Personal profile

Biography

I joined the university as a lecturer of Music Technology and Production in September 2014 having successfully completed a Masters by Research. Building on the experience of working in the web design and computer games industry, I have spent the past decade working in the post 16 education sector teaching games production and music technology. I have extensive experience of working with young people who have complex learning /behavioural needs within both mainstream and informal educational environments. I have been actively producing electronic music for nearly 20 years, and have released several titles. I am an experienced live sound engineer and DJ and have engineered many events throughout West Yorkshire over the past decade.

Fingerprint Fingerprint is based on mining the text of the person's scientific documents to create an index of weighted terms, which defines the key subjects of each individual researcher.

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Visualization Engineering & Materials Science
evaluation Physics & Astronomy
Usability Evaluation Mathematics
recording Physics & Astronomy
scientific visualization Physics & Astronomy
engineers Physics & Astronomy
fast Fourier transformations Physics & Astronomy
Data visualization Engineering & Materials Science

Research Output 2013 2018

  • 8 Conference contribution

MIDI Keyboard Defined DJ Performance System

Dewey, C., Wakefield, J. & Tindall, M. 22 Mar 2018 (Accepted/In press) NIME 2018: New Interfaces For Musical Expression .

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Synchronization
Keyboard
Time Slice
Octave
Filter

Formal usability evaluation of audio track widget graphical representation for two-dimensional stage audio mixing interface

Dewey, C. & Wakefield, J. 11 May 2017 142nd Audio Engineering Society International Convention 2017, AES 2017. Audio Engineering Society, 10 p. 9798

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Open Access
Usability Evaluation
Graphical Representation
Visualization
evaluation
Circle

LAMI: A Gesturally Controlled Three-Dimensional Stage Leap (Motion-Based) Audio Mixing Interface

Wakefield, J., Dewey, C. & Gale, W. 11 May 2017 142nd Audio Engineering Society International Convention 2017, AES 2017. Audio Engineering Society, 10 p. 9785

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Open Access
wrist
Computer monitors
Three-dimensional
dials
Motion

Novel designs for the audio mixing interface based on data visualisation first principles

Dewey, C. & Wakefield, J. P. 26 May 2016 140th Audio Engineering Society International Convention 2016. Audio Engineering Society, 10 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Open Access
scientific visualization
Data visualization
Data Visualization
First-principles
Horizontal

An investigation into the efficacy of methods commonly employed by mix engineers to reduce frequency masking in the mixing of multitrack musical recordings

Wakefield, J. P. & Dewey, C. 2015 138th Audio Engineering Society Convention, AES 2015. Audio Engineering Society, Vol. 2, p. 1044-1049 6 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Masking
masking
engineers
Efficacy
recording