Lisa Colton

Personal profile

Biography

Lisa Colton is Reader in Musicology and Director of Graduate Education (School of Music, Humanities & Media). Lisa’s studies in medieval musicology, medieval studies, and early music performance led to her doctoral thesis, 'Music and sanctity in England, c.1260-c.1400' (University of York, 2004), exploring themes of nationalism, sanctity and virginity in late medieval English music. Lisa is a Fellow of the Royal Historical Society, a Fellow of the Higher Education Academy, and an active member of the Plainsong and Medieval Music Society and the Royal Musical Association. Her monograph, Angel Song: Medieval English Music in History, was published by Routledge (2017). She is currently working on three main projects: a book on medieval insular liturgies (with Ann Buckley, for Cambridge University Press); a book on medieval female-voice song (with Anna Grau-Schmidt, for Brill); and a project supported by the Neil Ker Memorial Fund (British Academy), entitled Henry Wells and his Books.

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Research Output 2003 2019

10 Chapter
7 Book/Film/Dance Article review
6 Article
3 Book
7 More

Book review: Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet; Anna Zayaruznaya, Upper-Voice Structures and Compositional Process in the Ars Nova Motet

Colton, L., Apr 2019, In : Music Analysis. 38, 1-2, p. 241-250 10 p.

Research output: Contribution to journal › Book/Film/Dance Article review

Motet

Ars Nova

Art

Monstrous

Late Medieval Period

Channelling the Ecstasy of Hildegard von Bingen: “O Euchari” Remixed

Colton, L., 30 Jul 2019, Music Beyond Airports: appraising ambient music. Adkins, M. & Cummings, S. (eds.). Huddersfield: University of Huddersfield Press, p. 147-175 29 p.

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Open Access

High or Low? Medieval English Carols as Part of Vernacular Culture, 1380-1450

Colton, L. & McInnes, L., 10 Aug 2019, Vernacular Aesthetics in the Later Middle Ages: Politics, Performativity, and Reception from Literature to Music. Jager, K. W. (ed.). 1 ed. New York: Palgrave Macmillan, Cham, p. 119-149 31 p. (The New Middle Ages).

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Todd Haynes

Medieval Period

Latin Language

Lyrics

Reception