Rupert Till

Phone01484 257747
Emailr.till@hud.ac.uk

Accepting PhD Students

PhD projects

Popular Music Studies; Popular Music Composition; Art of Record Production; Popular Music Practice; Music Archaeology; Sound Archaeology; Archaeoacoustics; Music, Religion and Spirituality; Music and Ritual; Electronic Dance Music; Electronic Dance Music Cultures; Songwriting; Celebrity and Stardom.

Research activity per year

If you made any changes in Pure these will be visible here soon.

73 Citations
5 h-Index
10 Article
10 Digital or Visual Products
9 Chapter
5 Editorial
More

9 results

Filter

2021
The evolution of music: The development of sonic representation and meaning
Till, R., 1 Apr 2021, The Oxford Handbook of Human Symbolic Evolution. Gontier, N., Lock, A. & Sinha, C. (eds.). Oxford: Oxford University Press
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
2020
Sound Archaeology and the Soundscape
Till, R., 2020, The Archaeology of Sound, Acoustics & Music: Studies in Honour of Cajsa S. Lund. Kolltveit, G. & Rainio, R. (eds.). Berlin: Ekho Verlag, Vol. 3. p. 31-54 24 p. (ICTM Study Group on Music Archaeology; vol. 3).
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
2017
Ambient Music
Till, R., 6 Apr 2017, The Bloomsbury Handbook of Religion and Popular Music. Partridge, C. & Moberg, M. (eds.). 1 ed. London: Bloomsbury Academic, (Bloomsbury Handbooks in Religion).
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
Popular music education: A step into the light
Till, R., 20 Jan 2017, The Routledge Research Companion to Popular Music Education. Dylan Smith, G., Moir, Z., Brennan, M., Rambarran, S. & Kirkman, P. (eds.). Abingdon: Routledge, p. 14-30 17 p. (Routledge Research Companions).
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
3 Citations (Scopus)
2016
Singer-songwriter authenticity, the unconscious and emotions (feat. Adele's "Someone Like You")
Till, R., 2016, The Cambridge Companion to the Singer-Songwriter. Williams, K. & Williams, J. A. (eds.). Cambridge: Cambridge University Press, p. 291-304 14 p. (Cambridge Companions to Music).
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
Singer-Songwriter Authenticity, the Unconscious and Emotions (feat. Adele’s ‘Someone Like You’)
Till, R., Feb 2016, The Cambridge Companion to the Singer-Songwriter. Williams, K. & Williams, J. A. (eds.). Cambridge University Press, p. 291-304 14 p. (Cambridge Companions to Music).
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
3 Citations (Scopus)
2010
Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre
Mynett, M., Wakefield, J. & Till, R., 1 Feb 2010, Heavy Fundamentalisms: Music, Metal and Politics. Spracklen, K. & Hill, R. (eds.). Inter-Disciplinary Press, p. 141-146
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
Paganism, popular music and stonehenge
Till, R., 1 Jan 2010, Pop Pagans: Paganism and Popular Music. Acumen Publishing Limited, p. 24-42 19 p.
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
2009
Possession Trance Ritual in Electronic Dance Music Culture: A Popular Ritual Technology for Reenchantment, Addressing the Crisis of the Homeless Self, and Reinserting the Individual into the Community
Till, R., 14 Apr 2009, Exploring Religion and the Sacred in a Media Age. Deacy, C. & Arweck, E. (eds.). 1st ed. London: Routledge, p. 169-188 20 p. (Theology and Religion in Interdisciplinary Perspective Series in Association with the BSA Sociology of Religion Study Group).
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
3 Citations (Scopus)

Rupert Till

Research output

Search results