Black Mirror as a Netflix Original

Program Brand “Overflow” and the Multidiscursive Forms of Transatlantic TV Fandom

Research output: Chapter in Book/Report/Conference proceedingChapter

Original languageEnglish
Title of host publicationTransatlantic Television Drama
Subtitle of host publication Industries, Programs, and Fans
EditorsMatt Hills, Michele Hilmes, Roberta Pearson
Place of PublicationNew York
PublisherOxford University Press
Chapter10
Pages213-238
Number of pages26
ISBN (Electronic)9780190663155
ISBN (Print)9780190663131
Publication statusPublished - 7 Feb 2019

Cite this

Hills, M. (2019). Black Mirror as a Netflix Original: Program Brand “Overflow” and the Multidiscursive Forms of Transatlantic TV Fandom. In M. Hills, M. Hilmes, & R. Pearson (Eds.), Transatlantic Television Drama: Industries, Programs, and Fans (pp. 213-238). New York : Oxford University Press.
Hills, Matthew. / Black Mirror as a Netflix Original : Program Brand “Overflow” and the Multidiscursive Forms of Transatlantic TV Fandom. Transatlantic Television Drama: Industries, Programs, and Fans. editor / Matt Hills ; Michele Hilmes ; Roberta Pearson. New York : Oxford University Press, 2019. pp. 213-238
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Hills, M 2019, Black Mirror as a Netflix Original: Program Brand “Overflow” and the Multidiscursive Forms of Transatlantic TV Fandom. in M Hills, M Hilmes & R Pearson (eds), Transatlantic Television Drama: Industries, Programs, and Fans. Oxford University Press, New York , pp. 213-238.

Black Mirror as a Netflix Original : Program Brand “Overflow” and the Multidiscursive Forms of Transatlantic TV Fandom. / Hills, Matthew.

Transatlantic Television Drama: Industries, Programs, and Fans. ed. / Matt Hills; Michele Hilmes; Roberta Pearson. New York : Oxford University Press, 2019. p. 213-238.

Research output: Chapter in Book/Report/Conference proceedingChapter

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Hills M. Black Mirror as a Netflix Original: Program Brand “Overflow” and the Multidiscursive Forms of Transatlantic TV Fandom. In Hills M, Hilmes M, Pearson R, editors, Transatlantic Television Drama: Industries, Programs, and Fans. New York : Oxford University Press. 2019. p. 213-238