An Industry Focused Investigation Into Immersive Production of Melodic Rap

Christal Jerez, Austin Moore, Christopher P. Dewey, Hyunkook Lee, Andrew Scheps

Research output: Chapter in Book/Report/Conference proceedingConference contributionpeer-review

Abstract

This study explores mixing melodic rap for immersive audio to identify the genre’s key musical elements and how they can be utilized in Atmos mixes. Furthermore, it explores how mixing engineers work within creative restrictions due to record label stipulations. The study’s methodology utilised a questionnaire to identify melodic rap productions, followed by a critical analysis of 52 key productions to identify the salient musical elements of the genre. Following this, five hip-hop mix engineers were provided with the premixed stereo stems of a song to remix in Dolby Atmos while adhering to typical industry practice: matching the stereo mix framework, working within loudness guidelines, and employing binaural distance settings. Their mixes and interviews were analyzed to explore how they employ the key elements despite the imposed restrictions.

Original languageEnglish
Title of host publicationProceedings of 156th Audio Engineering Society Convention
PublisherAudio Engineering Society
Publication statusPublished - 15 Jun 2024
EventAES Madrid 2024: 156th Audio Engineering Society Convention - Madrid, Spain
Duration: 15 Jun 202417 Jun 2024
Conference number: 156

Conference

ConferenceAES Madrid 2024: 156th Audio Engineering Society Convention
Country/TerritorySpain
CityMadrid
Period15/06/2417/06/24

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