• Creative Arts Building University of Huddersfield Queensgate Huddersfield HD1 3DH

    United Kingdom

19942019
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Personal profile

Biography

After having studied Musicology, Medieval and Early Modern History and Italian literature at the universities of Heidelberg and Chapel Hill (North Carolina), I was awarded a PhD in musicology at Heidelberg University in 1995, with a thesis on Felix Mendelssohn's musical aesthetics. Subsequently, I held various postdoctoral positions in Heidelberg, as well as a Humboldt Fellowship in Urbana (Illinois) in 1998-1999. In 2001, I obtained the Habilitation (post-doctoral qualification) in Heidelberg, with a study on text declamation in the fifteenth-century motet (published in 2003). After a Heisenberg senior research fellowship and a visiting professorship in Frankfurt, I moved to the UK in the autumn of 2005 to take up the Professorship and chair of Music at Bangor University. In 2012, I was appointed as Professor of Music at Manchester.

Research Expertise and Interests

My research interests can be summarised as follows:

  • Music of the 15th and 16th centuries: Music sources (primarily of polyphonic music); history of the motet; music and text; music theory; historiography
  • Mendelssohn, Mozart, and (more generally) instrumental music of the late 18th and 19th centuries
  • Musical Editing / Music Philology
  • History of musical genres (motet, string quintet, sonata)
  • Sound and texture in instrumental music 

External positions

Honorary Professor, University of Manchester

1 Nov 2017 → …

Visiting Research Fellow, All Souls College, Oxford

1 Sep 200831 Dec 2008

Research Expertise and Interests

  • Music
  • 15th Century Music
  • 16th Century Music
  • Polyphonic Music
  • History of the Motet
  • Music and Text
  • Music Theory
  • Historiography
  • Mendelssohn
  • Mozart
  • Late 18th Century Music
  • Late 19th Century Music
  • Musical Editing
  • Music Philiology
  • History of Musical Genres
  • Motet
  • String Quintet
  • Sonata
  • Sound
  • Texture
  • Instrumental Music

Fingerprint Dive into the research topics where Thomas Schmidt is active. These topic labels come from the works of this person. Together they form a unique fingerprint.

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Network Recent external collaboration on country level. Dive into details by clicking on the dots.

Research Output 1994 2019

Einʼ feste Burg ist unser Gott? Der Choral in der Instrumentalmusik des 19. Jahrhunderts zwischen sakralem Andachtstopos und konfessionellem Statement

Translated title of the contribution: A mighty fortress our God is?: The chorale in 19th-century instrumental music between devotional topic and confessional statementSchmidt, T., 1 Feb 2019, Kulturelle Wirkungen der Reformation. Fitschen, K., Schröter, M., Spehr, C. & Waschke, E-J. (eds.). Leipzig: Evangelische Verlagsanstalt GmbH, Vol. 36. p. 307-315 9 p. (Leucorea-Studien zur Geschichte der Reformation; vol. 36).

Research output: Chapter in Book/Report/Conference proceedingChapter

In Search of "Lutheran" Music in Post-Reformation Germany: Aspects of Transmission and Genre

Schmidt, T., 1 Feb 2019, Music and Theology in the European Reformations. Burn, D., McDonald, G., Verheyden, J. & De Mey, P. (eds.). Turnhout: Brepols Publishers, p. 149-189 41 p. (Epitome Musical).

Research output: Chapter in Book/Report/Conference proceedingChapter

The Coherence of the Cycle? The Notation of the Motetti Missales in Manuscript and Print: The Libroni of the Duomo in the Sforza Milan: With a Catalog of Libroni edited by Cristina Cassia

Schmidt, T., 2019, Codici per Cantare: I Libroni del Duomo nella Milano slorzesca. Filippi, D. V. & Pavanello, A. (eds.). Lucca: Libreria Musicale Italiana, p. 171-186 16 p. (Studies and Essays).

Research output: Chapter in Book/Report/Conference proceedingChapter

Making Polyphonic Books in the late Fifteenth and early Sixteenth Centuries

Schmidt, T., 15 Nov 2018, The Production and Reading of Music Sources: Mise-En-Page in Manuscripts and Printed Books Containing Polyphonic Music, 1480-1530. Schmidt, T. & Leitmeir, C. T. (eds.). Turnhout: Brepols Publishers, p. 1-98 98 p. (Epitome Musical).

Research output: Chapter in Book/Report/Conference proceedingChapter

Music
Repertoire
Polyphonic
Codex
Musical Notation

Activities 1998 2019

Polifonie (Journal)

Thomas Schmidt (Member of editorial board)
2019 → …

Activity: Publication peer-review and editorial work typesEditorial work

Member of Future Leaders Fellowship panel

Thomas Schmidt (Participant)
2019 → …

Activity: Other activity typesGrant peer-review

Revue de Musicologie (Journal)

Thomas Schmidt (Member of editorial board)
2019 → …

Activity: Publication peer-review and editorial work typesEditorial work