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21 from 1,536 citations
Last updated 18th April 2024
Biography
Professor Michael Clarke is Director of the IRiMaS project (Interactive Research in Music as Sound - https://research.hud.ac.uk/institutes-centres/irimas/) funded by a €2.5m European Research Council (ERC) Advanced Grant (2017-22). Previously he was Dean of the School of Music, Humanities and Media at Huddersfield and before that Dean of the University’s Graduate School.
Michael read Music at Durham University where he remained for his PhD. He also holds a teaching qualification (MTC) from the Institute of Education, University College London. He has worked at Huddersfield since 1987, and his previous roles at Huddersfield include Director of the Electroacoustic Studios, founding Director of CeReNeM and Director of Research for the School of Music, Humanities and Media
Michael’s research includes composition and the development of innovative software for music composition, pedagogy and analysis. Both his compositions and software have won national and international prizes, including winning European Academic Software Awards on a record three occasions. He was Principal Investigator on the AHRC-funded project ‘Technology and Creativity in Electroacoustic Music’ (TaCEM - https://research.hud.ac.uk/institutes-centres/tacem/) working together with Prof Peter Manning (Durham) and Dr Frédéric Dufeu (Huddersfield). This project (2012-5) builds on Michael’s earlier innovative work using software to develop an interactive aural approach to music analysis (https://research.hud.ac.uk/institutes-centres/iaa/). In 2011, he was awarded a National Teaching Fellowship.
Michael was an assessor on Panel 35 in REF 2014 having been a specialist advisor for the 2008 RAE. He has been a member of the AHRC Peer Review College and a Strategic Reviewer for the AHRC. He has also acted as a reviewer for the EPSRC and for funding councils in Austria, Finland, France and Germany.
Expertise related to UN Sustainable Development Goals
In 2015, UN member states agreed to 17 global Sustainable Development Goals (SDGs) to end poverty, protect the planet and ensure prosperity for all. This person’s work contributes towards the following SDG(s):
Research Expertise and Interests
- Musical Analysis
- Music
- Music History
- Music Education
- Music Composition
- Contemporary Music
- Computer Music
- Music theory
- Audio Signal Processing
- Electronic Music
- Music Technology
- Sound Synthesis
- Composition, including computer music (especially live interactive works)
- Interactive Aural approaches to the analysis of music
- Development of software for music and music pedagogy (especially using Max/MSP)
- Development of algorithms for sound synthesis and processing
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- 3 Similar Profiles
Collaborations and top research areas from the last five years
Projects
- 2 Finished
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FluCoMa: Fluid Corpus Manipulations
Tremblay, P. A., Green, O., Roma, G., Harker, A., Clarke, M. & Dufeu, F.
1/09/17 → 28/02/23
Project: Research
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The impact of technology on the creative processes of composing electroacoustic music
1/08/12 → 1/03/15
Project: Research
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A digital toolbox for musical analysis of computer music: exploring music and technology through sonic experience
Clarke, M., Dufeu, F. & Takahashi, K., 14 Jun 2023, Proceedings of the Sound and Music Computing Conference 2023: SMC 2023. Bresin, R. & Falkenberg, K. (eds.). Zenodo, p. 312-316 5 p.Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
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TIAALS: Tools for Interactive Aural Analysis
Dufeu, F., Takahashi, K. & Clarke, M., 3 Apr 2023Research output: Non-textual form › Software
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Max as a Tool for the Musicological Analysis of Computer Music
Dufeu, F., Clarke, M. & Manning, P., 3 Jul 2022, Proceedings of the International Computer Music Conference 2022, ICMC 2022. Torre, G. (ed.). International Computer Music Association, p. 43-48 6 p. (International Computer Music Conference, ICMC Proceedings; vol. 2022-July).Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
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Peter Manning 1948-2022
Clarke, M., Dufeu, F. & Truax, B., 1 Aug 2022, In: Organised Sound. 27, 2, p. 267-269 3 p.Research output: Contribution to journal › Book/Film/Dance Article review › peer-review
Open Access -
Inside Computer Music
Clarke, M., Dufeu, F. & Manning, P., 5 Nov 2020, New York: Oxford University Press. 416 p.Research output: Book/Report › Book › peer-review
Datasets
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Inside Computer Music - Accompanying software
Clarke, M. (Creator), Dufeu, F. (Creator) & Manning, P. (Creator), University of Huddersfield, 2020
https://huddersfield.box.com/s/e46av0lv6u7apyhsgdz9fcgp1xnyha51 and 17 more links, https://huddersfield.box.com/s/uf6yjv5t4d7n0xi80cu74v724ywlu6v0, https://huddersfield.box.com/s/r8j0o31yu9z5y4g7c2eiii1psdloy3cd, https://huddersfield.box.com/s/ym4q4tnzvzn3msdp4mliqtvog2k8tg8x, https://huddersfield.box.com/s/04qspurob1qo2uu6dz6wodbhyt98qj39, https://huddersfield.box.com/s/g06teswx2m53glz6pn7jtt7nt7o6fphk, https://huddersfield.box.com/s/a3wavp4r2oxrs6k8l75a8o5xlw3al9xr, https://huddersfield.box.com/s/hhrubnfhpvrr902bkityd4p6siq0t4n5, https://huddersfield.box.com/s/3szmezeq43k3zl9oat3qj68ij13d5e86, https://huddersfield.box.com/s/f5cin0mxr5fof72usevwmo4ekrtcnjyd, https://huddersfield.box.com/s/widx654x3e5w8mtmtxiv5ylwjaiggmqu, https://huddersfield.box.com/s/aiei82zexg0m8413329qgnow30bnl342, https://huddersfield.box.com/s/6e254jhd5bexavnpwojqqs892pfgljsd, https://huddersfield.box.com/s/uhpowwtsdfhw933gf1syr1z973ny5nbg, https://huddersfield.box.com/s/jepuvviq9p0eojhe767li6wmak8c0m59, https://huddersfield.box.com/s/gbkiwkpedd26mek87tg90x6wxz6mbb0f, https://huddersfield.box.com/s/6jsa661fk9oh4lmvho824qwn4t0e3zi3, https://huddersfield.box.com/s/589rq3f8xkgelyws2qxk762vbyr1a9bt (show fewer)
Dataset
Activities
- 21 Oral presentation
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TIAALS as a software environment for identifying, analysing, and comparing timbres in a musicological context
Frédéric Dufeu (Speaker), Keitaro Takahashi (Contributor to Paper or Presentation) & Michael Clarke (Contributor to Paper or Presentation)
10 Sep 2022Activity: Talk or presentation types › Oral presentation
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Analysing texture and gesture in classical music supported by interactive software
Michael Clarke (Speaker), Frédéric Dufeu (Contributor to Paper or Presentation) & Keitaro Takahashi (Contributor to Paper or Presentation)
10 Sep 2022Activity: Talk or presentation types › Oral presentation
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Max as a Tool for the Musicological Analysis of Computer Music
Frédéric Dufeu (Speaker), Michael Clarke (Contributor to Paper or Presentation) & Peter Manning (Contributor to Paper or Presentation)
5 Jul 2022Activity: Talk or presentation types › Oral presentation
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Understanding the practice of improvising musicians, through interactive aural analysis
Maria Sappho (Speaker), Amanda Bayley (Contributor to Paper or Presentation) & Michael Clarke (Contributor to Paper or Presentation)
1 Jul 2022Activity: Talk or presentation types › Oral presentation
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A digital toolbox for analysing world music
Michael Clarke (Speaker), Frédéric Dufeu (Speaker) & Keitaro Takahashi (Speaker)
17 Jun 2022Activity: Talk or presentation types › Oral presentation