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20122024

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5 from 73 citations 

Last updated 17th April 2024

Biography

I am a Senior Lecturer in music production and sound engineering and the Course Leader of the Sound Engineering and Music Production course. I joined the UOH in 2004 as a lecturer and admission tutor before becoming a course leader in 2007. I have experience teaching modules that cover sound engineering, recording, mixing, computer composition, synthesis, sound to picture and film music composition. I have supervised many final year undergraduate research projects that investigated areas such as recording techniques, perceptual listening tests, the effects of dynamic range compression in music production, distortion as a production process, timbre studies with a focus on production processes and semantic audio. Before joining the University of Huddersfield, I worked at Manchester College of Arts and Technology (now merged into Manchester College) as a music technology lecturer.

I have a PhD in music production and technology, which investigated the use of non-linearity in music production with a focus on dynamic range compression and the 1176 compressor. My research interests include music production sonic signatures, non-linearity and distortion in music production, the perceptual effects of dynamic range compression and semantic audio

I also have significant professional experience as well as my expertise in education. For many years I produced, remixed and engineered various forms of Electronic Dance Music (EDM) at a professional level (started with my first commercial release aged 18) and worked with bands of different genres as a producer and recording engineer.

Expertise related to UN Sustainable Development Goals

In 2015, UN member states agreed to 17 global Sustainable Development Goals (SDGs) to end poverty, protect the planet and ensure prosperity for all. This person’s work contributes towards the following SDG(s):

  • SDG 4 - Quality Education
  • SDG 9 - Industry, Innovation, and Infrastructure

Research Expertise and Interests

  • compression
  • music production
  • distortion
  • non-linear signal processing in music
  • sonic signatures
  • audio mixing techniques
  • semantic audio
  • spatial audio

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