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Personal profile

Biography

Geoffrey Cox began his musical career in London as a guitarist in a post-punk, new wave band in 1979. Rejecting all forms of structured musical learning, he submerged himself in various rock groups before finally embarking on a course of musical study at Liverpool Community College in 1989 which led to the formation of a jazz-influenced quintet playing mostly his own music.  This, in turn, led to an exploration of classical and contemporary music through an HND. He completed a First class honours degree in composition at Huddersfield in 1999  and a PhD in 2007 which focuses on the use of borrowed material in sampled and written form across a wide variety of musical genres. Other specialisms include Popular Musicology (the history and effect of technological developments on popular music) and working with visual images in a musical context, work which has become increasingly important to his output.

Research Expertise and Interests

  • Acoustic music composition.
  • Electroacoustic music composition.
  • Sound and image: theory and practice.
  • Popular musicology.
  • Music technology.

Fingerprint Fingerprint is based on mining the text of the person's scientific documents to create an index of weighted terms, which defines the key subjects of each individual researcher.

  • 3 Similar Profiles
Sound Arts & Humanities
Documentary Arts & Humanities
Documentary Film Arts & Humanities
Music Arts & Humanities
Poetry Arts & Humanities
Musique Concrète Arts & Humanities
1960s Arts & Humanities
Realism Arts & Humanities

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Research Output 2014 2018

Introduction

Cox, G., 23 Jul 2018, Soundings : Documentary Film and the Listening Experience. Cox, G. & Corner, J. (eds.). University of Huddersfield Press, p. 1-14 14 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Open Access

Weave Me a Rainbow ‘The march, the march of colour and pattern’: Music and cinematography at the service of the creative promotion of the 1960s Scottish woollen industry

Cox, G., 23 Jul 2018, Soundings: Documentary Film and the Listening Experience. Cox, G. & Corner, J. (eds.). University of Huddersfield Press, p. 37-67 31 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Open Access
Abstract Paintings
Music
1960s
Documentary
Realism

Mill Study

Cox, G., Marley, K. & Cox, G., 2017

Research output: Non-textual formComposition

Sound
Physical
Documentary Film
Poetry
Listeners
1 Citations
Open Access
Acoustic waves
Concretes
Post offices
Innovation
Coal

Activities 2014 2018

  • 3 Oral presentation
  • 1 Organising a conference, workshop, ...
  • 1 Publication Peer-review
  • 1 Examination

Music, Sound and the Moving Image (Journal)

Geoff Cox (Reviewer)
Feb 2018

Activity: Publication peer-review and editorial work typesPublication Peer-review

International Symposim

Geoff Cox (Organiser)
23 Feb 201724 Feb 2017

Activity: Participating in or organising an event typesOrganising a conference, workshop, ...

‘Sound Was An End in Itself": Early Documentary Sound and the Prefiguring of Musique Concrete

Geoff Cox (Speaker)
16 Apr 2016

Activity: Talk or presentation typesOral presentation

‘Sounding and Resounding’ - Planting Sounds: Poetry, Feeling, Place in Tree People, the Story of the Colne Valley Tree Society

Geoff Cox (Speaker)
20 Nov 2015

Activity: Talk or presentation typesOral presentation

External Examiner (Undergraduate)

Geoff Cox (Examiner)
7 Mar 201523 Aug 2019

Activity: Examination typesExamination