Activities per year
Abstract
Ambient music, alongside related forms such as chill out, muzak and easy listening, occupies a generous quantity of real estate in the few record stores that still exist in the twenty-first century. It fulfils a very particular function, providing moments of stillness in a constantly moving world. This chapter explores the relationships of ambient music to religion and new age concepts of spirituality. It questions how ambient music has been used by religion and how it has used religion. In doing so, the chapter examines religion and popular music from the perspective of this genre rather than from the perspective of a religion or religions.
This will involve exploring the nature of ambient music, beginning with its prehistory in a range of religious traditions that focus on meditation, ecstatic states and stillness. The development of ambient music will be explored through the integration of a number of elements. These include mysticism, spirituality and Eastern religious thought adopted both from within the popular music-driven counterculture that emerged from the 1960s, and from within experimental art traditions including the music of John Cage and minimalism. Such spiritualities, sometimes associated with the term New Age, reflect a post-secular search for meaning (Bailey 2002)....
This will involve exploring the nature of ambient music, beginning with its prehistory in a range of religious traditions that focus on meditation, ecstatic states and stillness. The development of ambient music will be explored through the integration of a number of elements. These include mysticism, spirituality and Eastern religious thought adopted both from within the popular music-driven counterculture that emerged from the 1960s, and from within experimental art traditions including the music of John Cage and minimalism. Such spiritualities, sometimes associated with the term New Age, reflect a post-secular search for meaning (Bailey 2002)....
Original language | English |
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Title of host publication | The Bloomsbury Handbook of Religion and Popular Music |
Editors | Christopher Partridge, Marcus Moberg |
Place of Publication | London |
Publisher | Bloomsbury Academic |
Chapter | 30 |
Pages | 327-337 |
Number of pages | 11 |
Edition | 1st |
ISBN (Electronic) | 9781474237345, 9781474237352 |
ISBN (Print) | 9781474237338, 9781474237369 |
DOIs | |
Publication status | Published - 6 Apr 2017 |
Publication series
Name | Bloomsbury Handbooks in Religion |
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Publisher | Bloomsbury |
Fingerprint
Dive into the research topics of 'Ambient Music'. Together they form a unique fingerprint.Profiles
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Rupert Till
- School of Arts and Humanities
- Centre for Research in Music and its Technologies - Member
- Department of Media, Humanities and the Arts - Acting Head of Department Music and Design Arts
Person: Academic
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Ambient @40
Rupert Till (Organiser)
23 Feb 2018 → 24 Feb 2018Activity: Participating in or organising an event types › Participating in a conference, workshop, ...
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Kairos: stopping time with ambient dub
Rupert Till (Speaker)
18 Feb 2018Activity: Talk or presentation types › Oral presentation