asinglewordisnotenough2 (aria da capo)

Pierre Alexandre Tremblay; Xenia Pestova

asinglewordisnotenough2 (aria da capo)

Pierre Alexandre Tremblay (Composer), Xenia Pestova (Performer)

University of Nottingham

Research output: Non-textual form › Composition

Abstract

This second piece/iteration/instance is the return of the suite’s themes, replayed after, and corrupted by, all the other variations: three movements become two, chaos organises itself, structures crumble. Moreover, the ‘aria da capo’ is the section in which a soloist traditionally demonstrates his/her virtuosity: a fitting bias for this piece’s concerns.

Also known under the title nureinwortgenügtnicht2 and unseulmotnesuffitpas2, this is a 10-minute multichannel piece for Roli Seaboard controlling live electronics, commissionned and premiered by Xenia Pestova.

Original language	English
Place of Publication	Montreal
Publisher	empreintes DIGITALes
Publication status	Published - 26 Mar 2015

Access to Document

https://www.electrocd.com/en/oeuvre/38071/Pierre_Alexandre_Tremblay/asinglewordisnotenough2Licence: Unspecified

asinglewordisnotenough1
Tremblay, P. A. (Composer), 26 Jan 2015
Research output: Non-textual form › Composition

Different Hats: The Many Faces of the Piano
Tremblay, P. A. & Pestova, X.
9/12/19
1 item of Media coverage
Press/Media: Research

Cite this

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title = "asinglewordisnotenough2 (aria da capo)",

abstract = "This second piece/iteration/instance is the return of the suite{\textquoteright}s themes, replayed after, and corrupted by, all the other variations: three movements become two, chaos organises itself, structures crumble. Moreover, the {\textquoteleft}aria da capo{\textquoteright} is the section in which a soloist traditionally demonstrates his/her virtuosity: a fitting bias for this piece{\textquoteright}s concerns. Also known under the title nureinwortgen{\"u}gtnicht2 and unseulmotnesuffitpas2, this is a 10-minute multichannel piece for Roli Seaboard controlling live electronics, commissionned and premiered by Xenia Pestova.",

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N2 - This second piece/iteration/instance is the return of the suite’s themes, replayed after, and corrupted by, all the other variations: three movements become two, chaos organises itself, structures crumble. Moreover, the ‘aria da capo’ is the section in which a soloist traditionally demonstrates his/her virtuosity: a fitting bias for this piece’s concerns. Also known under the title nureinwortgenügtnicht2 and unseulmotnesuffitpas2, this is a 10-minute multichannel piece for Roli Seaboard controlling live electronics, commissionned and premiered by Xenia Pestova.

AB - This second piece/iteration/instance is the return of the suite’s themes, replayed after, and corrupted by, all the other variations: three movements become two, chaos organises itself, structures crumble. Moreover, the ‘aria da capo’ is the section in which a soloist traditionally demonstrates his/her virtuosity: a fitting bias for this piece’s concerns. Also known under the title nureinwortgenügtnicht2 and unseulmotnesuffitpas2, this is a 10-minute multichannel piece for Roli Seaboard controlling live electronics, commissionned and premiered by Xenia Pestova.

KW - Music performance

M3 - Composition

PB - empreintes DIGITALes

CY - Montreal

ER -

asinglewordisnotenough2 (aria da capo)

Abstract

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Research output

asinglewordisnotenough1

Press/Media

Different Hats: The Many Faces of the Piano

Cite this