asinglewordisnotenough2 (aria da capo)

Pierre Alexandre Tremblay; Xenia Pestova

asinglewordisnotenough2 (aria da capo)

Pierre Alexandre Tremblay (Composer), Xenia Pestova (Performer)

Research output: Non-textual form › Composition

Abstract

This second piece/iteration/instance is the return of the suite’s themes, replayed after, and corrupted by, all the other variations: three movements become two, chaos organises itself, structures crumble. Moreover, the ‘aria da capo’ is the section in which a soloist traditionally demonstrates his/her virtuosity: a fitting bias for this piece’s concerns.

Also known under the title nureinwortgenügtnicht2 and unseulmotnesuffitpas2, this is a 10-minute multichannel piece for Roli Seaboard controlling live electronics, commissionned and premiered by Xenia Pestova.

Original language	English
Place of Publication	Montreal
Publisher	empreintes DIGITALes
Publication status	Published - 26 Mar 2015

Access to Document

https://www.electrocd.com/en/oeuvre/38071/Pierre_Alexandre_Tremblay/asinglewordisnotenough2Licence: Unspecified

1 Composition

asinglewordisnotenough1
Tremblay, P. A., 26 Jan 2015
Research output: Non-textual form › Composition

Different Hats: The Many Faces of the Piano
Pierre Alexandre Tremblay & Xenia Pestova
9/12/19
1 item of Media coverage
Press/Media: Research

Cite this

@misc{6a9c18c6d9bd4a78b899a05713e1bcb2,

title = "asinglewordisnotenough2 (aria da capo)",

abstract = "This second piece/iteration/instance is the return of the suite{\textquoteright}s themes, replayed after, and corrupted by, all the other variations: three movements become two, chaos organises itself, structures crumble. Moreover, the {\textquoteleft}aria da capo{\textquoteright} is the section in which a soloist traditionally demonstrates his/her virtuosity: a fitting bias for this piece{\textquoteright}s concerns.Also known under the title nureinwortgen{\"u}gtnicht2 and unseulmotnesuffitpas2, this is a 10-minute multichannel piece for Roli Seaboard controlling live electronics, commissionned and premiered by Xenia Pestova.",

keywords = "Music performance",

author = "Tremblay, {Pierre Alexandre} and Xenia Pestova",

year = "2015",

month = mar,

day = "26",

language = "English",

publisher = "empreintes DIGITALes",

address = "Canada",

}

TY - ADVS

T1 - asinglewordisnotenough2 (aria da capo)

A2 - Tremblay, Pierre Alexandre

A2 - Pestova, Xenia

PY - 2015/3/26

Y1 - 2015/3/26

N2 - This second piece/iteration/instance is the return of the suite’s themes, replayed after, and corrupted by, all the other variations: three movements become two, chaos organises itself, structures crumble. Moreover, the ‘aria da capo’ is the section in which a soloist traditionally demonstrates his/her virtuosity: a fitting bias for this piece’s concerns.Also known under the title nureinwortgenügtnicht2 and unseulmotnesuffitpas2, this is a 10-minute multichannel piece for Roli Seaboard controlling live electronics, commissionned and premiered by Xenia Pestova.

AB - This second piece/iteration/instance is the return of the suite’s themes, replayed after, and corrupted by, all the other variations: three movements become two, chaos organises itself, structures crumble. Moreover, the ‘aria da capo’ is the section in which a soloist traditionally demonstrates his/her virtuosity: a fitting bias for this piece’s concerns.Also known under the title nureinwortgenügtnicht2 and unseulmotnesuffitpas2, this is a 10-minute multichannel piece for Roli Seaboard controlling live electronics, commissionned and premiered by Xenia Pestova.

KW - Music performance

M3 - Composition

PB - empreintes DIGITALes

CY - Montreal

ER -

asinglewordisnotenough2 (aria da capo)

Abstract

Access to Document

Fingerprint

Research output

asinglewordisnotenough1

Press/Media

Different Hats: The Many Faces of the Piano

Cite this