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2020

Past Tense: Creative Medievalism in the Music of Margaret Lucy Wilkins

Colton, L., 30 Apr 2020, The Oxford Handbook of Music and Medievalism. Meyer, S. C. & Yri, K. (eds.). 1 ed. New York: Oxford University Press, p. 301-326 26 p. (Oxford Handbooks).

Research output: Chapter in Book/Report/Conference proceedingChapter

2019

Channelling the Ecstasy of Hildegard von Bingen: “O Euchari” Remixed

Colton, L., 30 Jul 2019, Music Beyond Airports: appraising ambient music. Adkins, M. & Cummings, S. (eds.). Huddersfield: University of Huddersfield Press, p. 147-175 29 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Open Access

High or Low? Medieval English Carols as Part of Vernacular Culture, 1380-1450

Colton, L. & McInnes, L., 10 Aug 2019, Vernacular Aesthetics in the Later Middle Ages: Politics, Performativity, and Reception from Literature to Music. Jager, K. W. (ed.). 1 ed. New York: Palgrave Macmillan, Cham, p. 119-149 31 p. (The New Middle Ages).

Research output: Chapter in Book/Report/Conference proceedingChapter

Music in the Margins: Queerness in the Clerical Imagination, 1200–1500

Colton, L., 1 Mar 2019, The Oxford Handbook of Music and Queerness. Everett Maus, F. & Whiteley, S. (eds.). Oxford: Oxford University Press

Research output: Chapter in Book/Report/Conference proceedingChapter

2018

Medievalism, music and agency in 'The Wicker Man' (1973)

Colton, L., 7 Feb 2018, Recomposing the Past: Representations of Early Music on Stage and Screen. Cook, J., Kolassa, A. & Whittaker, A. (eds.). Abingdon: Routledge, p. 213-228 16 p. (Ashgate Screen Music Series).

Research output: Chapter in Book/Report/Conference proceedingChapter

Open Access

Song in space and space in song: Physical and conceptual boundaries in English devotional music, 1250–1500

Colton, L., 14 Jun 2018, Devotional Interaction in Medieval England and its Afterlives. Foster, E., Perratore, J. & Rozenski, S. (eds.). Leiden: Brill, 41 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2017

'Sowndys and melodiis': Perceptions of Sound and Music in Late Medieval England

Colton, L., 2017, Cultural Histories of Noise, Sound and Listening in Europe, 1300–1918. Gibson, K. & Biddle, I. (eds.). Abingdon: Routledge, p. 19-30 12 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2014

Who's calling? Telephone songs, female vocal empowerment and signification

Colton, L., 1 Jan 2014, Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture. Iddon, M. & Marshall, M. (eds.). Taylor and Francis AS, p. 67-81 15 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2009

Music and Identity in Medieval Bury St Edmunds

Colton, L., 2009, St Edmund, King and Martyr: Changing Images of a Medieval Saint. Bale, A. (ed.). Boydell and Brewer Ltd, p. 87-110 24 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2005

Choral Music in York, 1400-1540

Colton, L., 2005, Mass and Parish in Late Medieval England: The Use of York. Barnwell, P., Cross, C. & Rycraft, A. (eds.). Reading: Spire, p. 41-56 16 p.

Research output: Chapter in Book/Report/Conference proceedingChapter