An investigation into plausibility in the mixing of Foley sounds in film and television

Braham Hughes, Jonathan Wakefield

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Abstract

This paper describes an experiment that tested the plausibility of a selection of post-production audio mixes of Foley for a short film. The mixes differed in the implementation of four primary audio mixing parameters: panning, level, equalisation and the control of reverberation effects. The experiments presented test subjects with mixes in which one of the four primary parameters was altered whilst the rest remained at levels deemed to conform to an 'industry standard' reference mix which had been verified by an expert industry practitioner. Results show that there is a statistically significant affect on plausibility of using even slight dynamic variation of pan, level and equalisation control to enhance the perception of realism of Foley that move in a scene.

Original languageEnglish
Title of host publication138th Audio Engineering Society Convention, AES 2015
PublisherAudio Engineering Society
Pages1072-1082
Number of pages11
Volume2
ISBN (Electronic)9781510806597
Publication statusPublished - 2015
Event138th Audio Engineering Society Convention - Sofitiel Victoria Hotel, Warsaw, Poland
Duration: 7 May 201510 May 2015
Conference number: 138
http://www.aes.org/events/138/ (Link to Event Website)

Conference

Conference138th Audio Engineering Society Convention
Abbreviated titleAES 2015
CountryPoland
CityWarsaw
Period7/05/1510/05/15
Internet address

Fingerprint

Equalization
Television
Acoustic waves
Industry
Reverberation
acoustics
industries
Experiment
Experiments
reverberation
Sound
Perception
Standards

Cite this

Hughes, B., & Wakefield, J. (2015). An investigation into plausibility in the mixing of Foley sounds in film and television. In 138th Audio Engineering Society Convention, AES 2015 (Vol. 2, pp. 1072-1082). Audio Engineering Society.
Hughes, Braham ; Wakefield, Jonathan. / An investigation into plausibility in the mixing of Foley sounds in film and television. 138th Audio Engineering Society Convention, AES 2015. Vol. 2 Audio Engineering Society, 2015. pp. 1072-1082
@inproceedings{74cd3a0731a2420db6d1ee8e563abe44,
title = "An investigation into plausibility in the mixing of Foley sounds in film and television",
abstract = "This paper describes an experiment that tested the plausibility of a selection of post-production audio mixes of Foley for a short film. The mixes differed in the implementation of four primary audio mixing parameters: panning, level, equalisation and the control of reverberation effects. The experiments presented test subjects with mixes in which one of the four primary parameters was altered whilst the rest remained at levels deemed to conform to an 'industry standard' reference mix which had been verified by an expert industry practitioner. Results show that there is a statistically significant affect on plausibility of using even slight dynamic variation of pan, level and equalisation control to enhance the perception of realism of Foley that move in a scene.",
author = "Braham Hughes and Jonathan Wakefield",
year = "2015",
language = "English",
volume = "2",
pages = "1072--1082",
booktitle = "138th Audio Engineering Society Convention, AES 2015",
publisher = "Audio Engineering Society",
address = "United States",

}

Hughes, B & Wakefield, J 2015, An investigation into plausibility in the mixing of Foley sounds in film and television. in 138th Audio Engineering Society Convention, AES 2015. vol. 2, Audio Engineering Society, pp. 1072-1082, 138th Audio Engineering Society Convention, Warsaw, Poland, 7/05/15.

An investigation into plausibility in the mixing of Foley sounds in film and television. / Hughes, Braham; Wakefield, Jonathan.

138th Audio Engineering Society Convention, AES 2015. Vol. 2 Audio Engineering Society, 2015. p. 1072-1082.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

TY - GEN

T1 - An investigation into plausibility in the mixing of Foley sounds in film and television

AU - Hughes, Braham

AU - Wakefield, Jonathan

PY - 2015

Y1 - 2015

N2 - This paper describes an experiment that tested the plausibility of a selection of post-production audio mixes of Foley for a short film. The mixes differed in the implementation of four primary audio mixing parameters: panning, level, equalisation and the control of reverberation effects. The experiments presented test subjects with mixes in which one of the four primary parameters was altered whilst the rest remained at levels deemed to conform to an 'industry standard' reference mix which had been verified by an expert industry practitioner. Results show that there is a statistically significant affect on plausibility of using even slight dynamic variation of pan, level and equalisation control to enhance the perception of realism of Foley that move in a scene.

AB - This paper describes an experiment that tested the plausibility of a selection of post-production audio mixes of Foley for a short film. The mixes differed in the implementation of four primary audio mixing parameters: panning, level, equalisation and the control of reverberation effects. The experiments presented test subjects with mixes in which one of the four primary parameters was altered whilst the rest remained at levels deemed to conform to an 'industry standard' reference mix which had been verified by an expert industry practitioner. Results show that there is a statistically significant affect on plausibility of using even slight dynamic variation of pan, level and equalisation control to enhance the perception of realism of Foley that move in a scene.

UR - http://www.scopus.com/inward/record.url?scp=84943255330&partnerID=8YFLogxK

M3 - Conference contribution

VL - 2

SP - 1072

EP - 1082

BT - 138th Audio Engineering Society Convention, AES 2015

PB - Audio Engineering Society

ER -

Hughes B, Wakefield J. An investigation into plausibility in the mixing of Foley sounds in film and television. In 138th Audio Engineering Society Convention, AES 2015. Vol. 2. Audio Engineering Society. 2015. p. 1072-1082