Abstract
The author addresses the challenge and possible solutions related to museum display of archaeological sounds and music in museum contexts. By reflecting on his own work as a curator, the author illustrates his approach through examples drawn from the travelling exhibition ARCHAEOMUSICA – The Sounds and Music of Ancient Europe. The exhibition was presented in a variety of museums between 2016 and 2018.
| Original language | English |
|---|---|
| Pages (from-to) | 425-437 |
| Number of pages | 13 |
| Journal | Curator |
| Volume | 62 |
| Issue number | 3 |
| Early online date | 29 Jul 2019 |
| DOIs | |
| Publication status | Published - 29 Jul 2019 |
| Externally published | Yes |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 9 Industry, Innovation, and Infrastructure
Fingerprint
Dive into the research topics of 'ARCHAEOMUSICA - Making the Past Audible'. Together they form a unique fingerprint.-
Music and Sound in Ancient Europe: Contributions from the European Music Archaeology Project
De Angeli, S. (Editor), Both, A. A. (Editor), Hagel, S. (Editor), Holmes, P. (Editor), Jiménez Pasalodos, R. (Editor) & Lund, C. S. (Editor), 1 May 2018, Rome: European Music Archaeology Project. 202 p.Research output: Book/Report › Book
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ARCHAEOMUSICA: The Sounds and Music of Ancient Europe
Both, A. A. (Curator) & Till, R. (Developer), 6 Jun 2016Research output: Non-textual form › Exhibition
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