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Berio's Sequenza IV: Approaches to performance and interpretation
Philip Thomas
Department of Music & Design Arts
School of Arts and Humanities
Centre for Experimental Practices (CXP)
Centre for Research in New Music
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Arts & Humanities
Appropriation
48%
Articulation
64%
Grace Note
100%
Melody
56%
Performance
63%
Phrasing
69%
Rubato
92%
Tonality
68%