Research output per year
Research output per year
Research output
Search results
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2019
The IRiMaS Software: Integrating interactive listening and play into musicological research
Dufeu, F., Takahashi, K., Roebel, A. & Clarke, M., 16 Mar 2019, (Accepted/In press) International Computer Music Conference 2019. International Computer Music Association, 6 p. (International Computer Music Conference Proceedings ).Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
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2016
A permissive graphical patcher for SuperCollider synths
Dufeu, F., Sep 2016, ICMC 2016 - 42nd International Computer Music Conference, Proceedings. HKU University of the Arts Utrecht, HKU Music and Technology, p. 134-139 6 p.Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
Open Access -
Using software emulation to explore the creative and technical processes in computer music: John Chowning's Stria, a case study from the TaCEM project
Clarke, M., Dufeu, F. & Manning, P., 2016, ICMC 2016 - 42nd International Computer Music Conference, Proceedings. HKU University of the Arts Utrecht, HKU Music and Technology, p. 218-223 6 p.Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
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2014
Analysing the Creative Process through a Modelling of Tools and Methods for Composition in Hans Tutschku’s Entwurzelt
Dufeu, F. & Bonardi, A., 2014, Proceedings of the Electroacoustic Music Studies Network Conference: Electroacoustic Music Beyond Performance, Berlin, June 2014. 11 p.Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
Open Access -
Barry Truax Riverrun (1986/2004), a case study from the TaCEM project, exploring new approaches to techniques of analysis and re-synthesis in the study of concert electroacoustic works
Clarke, M., Dufeu, F. & Manning, P., 2014, Proceedings of the Electroacoustic Music Studies Network Conference: Electroacoustic Music Beyond Performance, Berlin, June 2014. 10 p.Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
Open Access -
From technological investigation and software emulation to music analysis: An integrated approach to Barry Truax's Riverrun
Clarke, J., Dufeu, F. & Manning, P., 2014, Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos. National and Kapodistrian University of Athens, p. 201-208 8 p.Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
3 Citations (Scopus) -
2013
Atelier: Outils pour l’analyse de la musique électroacoustique
Bonardi, A., Bossis, B., Dufeu, F., Malt, M. & Pottier, L., 2013, Actes des Journées d'Informatique Musicale. p. 199-200Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
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How Can We Model Behaviours of Digital Instruments? Propositions in fuzzy logic from Philippe Manoury’s works
Bonardi, A. & Dufeu, F., 2013, Proceedings of the Electroacoustic Music Studies network conference.Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
Open Access -
Introducing TaCEM and the tIAAls software
Clarke, J., Dufeu, F. & Manning, P., 2013, Proceedings of the 2013 ICMC Conference: International Developments in Electroacoustics. International Computer Music Association, p. 47-53 7 p.Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
2 Citations (Scopus) -
TIAALS: A New Generic Set of Tools for the Interactive Aural Analysis of Electroacoustic Music
Clarke, M., Dufeu, F. & Manning, P., 2013, Proceedings of the Electroacoustic Music Studies Conference: Electroacoustic Music in the Context of Interactive Approaches and Networks, Lisbon, June 2013. 12 p.Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
Open Access -
2012
Doppelgänger_Oblivion: Timeline: An interactive multimedia installation for collective in situ composition
Meza, M. & Dufeu, F., 2012, The Global Composition: Conference on Sound, Media, and the Environment. p. 459-461Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
Open Access -
Une interface graphique de manipulation d’unités modulaires dans SuperCollider
Dufeu, F., 2012, Actes des Journées d'Informatique Musicale. p. 123-132Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
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2011
Electroacoustic Music and Popular Culture Interacting: Aesthetic and musicological implications of GRM Experience by Christian Fennesz, Mika Vainio and Christian Zanési
Dufeu, F., 2011, Proceedings of the Electroacoustic Music Studies network conference.Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
Open Access -
2010
L’instrument numérique comme objet d’analyse des musiques mixtes
Dufeu, F., 2010, Actes des Journées d'Informatique Musicale. p. 221-227Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
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2008
Temps réel et temps différé dans l’instrument de musique numérique
Dufeu, F., 2008, Proceedings of the Electroacoustic Music Studies network conference, EMS08. Baudouin, O. (ed.). 5 p.Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
Open Access