Abstract
This third piece / iteration / instance is the first with a live / acoustic instrument / source. Whereas the original electronic explores the gestural / embodiment limits of fixed media, here the cello reaches for a world of articulated transients / noises / textures / splices. Ideas are expand / shrank / distorted at the limit of recognition, to allow / free their essence from their broken shell.
Also known under the title nureinwortgenügtnicht3 and unseulmotnesuffitpas3, this is a 14-minute multichannel piece for cello and real-time interactive electronics, commissioned and premiered by Seth Parker Woods III.
Also known under the title nureinwortgenügtnicht3 and unseulmotnesuffitpas3, this is a 14-minute multichannel piece for cello and real-time interactive electronics, commissioned and premiered by Seth Parker Woods III.
Original language | English |
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Publisher | Confront Recordings |
Publication status | Published - 2015 |