Research Output per year
Personal profile
Biography
Geoffrey Cox began his musical career in London as a guitarist in a post-punk, new wave band in 1979. Rejecting all forms of structured musical learning, he submerged himself in various rock groups before finally embarking on a course of musical study at Liverpool Community College in 1989 which led to the formation of a jazz-influenced quintet playing mostly his own music. This, in turn, led to an exploration of classical and contemporary music through an HND. He completed a First class honours degree in composition at Huddersfield in 1999 and a PhD in 2007 which focuses on the use of borrowed material in sampled and written form across a wide variety of musical genres. Other specialisms include Popular Musicology (the history and effect of technological developments on popular music) and working with visual images in a musical context, work which has become increasingly important to his output.
Research Expertise and Interests
- Acoustic music composition.
- Electroacoustic music composition.
- Sound and image: theory and practice.
- Popular musicology.
- Music technology.
Fingerprint Fingerprint is based on mining the text of the person's scientific documents to create an index of weighted terms, which defines the key subjects of each individual researcher.
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Network
Recent external collaboration on country level. Dive into details by clicking on the dots.
Research Output 2014 2018
Introduction
Cox, G., 23 Jul 2018, Soundings : Documentary Film and the Listening Experience. Cox, G. & Corner, J. (eds.). University of Huddersfield Press, p. 1-14 14 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access
Weave Me a Rainbow ‘The march, the march of colour and pattern’: Music and cinematography at the service of the creative promotion of the 1960s Scottish woollen industry
Cox, G., 23 Jul 2018, Soundings: Documentary Film and the Listening Experience. Cox, G. & Corner, J. (eds.). University of Huddersfield Press, p. 37-67 31 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access
‘Like an abstract painting drawn from a heightened realism; shape, form, colour’… and music: Abstraction, meaning and nostalgia in 1960s Scottish industrial documentary
Cox, G., 4 Feb 2018, (Accepted/In press) In : Music and Letters.Research output: Contribution to journal › Article
Abstract Paintings
Music
1960s
Documentary
Realism
Sound
Physical
Documentary Film
Poetry
Listeners
'There Must Be a Poetry of Sound That None of Us Knows...': Early British Documentary Film and the Prefiguring of Musique Concrète
Cox, G., Aug 2017, In : Organised Sound. 22, 2, p. 172-186 15 p.Research output: Contribution to journal › Article
Open Access
Acoustic waves
Concretes
Post offices
Innovation
Coal
Activities 2014 2018
Music, Sound and the Moving Image (Journal)
Geoff Cox (Reviewer)Feb 2018
Activity: Publication peer-review and editorial work types › Publication Peer-review
International Symposim
Geoff Cox (Organiser)23 Feb 2017 → 24 Feb 2017
Activity: Participating in or organising an event types › Organising a conference, workshop, ...
‘Sound Was An End in Itself": Early Documentary Sound and the Prefiguring of Musique Concrete
Geoff Cox (Speaker)16 Apr 2016
Activity: Talk or presentation types › Oral presentation
‘Sounding and Resounding’ - Planting Sounds: Poetry, Feeling, Place in Tree People, the Story of the Colne Valley Tree Society
Geoff Cox (Speaker)20 Nov 2015
Activity: Talk or presentation types › Oral presentation
External Examiner (Undergraduate)
Geoff Cox (Examiner)7 Mar 2015 → 23 Aug 2019
Activity: Examination types › Examination