Accepting PhD Students

PhD projects

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Calculated based on number of publications stored in Pure and citations from Scopus
20122024

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  • 2024

    Exploring the history of distortion in drum and bass

    Moore, A., Shields, L. & Dewey, C., 27 Mar 2024, Innovation in Music : Cultures and Contexts. Gullö, J-O., Hepworth-Sawyer, R., Paterson, J., Toulson, R. & Marrington, M. (eds.). 1st ed. Routledge, p. 75-89 15 p. (Perspectives on Music Production).

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

  • 2023

    Non-linearity and Dynamic Range Compressors

    Moore, A., 12 Jun 2023, Distortion in Music Production : The Soul of Sonics. Bromham, G. & Moore, A. (eds.). 1st ed. Routledge, p. 47-64 18 p. (Perspectives on Music Production ).

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

  • Towards a Lexicon for Distortion Pedals

    Rice, T. & Moore, A., 12 Jun 2023, Distortion in Music Production : The Soul of Sonics. Bromham, G. & Moore, A. (eds.). 1st ed. Routledge, p. 128-144 17 p. (Perspectives on Music Production ).

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

  • 2020

    Towards a definition of compression glue in mastering

    Moore, A., 30 Dec 2020, Mastering in Music. Braddock, J. P., Hepworth-Sawyer, R., Hodgson, J., Shelvock, M. & Toulson, R. (eds.). 1st ed. Routledge, Taylor & Francis Group, p. 44-59 16 p. (Perspectives on Music Production).

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

  • 2019

    Tracking with Processing and Coloring as You Go

    Moore, A., 19 Mar 2019, Producing Music. Hepworth-Sawyer, R., Hodgson, J. & Marrington, M. (eds.). Routledge, Taylor & Francis Group, p. 209-226 18 p. (Perspectives on Music Production).

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

    3 Citations (Scopus)