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Research Output 2008 2017

2017

Interactive Tools for the Study of Electroacoustic Music Composition Methods: Resources for teaching and learning from the TaCEM software

Clarke, M., Dufeu, F. & Manning, P., May 2017, Innovative Tools and Methods for Teaching Music and Signal Processing. Pottier, L. (ed.). Paris: Presses des Mines, p. 27-35 9 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2016

A permissive graphical patcher for SuperCollider synths

Dufeu, F., Sep 2016, ICMC 2016 - 42nd International Computer Music Conference, Proceedings. HKU University of the Arts Utrecht, HKU Music and Technology, p. 134-139 6 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Open Access
Fluids
Graph
Syntax
Experimentation
Connector

De l’improvisation collective à son redéploiement électroacoustique

Dufeu, F. & Rabin, J., 2016, L'Improvisation musicale collective. Castanet, P. A. & Otto, P. (eds.). L'Harmattan, p. 151-162 12 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Les pratiques musicales provoquées par le numérique: quelles ruptures pour l’acte de création ?

Dufeu, F. & Rabin, J., 1 Jul 2016, Défier la décence. Crise du sens et nouveaux visages du scandale dans l’art. Brogowski, L., Delaplace, J. & Laurent, J. (eds.). Arras: Artois Presses Universite, p. 163-172 10 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Using software emulation to explore the creative and technical processes in computer music: John Chowning's Stria, a case study from the TaCEM project

Clarke, M., Dufeu, F. & Manning, P., 2016, ICMC 2016 - 42nd International Computer Music Conference, Proceedings. HKU University of the Arts Utrecht, HKU Music and Technology, p. 218-223 6 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Computer music
Software packages
Innovation
Software
Aural
2015

Entre composition et improvisation: analyse du programme informatique de Soliloque sur [X, X, X et X] de Fabien Lévy

Dufeu, F., 2015, Penser l’improvisation. Ayari, M. (ed.). France: Editions Delatour France, p. 249-272 24 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2014

Analysing the Creative Process through a Modelling of Tools and Methods for Composition in Hans Tutschku’s Entwurzelt

Dufeu, F. & Bonardi, A., 2014, Proceedings of the Electroacoustic Music Studies Network Conference: Electroacoustic Music Beyond Performance, Berlin, June 2014. 11 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Open Access
music
software
modeling
esthetics
hardware

Barry Truax Riverrun (1986/2004), a case study from the TaCEM project, exploring new approaches to techniques of analysis and re-synthesis in the study of concert electroacoustic works

Clarke, M., Dufeu, F. & Manning, P., 2014, Proceedings of the Electroacoustic Music Studies Network Conference: Electroacoustic Music Beyond Performance, Berlin, June 2014. 10 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Open Access
Concert
Electroacoustics
Software
Composer
Electroacoustic music
3 Citations (Scopus)

From technological investigation and software emulation to music analysis: An integrated approach to Barry Truax's Riverrun

Clarke, J., Dufeu, F. & Manning, P., 2014, Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos. National and Kapodistrian University of Athens, p. 201-208 8 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Software
Music Analysis
Aural
Huddersfield
Composer
2013

Atelier: Outils pour l’analyse de la musique électroacoustique

Bonardi, A., Bossis, B., Dufeu, F., Malt, M. & Pottier, L., 2013, Actes des Journées d'Informatique Musicale. p. 199-200

Research output: Chapter in Book/Report/Conference proceedingConference contribution

How Can We Model Behaviours of Digital Instruments? Propositions in fuzzy logic from Philippe Manoury’s works

Bonardi, A. & Dufeu, F., 2013, Proceedings of the Electroacoustic Music Studies network conference.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Open Access
2 Citations (Scopus)

Introducing TaCEM and the tIAAls software

Clarke, J., Dufeu, F. & Manning, P., 2013, Proceedings of the 2013 ICMC Conference: International Developments in Electroacoustics. International Computer Music Association, p. 47-53 7 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Innovation
Software
Electroacoustic music
Collaborative Projects
Huddersfield

Le support sonore comme instrument de musique chez Christian Marclay: The recording medium as instrument in Christian Marclay's works

Bossis, B., Marclay, C. & Dufeu, F., 2013, La musique et ses instruments. Castellengo, M. & Genevois, H. (eds.). Sampzon: Editions Delatour France, p. 419-435 (Pensée Musicale).

Research output: Chapter in Book/Report/Conference proceedingChapter

Mémoires numériques et comportements instrumentaux: quels dialogues entre le musicien et la machine?

Dufeu, F., Feb 2013, Libérez les machines !: L’imaginaire technologique à l’épreuve de l’art. Braun, P. (ed.). Les Presses du Réel, p. 105-113

Research output: Chapter in Book/Report/Conference proceedingChapter

TIAALS: A New Generic Set of Tools for the Interactive Aural Analysis of Electroacoustic Music

Clarke, M., Dufeu, F. & Manning, P., 2013, Proceedings of the Electroacoustic Music Studies Conference: Electroacoustic Music in the Context of Interactive Approaches and Networks, Lisbon, June 2013. 12 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Open Access
Acoustic waves
Feedback
2012

Doppelgänger_Oblivion: Timeline: An interactive multimedia installation for collective in situ composition

Meza, M. & Dufeu, F., 2012, The Global Composition: Conference on Sound, Media, and the Environment. p. 459-461

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Open Access

L’échange écrit dans la création musicale électroacoustique. Étude des correspondances entre compositeurs et assistants à la réalisation des œuvres

Dufeu, F., 2012, Correspondances d’artistes: Du brouillon à la lettre ouverte. Fosse, C. & Lerichomme, L. (eds.). Marseille: Le Mot et le Reste, p. 221-239

Research output: Chapter in Book/Report/Conference proceedingChapter

Une interface graphique de manipulation d’unités modulaires dans SuperCollider

Dufeu, F., 2012, Actes des Journées d'Informatique Musicale. p. 123-132

Research output: Chapter in Book/Report/Conference proceedingConference contribution

2011

Electroacoustic Music and Popular Culture Interacting: Aesthetic and musicological implications of GRM Experience by Christian Fennesz, Mika Vainio and Christian Zanési

Dufeu, F., 2011, Proceedings of the Electroacoustic Music Studies network conference.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Open Access
2010

L’instrument numérique comme objet d’analyse des musiques mixtes

Dufeu, F., 2010, Actes des Journées d'Informatique Musicale. p. 221-227

Research output: Chapter in Book/Report/Conference proceedingConference contribution

2009

De l’enregistrement silencieux à la partition photographique dans l’œuvre de Christian Marclay

Bossis, B. & Dufeu, F., 2009, Christian Marclay : Snap!. Mavridorakis, V. & Perreau, D. (eds.). Dijon: Les Presses du Réel, p. 75-92 (Domaine Mamco).

Research output: Chapter in Book/Report/Conference proceedingChapter

2008

Temps réel et temps différé dans l’instrument de musique numérique

Dufeu, F., 2008, Proceedings of the Electroacoustic Music Studies network conference, EMS08. Baudouin, O. (ed.). 5 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Open Access