Fashion Thinking Research Centre

  • United Kingdom

Organization profile

Profile Information

Fashion and Costume Thinking focuses upon four interdisciplinary research areas: Costume and Performance, Pattern Cutting and Technologies, Fashion Ecology, Fashion Economies and Business Engagement; each area is underpinned by long-standing industrial relations, including Burberry, Betty Jackson and M&S.

Staff working in these areas have made significant contributions to the changing role of fashion and costume in relation to design, manufacture, reception and retail management in both local and global environments. Drawing from expertise in design, pattern cutting, 3D digital imaging, sculpture, photography, costume and the performing arts Fashion and Costume Thinking promotes interdisciplinary approaches to practice-led research as well as traditional theoretical approaches; engaging with a range of disciplines, including anthropology, ethnography, humanities, social and political science. Fashion and Costume Thinking is composed of designers, artists, historians, business and technical experts all of whom are committed to exploring the cultural, social and political ecologies of fashion and costume in contemporary society.

1: Costume and Performance

The fusion of historical and contemporary design, which includes cut and construction techniques used in collaboration with textiles for the following cultural industries: theatre, opera, dance, film, TV, music videos and commercials.

2: Pattern Cutting and Technologies

Pattern Cutting and Technologies Research aims to explore different perceptions of garment making in contemporary fashion and costume making. The group explores different levels of craftsmanship and skills in these areas and how they can be the source of creativity, whether through traditional techniques and/or digital approaches. Staff research focuses upon tacit intelligence and tactile epistemologies within the making process and how techniques and technologies are located in a broader cultural and historical context.

3: Fashion Ecology

From cute culture, normcore to formal evening wear, Fashion Ecology focuses upon the creative and conceptual developments of design with respect to fashioning the body and its associated aesthetics. Staff research explores practical and theoretical approaches to fashion, which includes cultural and social ecologies of contemporary society, as well as focusing upon historical precedents.

4: Fashion Enterprise and Business Engagement

Staff research explores the exchange and integrated practices operating between the creative and commercial aspects of fashion design, production, retail and management. Current research focuses upon the marketing challenges facing fashion companies in the UK and around the world, in particular the conceptualisations of brands and their significance to corporate strategies.

Postgraduate Opportunities

MA by Research or PhD Applications are welcome to support interdisciplinary research to address, but not limited to, the following areas:

  • Trans-disciplinarily: analogue and digital focus on the body, dress and material
  • Virtual embodiment: changes to concepts of body, identity and dress in the digital age
  • Sculptural thinking in fashion design
  • Representation: fashion and politics in the 21st Century
  • Curating contemporary fashion and historical dress
  • Sustainability: business, ethics and political agendas
  • Fashion retail and social media

Fingerprint The fingerprint is based on mining the text of the scientific documents related to the associated persons. Based on that an index of weighted terms is created, which defines the key subjects of research unit

Printing Engineering & Materials Science
Textile printing Engineering & Materials Science
clothing Social Sciences
Polyesters Engineering & Materials Science
Values Social Sciences
Industry Engineering & Materials Science
website Social Sciences
Websites Engineering & Materials Science

Network Recent external collaboration on country level. Dive into details by clicking on the dots.

Research Output 2014 2018

Body and Clothing

Cassidy, T., 2018, (In preparation) A Cultural History of Colour in the Modern Age. Steinvall, A. & Street, S. (eds.). Bloomsbury Publishing

Research output: Chapter in Book/Report/Conference proceedingChapter

Clothing
Industry
Fashion Industry
Self-expression

Consumer colour and style preferences: A new approach to tackling the textile waste conundrum

Cassidy, T., 2018, Eco-Friendly and Fair: Fast Fashion and Consumer Behaviour. Heuer, M. & Becker-Leifhold, C. (eds.). Routledge Taylor & Francis Group, p. 83-91 9 p. (Sustainability in Textiles).

Research output: Chapter in Book/Report/Conference proceedingChapter

Luxury fashion brands ownership of private art foundations: A new way of conceiving marketing

Grassi, A., Cassidy, T. & Wigley, S., Jan 2018, In : Journal of Marketing Trends . 4, 2, p. 15-24 9 p.

Research output: Contribution to journalArticle

File
Luxury
Art
Ownership
Marketing
Luxury brands