Project Details
Description
The project remedies this gap with four articles that synthesize linguistic, acoustical, historical, and musicological studies of vocal techniques. The first will be a reception study of verbal descriptions of extreme metal vocals, taken from magazines and online reviews. From this chart of semantic relationships, the second article will use spectrograms to demonstrate patterns between the descriptors and musical aspects of extreme metal vocals that correlate to different time periods and genres. The third article applies these acoustical findings to study the rhetorical qualities of climactic song sections. Finally, the fourth article's kinetic approach uses motion-capture footage of vocalists to see how their movements communicate tension, anticipation, and climax without requiring participants to verbally articulate that information or consciously reflect on their actions. Ultimately, the project will offer unique insights into extreme metal's appeal and contribute to debates about musical meaning and its relationship to identity.
| Acronym | EMV |
|---|---|
| Status | Finished |
| Effective start/end date | 1/09/22 → 31/08/25 |
Fingerprint
Explore the research topics touched on by this project. These labels are generated based on the underlying awards/grants. Together they form a unique fingerprint.
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Extreme Metal Vocals: Genre as a Candle in the Dark
Smialek, E. (Invited speaker)
5 Nov 2025Activity: Talk or presentation types › Invited talk
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Size Matters: Koala-tative Measures of Sound-Source Cues from Marsupials to Extreme Metal Vocalists
Smialek, E. (Speaker)
22 Sept 2025Activity: Talk or presentation types › Invited talk
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To Beast or Not to Beast: Koala-tative Evidence for a Bestial Hermeneutics of Extreme Metal Vocals
Smialek, E. (Speaker)
29 Oct 2024Activity: Talk or presentation types › Oral presentation
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Towards an Analytical Methodology for Vocalists' Live Movements in Extreme Metal
Smialek, E. & Herbst, J., 22 May 2025, In: Samples. 22, Update, p. 1-26 26 p.Research output: Contribution to journal › Article › peer-review
Open Access -
“All Shall Scream!”: Transposable Lessons from Pierre-Luc Senécal’s Hate.Machine for Growlers Choir
Smialek, E., 13 Jun 2025, The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production. Burns, L. & Scotto, C. (eds.). 1st ed. Routledge, Taylor & Francis Group, p. 309-326 18 p. (Routledge Music Handbooks).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Towards an Acoustic-Semantic Space of Extreme Metal Vocal Styles
Czedik-Eysenberg, I., Smialek, E. & Herbst, J., 2 May 2024, Proceedings of the German Society for Acoustics 50th Annual Conference for Acoustics: Advances in Acoustics DAGA 2024. Deutsche Gesellschaft für Akustik, Vol. 50. p. 979-982 4 p. 470Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
Open Access