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Personal profile

Biography

As Departmental Lead for internationalisation an important part of my role is to help build a truly global environment at the University that interweaves international research collaborations and a diverse student population.

Teaching will always remain the core activity as an academic and I have always sought to develop and refine the relationship between photographic theory and practice, since taking up my post at the University in 2013.

I have taught in a range of Institutions from the University of South Wales, University of Brighton and Goldsmiths University in London. Through the various challenges and opportunities these previous roles, I have developed extensive experience in building a strong research culture that enriches the student experience that is for me, at the core of higher education in the arts.

Research Expertise and Interests

  • Contemporary Documentary Photography and Art practices
  • The Photobook
  • History and Photography
  • Philosophy and Photography

Research Degree Supervision

Click Here to see all postgraduate research opportunities with Dr Liam Devlin

Fingerprint Fingerprint is based on mining the text of the person's scientific documents to create an index of weighted terms, which defines the key subjects of each individual researcher.

  • 3 Similar Profiles
art Social Sciences
realism Social Sciences
currency Social Sciences
equality Social Sciences
myth Social Sciences
social agencies Social Sciences
photography Social Sciences
mobilization Social Sciences

Research Output 2014 2019

Myth, Montage and Magic Realism: Rethinking the photograph as a discursive document

Devlin, L., Jan 2019, In : Photographies. 12, 1, p. 3-18 16 p.

Research output: Contribution to journalArticle

Photography
realism
equality
myth
social agencies

Occupy the Image

Devlin, L., 30 Jun 2018, Photography Reframed: New Visions in Photographic Culture. Burbridge, B. & Pollen, A. (eds.). I.B. Tauris, 12 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Discursive Documents

Devlin, L., Beldea, A., Kurtis, S., Mulhearn, R., Higginbottom, R., Eyre, S. & Sailor, L., 11 Feb 2017

Research output: Non-textual formExhibition

Discursive
Michel De Certeau
Singularity
Prompts
Cultural Theorists

In sight. In visible. In situ

Devlin, L., 1 Feb 2015, High-rise. Dovey, K., Wilson, R., Devlin, L. & Drake, D. (eds.). Cardiff: ffotogallery Wales Ltd, p. 88-93 5 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

1 Citation (Scopus)

The making of the Allure of the Archive - An index of assemblies by Art (&) Currency: Institute of Vanishing Principles and Spells, 2013-2014

Heys, P., Temple, N., Adkins, M., Bailey, R., Tibbetts, S., Briers, D., MacDonald, J., Powell, A., Devlin, L. & Gfader, V., 1 Sep 2014, In : Journal of Writing in Creative Practice. 7, 3, p. 511-516 6 p.

Research output: Contribution to journalReview article

currency
art
Group
Dispute
Art

Activities 2017 2017

  • 1 Invited talk

Myth, Montage & Magic Realism: Rethinking the Photograph as a Discursive Document

Liam Devlin (Speaker)
11 Mar 2017

Activity: Talk or presentation typesInvited talk