Abstract
This study explores mixing melodic rap for immersive audio to identify the genre's key musical elements and how they can be utilized in Atmos mixes. Furthermore, it explores how mixing engineers work within creative restrictions due to record label stipulations. The study’s methodology utilised a questionnaire to identify melodic rap productions, followed by a critical analysis of 52 key productions to identify the salient musical elements of the genre. Following this, five hip-hop mix engineers were provided with the premixed stereo stems of a song to remix in Dolby Atmos while adhering to typical industry practice: matching the stereo mix framework, working within loudness guidelines, and employing binaural distance settings. Their mixes and interviews were analyzed to explore how they employ the key elements despite the imposed restrictions.
Original language | English |
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Title of host publication | Proceedings of Audio Engineering Society Europe 2024 |
Subtitle of host publication | Echoes of the Past Inspire the Sound of the Future |
Publisher | Audio Engineering Society |
Number of pages | 9 |
Volume | 156th |
Publication status | Published - 6 Jun 2024 |
Event | Audio Engineering Society Europe 2024: Echoes of the Past Inspire the Sound of the Future - Universidad Politécnica de Madrid, Madrid, Spain Duration: 15 Jun 2024 → 17 Jun 2024 https://aes2.org/events-calendar/aes-europe-2024/ |
Conference
Conference | Audio Engineering Society Europe 2024 |
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Abbreviated title | AES Europe 2024 |
Country/Territory | Spain |
City | Madrid |
Period | 15/06/24 → 17/06/24 |
Internet address |