Personal profile

Biography

Liza Lim is Professor of Composition joining the University of Huddersfield in 2008. As Former Director of CeReNeM, the Centre for Research in New Music (2008-2017), she initiated and established the HCR CD/DVD label, CeReNeM Journal (see Issue 5, 2015), Divergence Press and CeReNeM's international research network and exchange platform, Speculations in Sound. She has also led two large URF research projects for the centre, the first focussed on contemporary performance practice, the second on international networks and new technology in music.

Lim connects her compositional practice to areas such as Australian Indigenous aesthetics (‘shimmer’) and non-western epistemologies of time and space; the way external representations (eg: knots) amplify and extend cognition; ecologies of collaboration and distributed creativities.

She has published extensively with the international music label Casa Ricordi/Universal Music Publishing Group who hold a catalogue of over 70 of her scores. Her fourth opera 'Tree of Codes' premiered in 2016 was commissioned by Cologne Opera, Ensemble MusikFabrik and Hellerau-European centre for the Arts and was described as 'a major contribution to the music theatre of our time' (Neue Zeitschrift für Musik). The opera will have a new season at the Spoleto Festival in May/June 2018. She was recently awarded the Don Banks Prize in music (Australia) recognising her 'outstanding and sustained achievement' and contribution to the field of music. She is the recipient of the Paul Lowin prize for Orchestral Composition, Senior Fellowships from the Ian Potter Foundation and Australia Council, and was DAAD Artist-in-Berlin in 2007-08 amongst numerous prizes, commissions and industry awards.

Liza Lim gained her PhD from the University of Queensland, MMus from the University of Melbourne and BA (music) from the Victorian College of the Arts. She is in demand as a jury member and as a guest teacher at international summer courses such as Darmstadt, Royaumont and the Beijing International Composition Workshop. During 2017 she was Visiting Professor at the Shanghai Conservatory of Music and in 2018, Composer-in-Residence at Boston University's Centre for New Music.

She has given guest lectures and masterclasses at the University of Harvard, University of California San Diego, UCBerkeley, Cornell University, New York University, Manhattan School of Music, Getty Research Institute LA, Stanford University, Institute of Musical Research, London, Royal College of Music, RMIT’s Spatial Information Architecture Laboratory, National University of Singapore, Kunstuniversität Graz and at Glasgow, Oxford, Cambridge and BathSpa Universities.

External positions

Professor of Composition, Sydney Conservatorium of Music

1 Mar 2017 → …

Visiting Professor of Composition, Shanghai Conservatory of Music

1 Feb 201731 Dec 2017

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Research Output 2014 2018

Atlas of the Sky: for soprano, 3 percussion & crowd, duration 65 minutes

Lim, L. 2018

Research output: Non-textual formComposition

Atlas
Soprano
Crowds
Percussion
Wood

Extinction Events and Dawn Chorus: ensemble work for 12 musicians

Lim, L. 2018

Research output: Non-textual formComposition

Musicians
Chorus
Extinction
Ensemble
Vienna

Intervention: Knots and other forms of Entanglement

Lim, L. 8 Feb 2018 Distributed Creativity : Collaboration and Improvisation in Contemporary Music. Clarke, E. & Doffman, M. (eds.). Oxford University Press, (Studies in Musical Performance as Creative Practice)

Research output: Chapter in Book/Report/Conference proceedingChapter

The Su Song Star Map: for solo violin

Lim, L. 2018

Research output: Non-textual formComposition

stars

The Table of Knowledge: for solo double bass

Lim, L. 2018

Research output: Non-textual formComposition

Hyoscyamus niger
Cannabis
Datura
bass
flight

Activities 2015 2015

  • 1 Oral presentation