Abstract
This engineering brief presents open-access 3D sound recordings of musical performances and room impulse responses made using various 3D microphone arrays simultaneously. The microphone arrays comprised OCT-3D, 2L-Cube, PCMA-3D, Decca Tree with height, Hamasaki Square with height, First-order and Higher-order Ambisonics microphone systems, providing more than 250 different front-rear-height combinations. The sound sources recorded were string quartet, piano trio, piano solo, organ, clarinet solo, vocal group, and room impulse responses of a virtual ensemble with 13 source positions captured by all of the microphones. The recordings can be freely downloaded from www.hud.ac.uk/apl/resources. Future studies will use the recordings to formally elicit perceived attributes for 3D recording quality evaluation as well as for spatial audio ear training.
| Original language | English |
|---|---|
| Title of host publication | 147th Audio Engineering Society Convention |
| Subtitle of host publication | AES 2019 |
| Editors | Areti Andreopoulou, Braxton Boren |
| Publisher | Audio Engineering Society |
| Number of pages | 6 |
| ISBN (Electronic) | 9781942220312 |
| Publication status | Published - 8 Oct 2019 |
| Event | 147th Audio Engineering Society Convention - Jarvits Center, New York, United States Duration: 16 Oct 2019 → 19 Oct 2019 Conference number: 147 http://www.aes.org/events/147/ |
Conference
| Conference | 147th Audio Engineering Society Convention |
|---|---|
| Country/Territory | United States |
| City | New York |
| Period | 16/10/19 → 19/10/19 |
| Internet address |
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