This article discusses some general issues arising from the study of similarity in music, both human-conducted and computer-aided, and then progresses to a consideration of similarity relationships between patterns in a phrase by Beethoven, from the first movement of the Piano Sonata in A flat major op. 110 (1821), and various potential memetic precursors. This analysis is followed by a consideration of how the kinds of similarity identified in the Beethoven phrase might be understood in psychological/conceptual and then neurobiological terms, the latter by means of William Calvin's Hexagonal Cloning Theory. This theory offers a mechanism for the operation of David Cope's concept of the lexicon, conceived here as a museme allele-class. I conclude by attempting to correlate and map the various spaces within which memetic replication occurs.
|Number of pages||23|
|Journal||Psychology of Music|
|Early online date||1 May 2015|
|Publication status||Published - 1 May 2016|
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- Department of Music & Design Arts - Reader
- School of Arts and Humanities
- Centre for Research in New Music - Member
- Centre for Music, Culture and Identity - Member