Abstract
This third piece / iteration / instance is the first with a live / acoustic instrument / source. Whereas the original electronic explores the gestural / embodiment limits of fixed media, here the cello reaches for a world of articulated transients / noises / textures / splices. Ideas are expand / shrank / distorted at the limit of recognition, to allow / free their essence from their broken shell.
Also known under the title nureinwortgenügtnicht3 and unseulmotnesuffitpas3, this is a 14-minute multichannel piece for cello and real-time interactive electronics, commissioned and premiered by Seth Parker Woods III.
Also known under the title nureinwortgenügtnicht3 and unseulmotnesuffitpas3, this is a 14-minute multichannel piece for cello and real-time interactive electronics, commissioned and premiered by Seth Parker Woods III.
| Original language | English |
|---|---|
| Publisher | Confront Recordings |
| Publication status | Published - 2015 |
Fingerprint
Dive into the research topics of 'asinglewordisnotenough3 (invariant)'. Together they form a unique fingerprint.-
Difficult Grace: Seth Parker Woods & Roderick George: New York: asinglewordisnotenough3 (invariant)
Tremblay, P. A. (Composer), Woods, S. P. (Performer) & George, R. (Performer), 19 Nov 2022Research output: Non-textual form › Performance
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Difficult Grace: Seth Parker Woods in Concert: Toronto: asinglewordisnotenough3 (invariant)
Tremblay, P. A. (Composer) & Woods, S. P. (Performer), 11 Mar 2022Research output: Non-textual form › Performance
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asinglewordisnotenough1
Tremblay, P. A. (Composer), 26 Jan 2015Research output: Non-textual form › Composition
Press/Media
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asinglewordisnotenough3 on ScoreFollower
Tremblay, P. A.
21/09/19
1 Media contribution
Press/Media: Public Engagement Activities
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