asinglewordisnotenough3 (invariant)

Seth Parker Woods; Pierre Alexandre Tremblay

asinglewordisnotenough3 (invariant)

Seth Parker Woods (Performer), Pierre Alexandre Tremblay (Composer)

Research output: Non-textual form › Composition

Abstract

This third piece / iteration / instance is the first with a live / acoustic instrument / source. Whereas the original electronic explores the gestural / embodiment limits of fixed media, here the cello reaches for a world of articulated transients / noises / textures / splices. Ideas are expand / shrank / distorted at the limit of recognition, to allow / free their essence from their broken shell.

Also known under the title nureinwortgenügtnicht3 and unseulmotnesuffitpas3, this is a 14-minute multichannel piece for cello and real-time interactive electronics, commissioned and premiered by Seth Parker Woods III.

Original language	English
Publisher	Confront Recordings
Publication status	Published - 2015

Cite this

@misc{d4db9301ffd24b3e9dc2f379e4164100,

title = "asinglewordisnotenough3 (invariant)",

abstract = "This third piece / iteration / instance is the first with a live / acoustic instrument / source. Whereas the original electronic explores the gestural / embodiment limits of fixed media, here the cello reaches for a world of articulated transients / noises / textures / splices. Ideas are expand / shrank / distorted at the limit of recognition, to allow / free their essence from their broken shell.Also known under the title nureinwortgen{\"u}gtnicht3 and unseulmotnesuffitpas3, this is a 14-minute multichannel piece for cello and real-time interactive electronics, commissioned and premiered by Seth Parker Woods III.",

keywords = "Music performance",

author = "Woods, {Seth Parker} and Tremblay, {Pierre Alexandre}",

year = "2015",

language = "English",

publisher = "Confront Recordings",

address = "United Kingdom",

}

TY - ADVS

T1 - asinglewordisnotenough3 (invariant)

A2 - Woods, Seth Parker

A2 - Tremblay, Pierre Alexandre

PY - 2015

Y1 - 2015

N2 - This third piece / iteration / instance is the first with a live / acoustic instrument / source. Whereas the original electronic explores the gestural / embodiment limits of fixed media, here the cello reaches for a world of articulated transients / noises / textures / splices. Ideas are expand / shrank / distorted at the limit of recognition, to allow / free their essence from their broken shell.Also known under the title nureinwortgenügtnicht3 and unseulmotnesuffitpas3, this is a 14-minute multichannel piece for cello and real-time interactive electronics, commissioned and premiered by Seth Parker Woods III.

AB - This third piece / iteration / instance is the first with a live / acoustic instrument / source. Whereas the original electronic explores the gestural / embodiment limits of fixed media, here the cello reaches for a world of articulated transients / noises / textures / splices. Ideas are expand / shrank / distorted at the limit of recognition, to allow / free their essence from their broken shell.Also known under the title nureinwortgenügtnicht3 and unseulmotnesuffitpas3, this is a 14-minute multichannel piece for cello and real-time interactive electronics, commissioned and premiered by Seth Parker Woods III.

KW - Music performance

UR - http://www.confrontrecordings.com/seth-parker-woods

UR - https://www.electrocd.com/en/oeuvre/39526/Pierre_Alexandre_Tremblay/asinglewordisnotenough3

M3 - Composition

PB - Confront Recordings

ER -

asinglewordisnotenough3 (invariant)

Abstract

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Pierre Alexandre Tremblay

asinglewordisnotenough1

asinglewordisnotenough3 on ScoreFollower

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asinglewordisnotenough3 (invariant)

Abstract

Other files and links

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Profiles

Pierre Alexandre Tremblay

Research output

asinglewordisnotenough1

Press / Media

asinglewordisnotenough3 on ScoreFollower

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