Almost Quiet

Claire Barber

Almost Quiet

Research output: Non-textual form › Artefact

Abstract

The embroidery 'Almost Quiet' is an attempt to map the unseen environment and to pay close attention to the shifting spatial and temporal patterning of ambient sounds. In this process a duet emerges between the mutable, texture, and patterning of my aural terrain with the rhythm, pace, and mobility of my needle.

Original language	English
Size	572 x 19.8 x 0.4
Publication status	Published - 21 Jun 2024

Access to Document

Almost quiet 1Final published version, 4.89 MBLicence: Unspecified
Almost quiet 2Final published version, 1.69 MBLicence: Unspecified
Almost quiet 3Final published version, 1.29 MBLicence: Unspecified
Almost quiet 4Final published version, 7.44 MBLicence: Unspecified

5 Exhibition
1 Artefact

XI World Textile Art Biennial Miami, USA: Liquid Notation
Barber, C. & Adkins, M., 6 Mar 2025
Research output: Non-textual form › Exhibition
VIII The International Textile Art Triennale: Almost Quiet
Barber, C., 21 Jun 2024
Research output: Non-textual form › Exhibition
Woven Expression: Narrating Stories through Patterns: A stitch for every sound: Chelsea Space
Barber, C. & Osborn, G., 3 Jul 2023
Research output: Non-textual form › Exhibition
A Stitch for Every Sound
Barber, C. & Osborn, G., 18 Aug 2022
Research output: Non-textual form › Artefact

File
Conversations: People, Places, Materials, Objects: A stitch to every sound
Barber, C., 15 Jan 2022
Research output: Non-textual form › Exhibition

Open Access
File

1 Residency
1 Invited talk

Submerged: Natural dyes & stitched sounds
Claire Barber (Participant) & Gavin Osborn (Participant)
18 May 2023 → 21 May 2023
Activity: Other activity types › Residency
A stitch to every sound
Claire Barber (Speaker)
18 Feb 2022
Activity: Talk or presentation types › Invited talk

Cite this

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title = "Almost Quiet",

abstract = "The embroidery 'Almost Quiet' is an attempt to map the unseen environment and to pay close attention to the shifting spatial and temporal patterning of ambient sounds. In this process a duet emerges between the mutable, texture, and patterning of my aural terrain with the rhythm, pace, and mobility of my needle. ",

keywords = "Embroidery, Ambient sounds, Temporal patterning, Spatial patterning, Rhythm perception, Attention",

author = "Claire Barber",

year = "2024",

month = jun,

day = "21",

language = "English",

}

TY - ADVS

T1 - Almost Quiet

A2 - Barber, Claire

PY - 2024/6/21

Y1 - 2024/6/21

N2 - The embroidery 'Almost Quiet' is an attempt to map the unseen environment and to pay close attention to the shifting spatial and temporal patterning of ambient sounds. In this process a duet emerges between the mutable, texture, and patterning of my aural terrain with the rhythm, pace, and mobility of my needle.

AB - The embroidery 'Almost Quiet' is an attempt to map the unseen environment and to pay close attention to the shifting spatial and temporal patterning of ambient sounds. In this process a duet emerges between the mutable, texture, and patterning of my aural terrain with the rhythm, pace, and mobility of my needle.

KW - Embroidery

KW - Ambient sounds

KW - Temporal patterning

KW - Spatial patterning

KW - Rhythm perception

KW - Attention

M3 - Artefact

ER -

Almost Quiet

Abstract

Access to Document

Research output

XI World Textile Art Biennial Miami, USA: Liquid Notation

VIII The International Textile Art Triennale: Almost Quiet

Woven Expression: Narrating Stories through Patterns: A stitch for every sound: Chelsea Space

A Stitch for Every Sound

Conversations: People, Places, Materials, Objects: A stitch to every sound

Activities

Submerged: Natural dyes & stitched sounds

A stitch to every sound

Cite this