2014, Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture. Iddon, M. & Marshall, M. (eds.). Taylor and Francis AS, p. 67-81 15 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Empowerment 100%
  • Telephone 95%
  • Signification 95%
  • Song 73%
  2 Citations (Scopus)

• Yarn to Fabric: Knitting

  Power, E. J., 12 Nov 2014, Textiles and Fashion: Materials, Design and Technology. Elsevier Inc., p. 289-305 17 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Knitting machinery 100%
  • Terminology 57%
  • Clothes 56%
  • Yarn 52%
  7 Citations (Scopus)
• 2013

  In search of a 'third way'

  Adkins, M., 2013, The Roberto Gerhard Companion. Ashgate Publishing Ltd., p. 257-283 27 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Introduction

  Cassidy, A. & Einbond, A., Oct 2013, Noise in and as Music. Cassidy, A. & Einbond, A. (eds.). University of Huddersfield Press, p. xiii-xx 8 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  Open Access

• Landing at Tegel/Concrete (Fata Morgana)

  Holmes, D., 2013, Tegel: Propositions and Speculations. Joseph-Lester, J., Prinz, S. & Westerman, J. (eds.). Germany: The Green Box

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Le support sonore comme instrument de musique chez Christian Marclay: The recording medium as instrument in Christian Marclay's works

  Bossis, B., Marclay, C. & Dufeu, F., 2013, La musique et ses instruments. Castellengo, M. & Genevois, H. (eds.). Sampzon: Editions Delatour France, p. 419-435 (Pensée Musicale).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Mémoires numériques et comportements instrumentaux: quels dialogues entre le musicien et la machine?

  Dufeu, F., Feb 2013, Libérez les machines !: L’imaginaire technologique à l’épreuve de l’art. Braun, P. (ed.). Les Presses du Réel, p. 105-113

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Noise and the Voice: exploring the thresholds of vocal transgression

  Cassidy, A., Oct 2013, Noise in and as Music. Cassidy, A. & Einbond, A. (eds.). University of Huddersfield Press, p. 33-53 21 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access
• 2012

  Woven Apparel Fabrics

  Redmore, N., Jan 2012, Woven Textiles: Principles, Technologies and Applications. Elsevier Ltd, p. 345-366 22 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Clothes 100%
  • Fibers 10%
  1 Citation (Scopus)
• 2011

  A Search for Repetition in the Process of Art Production

  Townsley, J., 8 Sep 2011, 100 Things Not Worth Repeating: On Repetition. Holm Hansen, M. (ed.). LemonMelon, p. 50-61 112 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Art 100%
  • Progression 55%
  • Joan Jonas 35%
  • Roni Horn 34%
  • Artwork 30%

• Replication, Parataxis, and Evolution: Meme Journeys through the First Movement of a Mozart Sonata

  Jan, S., 2011, A-Life for Music: Music and Computer Models of Living Systems. Miranda, E. R. (ed.). Middleton, WI: A-R Editions, p. 217-260 44 p. (Computer Music and Digital Audio Series).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Style and Sonority in Wagner String Performance

  Milsom, D., 20 Jul 2011, Classical and Romantic Music. Milsom, D. (ed.). 1st ed. Ashgate Publishing Ltd., p. 229-236 8 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• The Submerged Side of the Art Iceberg

  Townsley, J., 25 Jul 2011, Compulsive Obsessive Repetitive. Towner Art Gallery, p. 6-9 4 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Woven Textile Design

  Redmore, N., Apr 2011, Textile Design: Principles, Advances and Applications. Elsevier Ltd, p. 31-54 24 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Textiles 100%
  • Terminology 37%
  1 Citation (Scopus)
• 2010

  For Pianist: The Solo Piano Music

  Thomas, P., 28 Aug 2010, Changing the System: The Music of Christian Wolff. Thomas, P. & Chase, S. (eds.). 1st ed. Ashgate Publishing Ltd., p. 51-92 42 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Paganism, popular music and stonehenge

  Till, R., 1 Jan 2010, Pop Pagans: Paganism and Popular Music. Acumen Publishing Limited, p. 24-42 19 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Stonehenge 100%
  • Paganism 85%
  • Popular music 69%
  • Pagan 45%
  • Sun 24%

• Playing the game? Five reflections upon performing Christian Wolff's music

  Thomas, P., 28 Aug 2010, Changing the System: The Music of Christian Wolff. Chase, S. & Thomas, P. (eds.). Ashgate Publishing Ltd., p. 211-218 8 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  1 Citation (Scopus)
• 2009

  Domain Rules

  Townsley, J., 2009, Winchester School of Art Research Anthology. Gillet, J. & Harland, B. (eds.). Winchester Gallery Press, p. 104-109 6 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Animation 100%

• Music and Identity in Medieval Bury St Edmunds

  Colton, L., 2009, St Edmund, King and Martyr: Changing Images of a Medieval Saint. Bale, A. (ed.). Boydell and Brewer Ltd, p. 87-110 24 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Possession Trance Ritual in Electronic Dance Music Culture: A Popular Ritual Technology for Reenchantment, Addressing the Crisis of the Homeless Self, and Reinserting the Individual into the Community

  Till, R., 14 Apr 2009, Exploring Religion and the Sacred in a Media Age. Deacy, C. & Arweck, E. (eds.). 1st ed. London: Routledge, p. 169-188 20 p. (Theology and Religion in Interdisciplinary Perspective Series in Association with the BSA Sociology of Religion Study Group).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Electronic Dance music 100%
  • Homeless 82%
  • Trance 81%
  • Possession 58%
  • Spirituality 27%
  9 Citations (Scopus)
• 2008

  Determinate Action/Indeterminate Sound: Tablature and Chance in Several Recent Works

  Cassidy, A., 1 Jun 2008, Facets of the Second Modernity. Mahnkopf, C-S., Cox, F. & Schurig, W. (eds.). Hofheim: Wolke Verlag, p. 17-32 16 p. (New Music and Aesthetics in the 21st Century; vol. 6).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Shades of grey: suspense, subjectivity and the soundtrack in 'Notorious'

  Haworth, C., 2008, Cinemusic? Constructing the Film Score. David, C., Christopher, F. & Ian, S. (eds.). Cambridge: Cambridge Scholars Publishing, p. 113-125 13 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  • Suspense 100%
  • Soundtrack 97%
  • Shade 84%
  • Subjectivity 60%
  • Alfred Hitchcock 54%
• 2006

  From SYnthia to calma to Sybil: Developing strategies for interactive learning in music

  Clarke, M., 1 Dec 2006, Technology Supported Learning and Teaching: A Staff Perspective. O'Donoghue, J. (ed.). IGI Global, p. 292-308 17 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Music 100%
  • Teaching 83%
  • music 80%
  • Acoustic waves 74%
  • Huddersfield 73%
  3 Citations (Scopus)
• 2005

  Choral Music in York, 1400-1540

  Colton, L., 2005, Mass and Parish in Late Medieval England: The Use of York. Barnwell, P., Cross, C. & Rycraft, A. (eds.). Reading: Spire, p. 41-56 16 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 2004

  Performative physicality and choreography as morphological determinants

  Cassidy, A., 1 Jun 2004, Musical Morphology: New Music & Aesthetics in the 21st Century. Mahnkopf, C-S., Schurig, W. & Cox, F. (eds.). Germany: Wolke Verlag, Vol. 2. (New music and aesthetics in the 21st century; vol. 2).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 2002

  Interconnectivity and abstraction: Metallic dust as a testing ground for monopnonic and structural polyphonies

  Cassidy, A., 2002, Polyphony & Complexity: Music & Aesthetics in the 21st Century. Mahnkopf, C-S., Cox, F. & Schurig, W. (eds.). Germany: Wolke Verlag, Vol. 1. (New Music & Aesthetics in the 21st Century).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 2001

  Doof! Australian Post Rave Culture

  St John, G., 2001, FreeNRG: Notes from the Edge of the Dance Floor. St John, G. (ed.). Altona: Common Ground Publishing, p. 9-36 28 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 2000

  ConFest: Edgecentral and the Feraliens

  St John, G., 1 Apr 2000, Alternative Australia: Celebrating Cultural Diversity. Dearling, A. & Hanley, B. (eds.). Enabler Publications, p. 83-88 6 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review