Personal profile
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Last updated 20th March 2026
Biography
Liz trained in the art of Costume Construction at the prestigious Theatre Wardrobe Course at Liverpool’s City College (formally Mabel Fletchers). She first started working for the Costume with Textiles course in 2006. Prior to this she was the Costume supervisor at Bretton Hall College (1995-1998) and ran Costume construction projects for The University of Leeds(1998-2003)
Although her main career path is now within education she has had a wealth of experience both in live theatre work, film and television. She worked as a freelancer costume maker for many prestigious companies and still maintains close contacts with the industry. Theatre work includes: Sheffield Crucible, Manchester Library and Forum Theatres, Wexford Opera Festival, City of Birmingham Touring Opera, Oldham Coliseum, D’Oyle Carte Opera Company, York Theatre Royal, Northern Ballet, Janet Smith Dance company, Theatre Clwyd, Film and television include: Angels Costumiers, Boda Television, SC4 and The BBC.
She has covered all aspects of costume work: pattern cutting, making and fitting costumes and accessories, wigs dressing and fitting, dye-ing and breaking down, Millinery, leather and fiberglass work, mask making along with organisation and maintenance of costume during production for theatre, touring, film and television.
Research Expertise and Interests
- Concept of the costume store as a living archive
- The changing relationship between costume and clothing in terms of preservation, performance, research and education.
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Collaborations and top research areas from the last five years
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Made at Mabels
Garland, L., 13 Jan 2026, (Accepted/In press) Craft and Illusion: 250 Years of Making Costume in Britian. Isaac, V. & Halbert, J. (eds.). Yale University PressResearch output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Review: Stage and Screen under the Spotlight, hosted by The Hunterian Museum and Art Gallery, Kelvin Hall, Glasgow, Scotland, 17 February 2024
Bate, T. & Garland, L., 30 Dec 2024, In: Studies in costume and perfromance. 9, 2, p. 245-249 5 p.Research output: Contribution to journal › Book/Film/Dance Article review › peer-review
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Book review: Making Victorian Costumes for Men, Sil Devilly (2019) Marlborough: Crowood Press, 160 pp., 232 colour photographs and patterns ISBN 978-1-78500-575-8, p/bk, £25.00
Garland, L., 1 Dec 2020, In: Studies in Costume & Performance. 5, 2, p. 276-278 3 p.Research output: Contribution to journal › Book/Film/Dance Article review › peer-review
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A reflection on the benefits of revitalising the teaching content and style of the renowned Mabel Fletcher costume course to re-skill the costume making profession: an early stage research project
Garland, E., 1 Jul 2018, In: Global Marketing Conference Proceedings. p. 761-775 15 p.Research output: Contribution to journal › Conference article › peer-review
Open AccessFile -
Second skin: Investigating the production of contoured patterns for the theatrical costume industry
Garland, E. & Almond, K., 2016, In: Costume. 50, 1, p. 90-113 24 p.Research output: Contribution to journal › Article › peer-review
Open Access2 Link opens in a new tab Citations (Scopus)
Activities
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Assessing and evaluating the role of the costume maker and reconsidering their craft in an ever-evolving digital world
Garland, L. (Speaker)
Sept 2026Activity: Talk or presentation types › Oral presentation
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Costume symposium 2023
Garland, L. (Participant)
1 Sept 2023 → 3 Sept 2023Activity: Participating in or organising an event types › Organising a conference, workshop, ...
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Huddersfield Carnival
Garland, L. (Participant)
8 Jul 2023Activity: Participating in or organising an event types › Participating in a conference, workshop, ...
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Second Skin Pattern-Cutting Technique
Garland, L. (Speaker)
12 Jun 2023Activity: Talk or presentation types › Oral presentation
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'To zip or not to zip' Presentation about costume making
Garland, L. (Speaker)
24 Sept 2021Activity: Talk or presentation types › Oral presentation