Bacon and Bergson on Time and Motion

Research output: Contribution to journalArticle

Abstract

The bearing of Bergsonian thought on Bacon’s paintings has become apparent as a result of Deleuze’s study, Francis Bacon: Logique de la sensation (1981). But aside from Deleuze’s application, there is a lot to recommend constructing a parallel between Bacon and Bergson as figures in their own right. This article explores Bergson’s approaches to temporality and the idea of immediate experience, and applies these to Bacon’s oeuvre, especially with respect to the artist’s antithetical views about an interpretation of narrative, the violence in his work and the phenomenology of the body.

Original languageEnglish
Pages (from-to)67-85
Number of pages19
JournalVisual Culture in Britain
Volume16
Issue number1
DOIs
Publication statusPublished - 2 Jan 2015
Externally publishedYes

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Bearings (structural)
Painting
phenomenology
artist
violence
narrative
interpretation
experience
time
Violence
Henri Bergson

Cite this

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Bacon and Bergson on Time and Motion. / Arya, Rina.

In: Visual Culture in Britain, Vol. 16, No. 1, 02.01.2015, p. 67-85.

Research output: Contribution to journalArticle

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