Abstract
| Original language | English |
|---|---|
| Pages (from-to) | 59-70 |
| Number of pages | 12 |
| Journal | Contemporary Music Review |
| Volume | 33 |
| Issue number | 1 |
| Early online date | 6 May 2014 |
| DOIs | |
| Publication status | Published - 2014 |
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Audible Ecosystemics as Artefactual Assemblages : Thoughts on Making and Knowing Prompted by Practical Investigation of Di Scipio's Work. / Green, Owen.
In: Contemporary Music Review, Vol. 33, No. 1, 2014, p. 59-70.Research output: Contribution to journal › Article
TY - JOUR
T1 - Audible Ecosystemics as Artefactual Assemblages
T2 - Thoughts on Making and Knowing Prompted by Practical Investigation of Di Scipio's Work
AU - Green, Owen
PY - 2014
Y1 - 2014
N2 - By exploring Di Scipio's Audible Ecosystemics through the optic of a succession of practical student projects we see that the processes and forces involved in the making can in turn be viewed as an ecosystem. Some key aspects of this revolve around the ways in which technical and social matters interweave in practice—such as negotiating transitions between coding and practising—and how musical identities and design choices can interact. I draw from this the thought that the dynamics of the negotiation between the technical and social are a key aspect of electronic musical craft, but that this topic remains sparsely accounted for in our discourse. I suggest that devising better means of articulating about such negotiations—and about practice more generally—is a way in which practice-led research in this area can contribute usefully to the wider endeavour of musical research.
AB - By exploring Di Scipio's Audible Ecosystemics through the optic of a succession of practical student projects we see that the processes and forces involved in the making can in turn be viewed as an ecosystem. Some key aspects of this revolve around the ways in which technical and social matters interweave in practice—such as negotiating transitions between coding and practising—and how musical identities and design choices can interact. I draw from this the thought that the dynamics of the negotiation between the technical and social are a key aspect of electronic musical craft, but that this topic remains sparsely accounted for in our discourse. I suggest that devising better means of articulating about such negotiations—and about practice more generally—is a way in which practice-led research in this area can contribute usefully to the wider endeavour of musical research.
KW - Practice-Led Research
KW - Making
KW - Di Scipio
KW - Ecosystems
U2 - 10.1080/07494467.2014.906698
DO - 10.1080/07494467.2014.906698
M3 - Article
VL - 33
SP - 59
EP - 70
JO - Contemporary Music Review
JF - Contemporary Music Review
SN - 0749-4467
IS - 1
ER -