Attempts at Stillness

Research output: Non-textual formComposition

Abstract

This is a piece composed for the Czech radio, making explicit, transparent use of the three acousmatic modes of listening (semantic, causal and reduced) yet adding more conventional musical ones to the equation (melodic, harmonic, orchestral, rhythmic)
LanguageEnglish
Publisherempreintes DIGITALes
Media of outputOnline
Publication statusPublished - 29 Nov 2017

Fingerprint

Harmonics
Stillness
Equations
Acousmatic
Causal
Conventional

Cite this

@misc{84cc1e4781634120aba6af356a0c6dec,
title = "Attempts at Stillness",
abstract = "This is a piece composed for the Czech radio, making explicit, transparent use of the three acousmatic modes of listening (semantic, causal and reduced) yet adding more conventional musical ones to the equation (melodic, harmonic, orchestral, rhythmic)",
author = "Tremblay, {Pierre Alexandre}",
year = "2017",
month = "11",
day = "29",
language = "English",
publisher = "empreintes DIGITALes",

}

Tremblay, PA, Attempts at Stillness, 2017, Composition, empreintes DIGITALes.
Attempts at Stillness. Tremblay, Pierre Alexandre (Composer). 2017. empreintes DIGITALes.

Research output: Non-textual formComposition

TY - ADVS

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PY - 2017/11/29

Y1 - 2017/11/29

N2 - This is a piece composed for the Czech radio, making explicit, transparent use of the three acousmatic modes of listening (semantic, causal and reduced) yet adding more conventional musical ones to the equation (melodic, harmonic, orchestral, rhythmic)

AB - This is a piece composed for the Czech radio, making explicit, transparent use of the three acousmatic modes of listening (semantic, causal and reduced) yet adding more conventional musical ones to the equation (melodic, harmonic, orchestral, rhythmic)

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M3 - Composition

PB - empreintes DIGITALes

ER -

Tremblay PA (Composer). Attempts at Stillness empreintes DIGITALes. 2017.