Abstract
| Language | English |
|---|---|
| Pages | 113-125 |
| Number of pages | 13 |
| Journal | Journal of Global Buddhism |
| Volume | 19 |
| Publication status | Published - 18 Mar 2018 |
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Adapting the Dharma : Buddhism and Contemporary Theatre Training. / Middleton, Deborah; Pla, Daniel.
In: Journal of Global Buddhism, Vol. 19, 18.03.2018, p. 113-125.Research output: Contribution to journal › Article
TY - JOUR
T1 - Adapting the Dharma
T2 - Journal of Global Buddhism
AU - Middleton, Deborah
AU - Pla, Daniel
PY - 2018/3/18
Y1 - 2018/3/18
N2 - In this paper, we explore two examples of Western theatre practice which draw directly on Buddhist monastic dance. Examining Chogyam Trungpa Rinpoche's Mudra Space Awareness alongside Mexican theatre director Nicolás Núñez's Citlalmina allows us to consider the ways in which aspects of Buddhism might be conveyed within performative form, and to consider these practices as translations from Vajrayana Buddhism. This discussion opens into a consideration of the ways in which Buddhism and theatre might be seen to be mutually enriching, and to share certain common potentials as vehicles for cultivation.
AB - In this paper, we explore two examples of Western theatre practice which draw directly on Buddhist monastic dance. Examining Chogyam Trungpa Rinpoche's Mudra Space Awareness alongside Mexican theatre director Nicolás Núñez's Citlalmina allows us to consider the ways in which aspects of Buddhism might be conveyed within performative form, and to consider these practices as translations from Vajrayana Buddhism. This discussion opens into a consideration of the ways in which Buddhism and theatre might be seen to be mutually enriching, and to share certain common potentials as vehicles for cultivation.
KW - Vajrayana
KW - meditation-in-movement
KW - cultivation
KW - theatre
M3 - Article
VL - 19
SP - 113
EP - 125
JO - Journal of Global Buddhism
JF - Journal of Global Buddhism
SN - 1527-6457
ER -