Research Output per year
Personal profile
Biography
Lisa Colton is Reader in Musicology and Director of Graduate Education (School of Music, Humanities & Media). Lisa’s studies in medieval musicology, medieval studies, and early music performance led to her doctoral thesis, 'Music and sanctity in England, c.1260-c.1400' (University of York, 2004), exploring themes of nationalism, sanctity and virginity in late medieval English music. Lisa is a Fellow of the Royal Historical Society, a Fellow of the Higher Education Academy, and an active member of the Plainsong and Medieval Music Society and the Royal Musical Association. She directs the Centre for the Study of Music, Culture, and Identity, which aims to stimulate musical and interdisciplinary research through diverse activities, events and publications. Her monograph, Angel Song: Medieval English Music in History, was published by Routledge (2017).
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- 8 Similar Profiles
Music
Arts & Humanities
Motet
Arts & Humanities
Medieval Period
Arts & Humanities
Song
Arts & Humanities
Polyphony
Arts & Humanities
Chanson
Arts & Humanities
Virginity
Arts & Humanities
Polyphonic
Arts & Humanities
Network
Recent external collaboration on country level. Dive into details by clicking on the dots.
Research Output 2003 2019
Book review: Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet; Anna Zayaruznaya, Upper-Voice Structures and Compositional Process in the Ars Nova Motet
Colton, L., Apr 2019, In : Music Analysis. 38, 1-2, p. 241-250 10 p.Research output: Contribution to journal › Book/Film/Dance Article review
Motet
Ars Nova
Art
Monstrous
Late Medieval Period
Channelling the Ecstasy of Hildegard von Bingen: “O Euchari” Remixed
Colton, L., 30 Jul 2019, Music Beyond Airports: appraising ambient music. Adkins, M. & Cummings, S. (eds.). Huddersfield: University of Huddersfield Press, p. 147-175 29 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access
High or Low? Medieval English Carols as Part of Vernacular Culture, 1380-1450
Colton, L. & McInnes, L., Jul 2019, Vernacularity and Aesthetics in the Later Middle Ages: Politics, Performativity, and Reception from Literature to Music. Jager, K. W. (ed.). 1 ed. New York: Palgrave Macmillan UK, p. 119-149 31 p. (The New Middle Ages).Research output: Chapter in Book/Report/Conference proceeding › Chapter
Music in the Margins: Queerness in the Clerical Imagination, 1200–1500
Colton, L., 1 Mar 2019, The Oxford Handbook of Music and Queerness. Everett Maus, F. & Whiteley, S. (eds.). Oxford: Oxford University PressResearch output: Chapter in Book/Report/Conference proceeding › Chapter
Queerness
Music
Medieval Period
Legal Texts
Sexual
Book review: Katie Ann-Marie Bugyis, A.B. Kraebel, and Margot Fassler eds, Medieval Cantors and their Craft: Music, Liturgy and the Shaping of History 800-1500 (York: Boydell and Brewer, 2017)
Colton, L., 2 Jun 2018, In : Journal of Religious History, Literature and Culture. 4, 1, p. 159-161 3 p.Research output: Contribution to journal › Book/Film/Dance Article review
Activities 2011 2018
Crosstown Traffic: Popular Music Theory and Practice
Rupert Till (Organiser), Toby Martin (Organiser), Jan-Peter Herbst (Organiser), Austin Moore (Organiser), Mark Mynett (Organiser), Lisa Colton (Organiser), Catherine Haworth (Organiser)3 Sep 2018 → 5 Sep 2018
Activity: Participating in or organising an event types › Organising a conference, workshop, ...
Journal of the Royal Musical Association (Journal)
Lisa Colton (Member of editorial board)2018 → 2020
Activity: Publication peer-review and editorial work types › Publication Peer-review
External Examiner (Undergraduate Music)
Lisa Colton (Examiner)2017 → 2021
Activity: Examination types › PhD Examination