Accepting PhD Students

20162018
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Personal profile

Biography

I am a Senior Lecturer in music production and sound engineering and the Course Leader of the Sound Engineering and Music Production course. I joined the UOH in 2004 as a lecturer and admission tutor before becoming a course leader in 2007. I have experience teaching modules that cover sound engineering, recording, mixing, computer composition, synthesis, sound to picture and film music composition. I have supervised many final year undergraduate research projects that investigated areas such as recording techniques, perceptual listening tests, the effects of dynamic range compression in music production, distortion as a production process, timbre studies with a focus on production processes and semantic audio. Before joining the University of Huddersfield, I worked at Manchester College of Arts and Technology (now merged into Manchester College) as a music technology lecturer.

I have a PhD in music production and technology, which investigated the use of non-linearity in music production with a focus on dynamic range compression and the 1176 compressor. My research interests include music production sonic signatures, non-linearity and distortion in music production, the perceptual effects of dynamic range compression and semantic audio

I also have significant professional experience as well as my expertise in education. For many years I produced, remixed and engineered various forms of Electronic Dance Music (EDM) at a professional level (started with my first commercial release aged 18) and worked with bands of different genres as a producer and recording engineer.

Keywords

  • compression
  • music production
  • distortion
  • non-linear signal processing in music
  • sonic signatures
  • audio mixing techniques
  • semantic audio

Fingerprint Fingerprint is based on mining the text of the person's scientific documents to create an index of weighted terms, which defines the key subjects of each individual researcher.

  • 4 Similar Profiles
Compressors Engineering & Materials Science
Compressor Mathematics
Coloring Engineering & Materials Science
Dynamic Range Mathematics
compressors Physics & Astronomy
Field effect transistors Engineering & Materials Science
dynamic range Physics & Astronomy
Signal processing Engineering & Materials Science

Research Output 2016 2018

  • 2 Conference contribution
  • 1 Chapter

Tracking with Processing and Coloring as You Go

Moore, A., 2018, (Accepted/In press) Producing Music. Hepworth-Sawyer, R., Hodgson, J. & Marrington, M. (eds.). Routledge Taylor & Francis Group, (Perspectives on Music Production).

Research output: Chapter in Book/Report/Conference proceedingChapter

Coloring
Signal processing
Microphones
Processing
Compressors

An Investigation into the Relationship between the Subjective Descriptor Aggressive and the Universal Audio of the 1176 FET Compressor

Moore, A. & Wakefield, J., 11 May 2017, 142nd Audio Engineering Society International Convention 2017, AES 2017. Audio Engineering Society, 10 p. 9749

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Open Access
Field effect transistors
Compressors
Lead
Surface roughness
Engineers

An investigation into the sonic signature of three classic dynamic range compressors

Moore, A., Till, R. & Wakefield, J. P., 26 May 2016, 140th Audio Engineering Society International Convention 2016, AES 2016. Audio Engineering Society, 10 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Open Access
Compressor
Dynamic Range
compressors
dynamic range
Compressors

Activities 2016 2016

  • 1 Oral presentation

The Motivation Behind the Use of Dynamic Range Compression (DRC) in Music Production and an Analysis of its Sonic Signatures

Austin Moore (Speaker)
2 Dec 2016

Activity: Talk or presentation typesOral presentation