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Last updated 18th April 2024
Biography
Frédéric Dufeu is Senior Research Fellow in Music and Music Technology at the University of Huddersfield. He is currently working on the IRiMaS project (Interactive Research in Music as Sound, 2017-2022) funded by the European Research Council (ERC) and directed by Michael Clarke; his research within IRiMaS is dedicated to the development of software environments for an interactive aural approach to music analysis and, more generally, musicology.
He joined the Centre for Research in New Music (CeReNeM) at Huddersfield in August 2012, working as Research Assistant on the TaCEM project (Technology and Creativity in Electroacoustic Music, 2012-2015) funded by the Arts and Humanities Research Council (AHRC) and directed by Michael Clarke and Peter Manning (Durham University). He took up his current position as Research Fellow in July 2015 and, before working within IRiMaS, has been pursuing research on and development of innovative software tools for musical creation, sound experimentation, and interactive analysis.
Prior to Huddersfield, Frédéric Dufeu worked as Teaching Assistant in Computer Music and Electroacoustic Music Studio Manager at Université Rennes 2 (France), where he completed a Master’s degree in Arts and Digital Technologies supervised by Bruno Bossis (2007) and a PhD in Music supervised by Antoine Bonnet (2010). He has been qualified to apply for lecturer positions by the French National Council of Universities (CNU), in sections 18 (Arts, 2011) and 22 (History and Civilisations, 2015).
Research Expertise and Interests
Main research areas:
- Musicology, history and analysis of electroacoustic music;
- Creative coding, history and development of digital tools dedicated to music analysis, music performance, experimentation, and composition.
Frédéric Dufeu is a member of the editorial board of Musurgia since 2018, a member of the editorial committee of the Ircam Analyses project since 2017, and a member of the reading committee of the Journal of Creative Music Systems (JCMS) since 2015; he has contributed to the organisation of the Tracking the Creative Process in Music conference (University of Huddersfield, 2017), of Journées d'Informatique Musicale (Université Rennes 2, 2010), and of the Electroacoustic Music Studies network conference (Ina-GRM and Université Paris-Sorbonne, 2008).
He is a reviewer for the French National Research Agency (ANR, in committees CE33 "Interaction, robotics" and CE38 "The Digital Revolution: relationship to knowledge and culture") and is or has been a member of the reading committee of the following conferences: Nova Contemporary Music Meeting (NCMM), Electroacoustic Music Studies network (EMS), International Workshop on Musical Metacreation (MUME), Computer Simulation of Musical Creativity (CSMC), International Conference on Technologies for Music Notation and Representation (TENOR), and Journées d'Informatique Musicale (JIM).
Expertise related to UN Sustainable Development Goals
In 2015, UN member states agreed to 17 global Sustainable Development Goals (SDGs) to end poverty, protect the planet and ensure prosperity for all. This person’s work contributes towards the following SDG(s):
Research Expertise and Interests
- Musicology, history and analysis of electroacoustic music
- Creative coding
- history and development of digital tools dedicated to music analysis
- music performance
- experimentation
- composition
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Collaborations and top research areas from the last five years
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Projects
- 1 Finished
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FluCoMa: Fluid Corpus Manipulations
Tremblay, P. A., Green, O., Roma, G., Harker, A., Clarke, M. & Dufeu, F.
1/09/17 → 28/02/23
Project: Research
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A digital toolbox for musical analysis of computer music: exploring music and technology through sonic experience
Clarke, M., Dufeu, F. & Takahashi, K., 14 Jun 2023, Proceedings of the Sound and Music Computing Conference 2023: SMC 2023. Bresin, R. & Falkenberg, K. (eds.). Zenodo, p. 312-316 5 p.Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
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TIAALS: Tools for Interactive Aural Analysis
Dufeu, F., Takahashi, K. & Clarke, M., 3 Apr 2023Research output: Non-textual form › Software
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Max as a Tool for the Musicological Analysis of Computer Music
Dufeu, F., Clarke, M. & Manning, P., 3 Jul 2022, Proceedings of the International Computer Music Conference 2022, ICMC 2022. Torre, G. (ed.). International Computer Music Association, p. 43-48 6 p. (International Computer Music Conference, ICMC Proceedings; vol. 2022-July).Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
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Peter Manning 1948-2022
Clarke, M., Dufeu, F. & Truax, B., 1 Aug 2022, In: Organised Sound. 27, 2, p. 267-269 3 p.Research output: Contribution to journal › Book/Film/Dance Article review › peer-review
Open Access -
Inside Computer Music
Clarke, M., Dufeu, F. & Manning, P., 5 Nov 2020, New York: Oxford University Press. 416 p.Research output: Book/Report › Book › peer-review
Datasets
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Performance Cartography, Performance Cartology: Multimedia Appendices
Hart, J. (Creator), Dufeu, F. (Supervisor), Green, O. (Supervisor) & Tremblay, P. A. (Supervisor), University of Huddersfield, 1 Oct 2021
DOI: https://doi.org/10.34696/p0y3-7f65, https://huddersfield.box.com/v/JacobHartThesisAppendices
Dataset
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Inside Computer Music - Accompanying software
Clarke, M. (Creator), Dufeu, F. (Creator) & Manning, P. (Creator), University of Huddersfield, 2020
https://huddersfield.box.com/s/e46av0lv6u7apyhsgdz9fcgp1xnyha51 and 17 more links, https://huddersfield.box.com/s/uf6yjv5t4d7n0xi80cu74v724ywlu6v0, https://huddersfield.box.com/s/r8j0o31yu9z5y4g7c2eiii1psdloy3cd, https://huddersfield.box.com/s/ym4q4tnzvzn3msdp4mliqtvog2k8tg8x, https://huddersfield.box.com/s/04qspurob1qo2uu6dz6wodbhyt98qj39, https://huddersfield.box.com/s/g06teswx2m53glz6pn7jtt7nt7o6fphk, https://huddersfield.box.com/s/a3wavp4r2oxrs6k8l75a8o5xlw3al9xr, https://huddersfield.box.com/s/hhrubnfhpvrr902bkityd4p6siq0t4n5, https://huddersfield.box.com/s/3szmezeq43k3zl9oat3qj68ij13d5e86, https://huddersfield.box.com/s/f5cin0mxr5fof72usevwmo4ekrtcnjyd, https://huddersfield.box.com/s/widx654x3e5w8mtmtxiv5ylwjaiggmqu, https://huddersfield.box.com/s/aiei82zexg0m8413329qgnow30bnl342, https://huddersfield.box.com/s/6e254jhd5bexavnpwojqqs892pfgljsd, https://huddersfield.box.com/s/uhpowwtsdfhw933gf1syr1z973ny5nbg, https://huddersfield.box.com/s/jepuvviq9p0eojhe767li6wmak8c0m59, https://huddersfield.box.com/s/gbkiwkpedd26mek87tg90x6wxz6mbb0f, https://huddersfield.box.com/s/6jsa661fk9oh4lmvho824qwn4t0e3zi3, https://huddersfield.box.com/s/589rq3f8xkgelyws2qxk762vbyr1a9bt (show fewer)
Dataset
Activities
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Analysing texture and gesture in classical music supported by interactive software
Michael Clarke (Speaker), Frédéric Dufeu (Contributor to Paper or Presentation) & Keitaro Takahashi (Contributor to Paper or Presentation)
10 Sep 2022Activity: Talk or presentation types › Oral presentation
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TIAALS as a software environment for identifying, analysing, and comparing timbres in a musicological context
Frédéric Dufeu (Speaker), Keitaro Takahashi (Contributor to Paper or Presentation) & Michael Clarke (Contributor to Paper or Presentation)
10 Sep 2022Activity: Talk or presentation types › Oral presentation
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Max as a Tool for the Musicological Analysis of Computer Music
Frédéric Dufeu (Speaker), Michael Clarke (Contributor to Paper or Presentation) & Peter Manning (Contributor to Paper or Presentation)
5 Jul 2022Activity: Talk or presentation types › Oral presentation
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A digital toolbox for analysing world music
Michael Clarke (Speaker), Frédéric Dufeu (Speaker) & Keitaro Takahashi (Speaker)
17 Jun 2022Activity: Talk or presentation types › Oral presentation
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Towards an interactive aural analysis of Syrinx by Debussy
Michael Clarke (Speaker), Frédéric Dufeu (Contributor to Paper or Presentation) & Keitaro Takahashi (Contributor to Paper or Presentation)
20 Sep 2021Activity: Talk or presentation types › Oral presentation