Beethoven Transformed: Vol. 2

Emily Worthington

Beethoven Transformed: Vol. 2

Emily Worthington (Performer)

Research output: Non-textual form › Digital or Visual Products

Abstract

Following on from the acclaimedfirst album of this series, the period wind ensemble Boxwood & Brassreturns to Resonus with the second volume of Beethoven Transformed. In thismajor project, the group continues its exploration of the status of wind musicin early-nineteenth century Vienna through arranged music of Ludwig vanBeethoven (1770–1827).

The three arrangements presented on this disc – the EgmontOverture, Sonata Pathétique and the Seventh Symphony – were all published byBeethoven’s friend Sigmund Anton Steiner, an ambitious undertaking that showsnine-part Viennese Harmoniemusik in its most advanced stage of development.

Boxwood& Brass:

Oboes: Rachel Chaplin and Nicola Barbagli
Clarinets: Emily Worthington and Fiona Mitchell
Bassoons: Robert Percival and Takako Kunug
Natural Horns: Anneke Scott and Kate Goldsmith
Double Bass: Jacqueline Dossor

Original language	English
Publisher	Resonus
Media of output	CD
Publication status	Published - 30 Oct 2020

Cite this

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abstract = "Following on from the acclaimedfirst album of this series, the period wind ensemble Boxwood & Brassreturns to Resonus with the second volume of Beethoven Transformed. In thismajor project, the group continues its exploration of the status of wind musicin early-nineteenth century Vienna through arranged music of Ludwig vanBeethoven (1770–1827).The three arrangements presented on this disc – the EgmontOverture, Sonata Path{\'e}tique and the Seventh Symphony – were all published byBeethoven{\textquoteright}s friend Sigmund Anton Steiner, an ambitious undertaking that showsnine-part Viennese Harmoniemusik in its most advanced stage of development.Boxwood& Brass:Oboes: Rachel Chaplin and Nicola BarbagliClarinets: Emily Worthington and Fiona MitchellBassoons: Robert Percival and Takako KunugNatural Horns: Anneke Scott and Kate GoldsmithDouble Bass: Jacqueline Dossor",

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AB - Following on from the acclaimedfirst album of this series, the period wind ensemble Boxwood & Brassreturns to Resonus with the second volume of Beethoven Transformed. In thismajor project, the group continues its exploration of the status of wind musicin early-nineteenth century Vienna through arranged music of Ludwig vanBeethoven (1770–1827).The three arrangements presented on this disc – the EgmontOverture, Sonata Pathétique and the Seventh Symphony – were all published byBeethoven’s friend Sigmund Anton Steiner, an ambitious undertaking that showsnine-part Viennese Harmoniemusik in its most advanced stage of development.Boxwood& Brass:Oboes: Rachel Chaplin and Nicola BarbagliClarinets: Emily Worthington and Fiona MitchellBassoons: Robert Percival and Takako KunugNatural Horns: Anneke Scott and Kate GoldsmithDouble Bass: Jacqueline Dossor

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M3 - Digital or Visual Products

PB - Resonus

ER -

Beethoven Transformed: Vol. 2

Abstract

Other files and links

Fingerprint

Roundtable panel: Challenges and prospects: arts-based research in music

BCU Public Research Seminar: Historically-Informed Performance, Embodied Knowledge, and the Practice of Harmoniemusik

The Harmonie in Beethoven's Vienna

CD Reviews: Beethoven Transformed vols. 1 and 2

Cite this

Beethoven Transformed: Vol. 2

Abstract

Other files and links

Fingerprint

Activities

Roundtable panel: Challenges and prospects: arts-based research in music

BCU Public Research Seminar: Historically-Informed Performance, Embodied Knowledge, and the Practice of Harmoniemusik

The Harmonie in Beethoven's Vienna

Press/Media

CD Reviews: Beethoven Transformed vols. 1 and 2

Cite this