Research Output per year
Personal profile
Biography
Lisa Colton is Reader in Musicology and Director of Graduate Education (School of Music, Humanities & Media). Lisa’s studies in medieval musicology, medieval studies, and early music performance led to her doctoral thesis, 'Music and sanctity in England, c.1260-c.1400' (University of York, 2004), exploring themes of nationalism, sanctity and virginity in late medieval English music. Lisa is a Fellow of the Royal Historical Society, a Fellow of the Higher Education Academy, and an active member of the Plainsong and Medieval Music Society and the Royal Musical Association. Her monograph, Angel Song: Medieval English Music in History, was published by Routledge (2017). She is currently working on three main projects: a book on medieval insular liturgies (with Ann Buckley, for Cambridge University Press); a book on medieval female-voice song (with Anna Grau-Schmidt, for Brill); and a project supported by the Neil Ker Memorial Fund (British Academy), entitled Henry Wells and his Books.
Fingerprint Dive into the research topics where Lisa Colton is active. These topic labels come from the works of this person. Together they form a unique fingerprint.
- 12 Similar Profiles
Network
Recent external collaboration on country level. Dive into details by clicking on the dots.
Research Output
Past Tense: Creative Medievalism in the Music of Margaret Lucy Wilkins
Colton, L., 30 Apr 2020, The Oxford Handbook of Music and Medievalism. Meyer, S. C. & Yri, K. (eds.). 1 ed. New York: Oxford University Press, p. 301-326 26 p. (Oxford Handbooks).Research output: Chapter in Book/Report/Conference proceeding › Chapter
Book review: Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet; Anna Zayaruznaya, Upper-Voice Structures and Compositional Process in the Ars Nova Motet
Colton, L., Apr 2019, In : Music Analysis. 38, 1-2, p. 241-250 10 p.Research output: Contribution to journal › Book/Film/Dance Article review
Channelling the Ecstasy of Hildegard von Bingen: “O Euchari” Remixed
Colton, L., 30 Jul 2019, Music Beyond Airports: appraising ambient music. Adkins, M. & Cummings, S. (eds.). Huddersfield: University of Huddersfield Press, p. 147-175 29 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access
High or Low? Medieval English Carols as Part of Vernacular Culture, 1380-1450
Colton, L. & McInnes, L., 10 Aug 2019, Vernacular Aesthetics in the Later Middle Ages: Politics, Performativity, and Reception from Literature to Music. Jager, K. W. (ed.). 1 ed. New York: Palgrave Macmillan, Cham, p. 119-149 31 p. (The New Middle Ages).Research output: Chapter in Book/Report/Conference proceeding › Chapter
Music in the Margins: Queerness in the Clerical Imagination, 1200–1500
Colton, L., 1 Mar 2019, The Oxford Handbook of Music and Queerness. Everett Maus, F. & Whiteley, S. (eds.). Oxford: Oxford University PressResearch output: Chapter in Book/Report/Conference proceeding › Chapter
Activities
PhD Examination: Newcastle University
Lisa Colton (Examiner)11 Dec 2019
Activity: Examination types › PhD Examination
Crosstown Traffic
Rupert Till (Organiser), Toby Martin (Organiser), Jan-Peter Herbst (Organiser), Austin Moore (Organiser), Mark Mynett (Organiser), Lisa Colton (Organiser), Catherine Haworth (Organiser)3 Sep 2018 → 5 Sep 2018
Activity: Participating in or organising an event types › Organising a conference, workshop, ...
Journal of the Royal Musical Association (Journal)
Lisa Colton (Member of editorial board)2018 → 2020
Activity: Publication peer-review and editorial work types › Publication Peer-review
External Examiner (PhD)
Lisa Colton (Examiner)19 Dec 2017
Activity: Examination types › PhD Examination