• Queensgate, Huddersfield HD1 3DH

    United Kingdom

  • Creative Arts Building University of Huddersfield Queensgate Huddersfield HD1 3DH

    United Kingdom

  • 24 Citations
  • 3 h-Index
1994 …2020

Research output per year

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Research Output

2020

Form through Sound: Klangfarbe and Texture in Mendelssohn's Instrumental Compositions

Schmidt, T., 1 Jul 2020, Rethinking Mendelssohn. Taylor, B. (ed.). Oxford University Press, 30 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2019

Einʼ feste Burg ist unser Gott? Der Choral in der Instrumentalmusik des 19. Jahrhunderts zwischen sakralem Andachtstopos und konfessionellem Statement

Translated title of the contribution: A mighty fortress our God is?: The chorale in 19th-century instrumental music between devotional topic and confessional statementSchmidt, T., 1 Feb 2019, Kulturelle Wirkungen der Reformation. Fitschen, K., Schröter, M., Spehr, C. & Waschke, E-J. (eds.). Leipzig: Evangelische Verlagsanstalt GmbH, Vol. 36. p. 307-315 9 p. (Leucorea-Studien zur Geschichte der Reformation; vol. 36).

Research output: Chapter in Book/Report/Conference proceedingChapter

In Search of "Lutheran" Music in Post-Reformation Germany: Aspects of Transmission and Genre

Schmidt, T., 1 Feb 2019, Music and Theology in the European Reformations. Burn, D., McDonald, G., Verheyden, J. & De Mey, P. (eds.). Turnhout: Brepols Publishers, p. 149-189 41 p. (Epitome Musical).

Research output: Chapter in Book/Report/Conference proceedingChapter

The Coherence of the Cycle? The Notation of the Motetti Missales in Manuscript and Print: The Libroni of the Duomo in the Sforza Milan: With a Catalog of Libroni edited by Cristina Cassia

Schmidt, T., 2019, Codici per Cantare: I Libroni del Duomo nella Milano slorzesca. Filippi, D. V. & Pavanello, A. (eds.). Lucca: Libreria Musicale Italiana, p. 171-186 16 p. (Studies and Essays).

Research output: Chapter in Book/Report/Conference proceedingChapter

2018

Making Polyphonic Books in the late Fifteenth and early Sixteenth Centuries

Schmidt, T., 15 Nov 2018, The Production and Reading of Music Sources: Mise-En-Page in Manuscripts and Printed Books Containing Polyphonic Music, 1480-1530. Schmidt, T. & Leitmeir, C. T. (eds.). Turnhout: Brepols Publishers, p. 1-98 98 p. (Epitome Musical).

Research output: Chapter in Book/Report/Conference proceedingChapter

2017

Symphony in D minor MWV N 15 (Reformation Symphony)

Schmidt, T. (ed.) & Bartholdy, F. M., 2017, Wiesbaden and Leipzig: Breitkopf & Härtel. 252 p. (Leipziger Ausgabe der Werke Felix Mendelssohn Bartholdys; vol. I/7)

Research output: Book/ReportScholarly edition

The Anne Boleyn Music Book: Facsimile and introductory study

Schmidt, T. (ed.) & Skinner, D. (ed.), 24 Sep 2017, Oxford: DIAMM. 328 p. (DIAMM Facsimiles)

Research output: Book/ReportScholarly edition

2016

Zur Existenz und zum Phänotyp "urbaner" Musikquellen des Spätmittelalters

Translated title of the contribution: On the existence and phenotype of "urban" music sources of the late Middle AgesSchmidt, T., 2016, Musik der mittelalterlichen Metropole. Räume, Identitäten und Kontexte der Musik in Köln und Mainz, ca. 900–1400.. Kolb, F. (ed.). Kassel: Merseburger, p. 279-299 21 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2015

Just how "Scottish" is the "Scottish" symphony? Thoughts on form and poetic content in Mendelssohn’s opus 56

Schmidt-Beste, T., 28 Nov 2015, Mendelssohn. Taylor, B. (ed.). Taylor and Francis, p. 481-500 20 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Polyphonic sources, ca. 1450-1500

Schmidt-Beste, T., 2015, The Cambridge History of Fifteenth-Century Music. Berger, A. M. B. & Rodin, J. (eds.). Cambridge University Press, p. 641-662 22 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2014

Die Verschriftlichung des Ephemeren - Zur Überlieferung von Gelegenheitsmusik im Fondo Cappella Sistina

Translated title of the contribution: The Documentation of the Ephemeral - The Transmission of Occasional Music in the Fondo Cappella SistinaSchmidt-Beste, T., 2014, Musikalische Performanz und päpstliche Repräsentation in der Renaissance. Pietschmann, K., Schwindt, N. & Heidrich, J. (eds.). BVK 2363 ed. Germany: Bärenreiter-Metzler, p. 155-184 30 p. (Troja - Trossinger Jahrbuch für Renaissancemusik; no. 11).

Research output: Chapter in Book/Report/Conference proceedingChapter

Festmusik für die gebildete Mittelschicht: Steurleins Epithalamia

Schmidt-Betse, T., 2014, Johann Steurlein (1546-1613) - Amtsdiener, Komponist und Poet zwischen Tradition und Innovation. Goltz, M. & Schrammek, B. (eds.). ortus musikverlag, p. 97-119 23 p. (ortus studien; vol. 15).

Research output: Chapter in Book/Report/Conference proceedingChapter

Preventive and Cautionary Dynamics in the Symphonies of Mendelssohn and his Time

Schmidt-Beste, T., Dec 2014, In : Journal of Musicology. 31, 1, p. 43-90 48 p.

Research output: Contribution to journalArticle

1 Citation (Scopus)

Zwischen Konzertsaal und Theater. Albert Lortzing und Felix Mendelssohn Bartholdy in Leipzig

Translated title of the contribution: Between the concert hall and the theater: Albert Lortzing and Felix Mendelssohn Bartholdy in LeipzigSchmidt, T. & Schipperges, T. (ed.), 2014, Lortzing und Leipzig. : Musikleben zwischen Öffentlichkeit, Bürgerlichkeit und Privatheit. Schipperges, T. (ed.). Georg Olms Verlag, p. 137-173 37 p. (Hochschule für Musik und Theater „Felix Mendelssohn Bartholdy“ Leipzig – Schriften).

Research output: Chapter in Book/Report/Conference proceedingChapter

2013

Editorial Text Underlay Revisited

Schmidt, T., 1 Dec 2013, Early Music Editing: Principles, Historiography, Future Directions. Dumitrescu, T., Kügle, K. & van Berchum, M. (eds.). Belgium: Brepols Publishers, p. 105-139 35 p. (Épitome musical).

Research output: Chapter in Book/Report/Conference proceedingChapter

Kompositionsprozess

Schmidt-Beste, T., 1 Jul 2013, Komponieren in der Renaissance. Lehre und Praxis. Calella, M. & Schmidt, L. (eds.). Laaber-Verlag, p. 248-271 24 p. (Handbuch der Musik der Renaissance; vol. 2).

Research output: Chapter in Book/Report/Conference proceedingChapter

Mendelssohns Vertonung der griechischen Tragödie in Ödipus in Kolonus

Schmidt-Beste, T., 9 Oct 2013, Mendelssohn Studien: Beiträge zur neueren deutschen Kulturgeschichte. Schmidt-Hensel, R. D. & Schulte, C. (eds.). Wehrhahn Verlag, Vol. 18. p. 213-237 25 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Singing the Hiccup - On Texting the Hocket

Schmidt-Beste, T., Jan 2013, In : Early Music History. 32, p. 225-275 51 p.

Research output: Contribution to journalArticle

6 Citations (Scopus)

Symphony No. 3 in A minor (Op. 56) "Scottish" MWV N 18 - arrangement for piano

Schmidt-Beste, T. (ed.) & Bartholdy, F. M., 2013, Breitkopf & Härtel. 176 p. (Leipziger Ausgabe der Werke Felix Mendelssohn Bartholdys, ser. I, vol. 5)

Research output: Book/ReportScholarly edition

Symphony No. 3 in A minor op. 56 ('Scottish'): Arrangement for Piano

Schmidt, T. (ed.) & Bartholdy, F. M., 2013, Breitkopf & Härtel. (Leipziger Ausgabe der Werke Felix Mendelssohn Bartholdys, ser. I, vol. 5A)

Research output: Book/ReportBook

Textunterlegung und Textdeklamation

Schmidt, T., 1 Jul 2013, Komponieren in der Renaissance: Lehre und Praxis. Calella, M. & Schmidt, L. (eds.). 1 ed. Laaber-Verlag, p. 272-295 24 p. (Handbuch der Musik der Renaissance; vol. 2).

Research output: Chapter in Book/Report/Conference proceedingChapter

2012

'Arcadelt', 'Contenance angloise', 'Frankoflämische Musik', 'Konstanzer Konzil', 'Motette', 'Renaissance', 'Trienter Codices' & 28 other entries

Schmidt, T., 2012, Lexikon der Renaissancemusik. Schmierer, E. (ed.). Laaber-Verlag, (Handbuch der Musik der Renaissance; vol. 6).

Research output: Chapter in Book/Report/Conference proceedingChapter

Contratenorista est ille qui contratenorem canit/von der Stimmbezeichnung zum Stimmfach

Schmidt, T., 1 Dec 2012, Der Countertenor: Die männliche Falsettstimme vom Mittelalter zur Gegenwart. Herr, C., Jacobshagen, A. & Wessel, K. (eds.). Schott Music GmbH & Co, p. 15-37 23 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Institutions and Patronage in Renaissance Music

Schmidt-Beste, T. (ed.), 17 Feb 2012, 1 ed. Routledge, Taylor & Francis Group. 616 p. (A Library of Essays on Renaissance Music)

Research output: Book/ReportBook

Introduction

Schmidt-Beste, T., 17 Feb 2012, Institutions and Patronage in Renaissance Music. Routledge, Taylor & Francis Group, (A Library of Essays on Renaissance Music).

Research output: Chapter in Book/Report/Conference proceedingChapter

Ludwig Senfl und die Tradition der Cantus-Firmus-Motette

Schmidt, T., 2012, Senfl-Studien 1. Gasch, S., Lodes, B. & Tröster, S. (eds.). Hans Schneider, p. 269-305 37 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

The motet around 1500: On the relationship of imitation and text treatment?

Schmidt, T. (ed.), 2012, Belgium: Brepols Publishers. (Collection "Epitome musical")

Research output: Book/ReportBook

2011

Symphony in A major [op. 90 ('Italian')]: 1834 version

Schmidt, T. (ed.) & Bartholdy, F. M., 2011, Breitkopf & Härtel. (Leipziger Ausgabe der Werke Felix Mendelssohn Bartholdys, ser. I, vol. 6A)

Research output: Book/ReportBook

The Art of Cellular Counterpoint: The Motets of Petrus Wilhelmi

Schmidt, T., Jul 2011, Essays on Renaissance Music in Honour of David Fallows: Bon jour, bon mois et bonne estrenne. Fitch, F. & Kiel, J. (eds.). Woodbridge, UK: Boydell & Brewer, p. 154-162 9 p. (Studies in Medieval and Renaissance Music).

Research output: Chapter in Book/Report/Conference proceedingChapter

The Sonata

Schmidt-Beste, T., 2011, Cambridge University Press. 263 p. (Cambridge Introductions to Music)

Research output: Book/ReportBook

Zwischen Kunstanspruch und Instrumentalpädagogik: Pleyels Violinduos

Schmidt-Beste, T., 2011, "Der beliebteste, der gespielteste und genossenste Tonkünstler": Studien zum Werk Ignaz Joseph Pleyels. Aringer, K. & Aringer-Grau, U. (eds.). Olms, p. 9-39 31 p. (Studien und Materialien zur Musikwissenschaft; vol. 63).

Research output: Chapter in Book/Report/Conference proceedingChapter

2010

Felix Mendelssohn Bartholdy, Symphony in A major [op. 90 ('Italian')]: 1833 version

Schmidt, T. (ed.), 2010, Breitkopf & Härtel. (Leipziger Ausgabe der Werke Felix Mendelssohn Bartholdys, ser. I, vol. 6)

Research output: Book/ReportBook

Stil und Struktur in den Tenormotetten Heinrich Isaacs

Schmidt, T. & Tadday, U., 2010, Heinrich Isaac. Edition Text und Kritik in Richard Boorberg Verlag GmbH and Co. KG, p. 65-88 24 p. (Musik-Konzepte).

Research output: Chapter in Book/Report/Conference proceedingChapter

Wer, was, für wen? Über Funktion und Publikum von Musikdrucken und Musikhandschriften um 1500

Schmidt, T. & Lodes, B., 2010, NiveauNischeNimbus. 500 Jahre Musikdruck nördlich der Alpen. Hans Schneider, p. 91-111 21 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2009

Mise-en-page in manuscripts of polyphonic music, 1450-1550

Schmidt, T. & Vorholt, H., 2009, In : Gazette du livre médiéval. 54, p. 31-42 12 p.

Research output: Contribution to journalArticle

The Repertoire of the Papal Chapel after the Council of Trent: Tradition, Innovation or Decline?

Schmidt, T., Jan 2009, Uno gentile et subtile ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn. Filocamo, G. & Bloxam, M. J. (eds.). Belgium: Brepols Publishers, p. 109-120 12 p. (Epitome musical).

Research output: Chapter in Book/Report/Conference proceedingChapter

Was ist "amerikanische" Musik? Identitätssuche und Fremdwahrnehmungen

Schmidt-Beste, T., 2009, Was Amerika ausmacht: Multidisziplinäre Perspektiven. Gassert, P., Junker, D., Mausbach, W. & Thunert, M. (eds.). p. 177-194 18 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Zwischen leichter Muse und großer Geste. Zur Klavierkammermusik George Onslows

Schmidt-Beste, T., 2009, George Onslow: Beiträge zu seinem Werk. Erster Teil. Schipperges, T. (ed.). Georg Olms Verlag, p. 39-65 27 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Open Access
2008

Dedicating Music Manuscripts: On function and form of paratexts in fifteenth- and sixteenth-century sources

Schmidt, T., 2008, Cui dono lepidum novum libellum?: dedicating Latin works and motets in the sixteenth century. Belgium: Leuven University Press, p. 81-108 28 p. (Supplementa humanistica Lovaniensia).

Research output: Chapter in Book/Report/Conference proceedingChapter

Die "Erosion" der handwerklichen Tradition im 19. Jahrhundert - Problem oder Propaganda?

Schmidt-Beste, T., 2008, Vom Preis des Fortschritts: Gewinn und Verlust in der Musikgeschichte. Haug, A. & Dorschel, A. (eds.). Universal Edition, p. 313-330 18 p. (Studien zur Wertungsforschung; vol. 49).

Research output: Chapter in Book/Report/Conference proceedingChapter

Psallite noe! Christmas Carols, the Devotio Moderna and the Renaissance Motet

Schmidt-Beste, T., 2008, Das Erzbistum Köln in der Musikgeschichte des 15. und 16. Jahrhunderts. Pietschmann, K. (ed.). Merseburger, p. 213-231 19 p. (Beiträge zur Rheinischen Musikgeschichte; vol. 172).

Research output: Chapter in Book/Report/Conference proceedingChapter

The Germanization of American Musical Life in the 19th century

Schmidt-Beste, T., 2008, Die deutsche Präsenz in den USA - The German Presence in the U.S.A.. Raab, J. & Wirrer, J. (eds.). LIT Verlag, p. 513-538 26 p. (Literatur: Forschung und Wissenschaft; vol. 11).

Research output: Chapter in Book/Report/Conference proceedingChapter

Über, "Nationalstile" in der Motette des 16. Jahrhunderts

Schmidt, T., Bergé, P. & Delaere, M., 2008, "Recevez ce mien petit labeur": Studies in Renaissance Music in Honour of Ignace Bossuyt. Belgium: Leuven University Press, p. 239-252 14 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2007

A Dying Art: Canonic Inscriptions and Canonic Techniques in the Sixteenth-Century Papal Chapel Repertory

Schmidt-Beste, T., 2007, Canons and Canonic Techniques, 14th–16th Centuries: Theory, Practice, and Reception History. Schiltz, K. & Blackburn, B. J. (eds.). Belgium: Peeters Publishers, p. 339-356 18 p. (Analysis in Context. Leuven Studies in Musicology; vol. 1).

Research output: Chapter in Book/Report/Conference proceedingChapter

Innere Einheit oder 'weichliche Schreibart'? Zur Beethoven-Rezeption von Fanny Hensel und Felix Mendelssohn Bartholdy

Schmidt, T., 2007, Kammermusik an Rhein und Main. Beiträge zur Geschichte des Streichquartetts. Pfarr, K., Mahling, C-H. & Böhmer, K. (eds.). Mainz: Villa Musica Rheinland-Pfalz, p. 321-336 16 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Streichquintette

Schmidt, T., 2007, Mozart-Lexikon. Gruber, G. & Brügge, J. (eds.). Laaber-Verlag, p. 813-817 5 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

"Wie meine Sinfonie wird? Ich weiß es selbst noch nicht": Überlegungen zur Entstehungsgeschichte von Mendelssohns A-Dur-Sinfonie

Schmidt-Beste, T., 2007, Vom Erkennen des Erkannten: Musikalische Analyse und Editionsphilologie. Ahrend, T., von Loesch, H. & Wißmann, F. (eds.). Breitkopf & Härtel, p. 257-272 16 p.

Research output: Chapter in Book/Report/Conference proceedingChapter