Citing musicality: Performance knowledge in the Gardzienice archive

Research output: Contribution to journalArticle

Abstract

This article draws on previously published multimedia documents to explore the notion of musicality in the work of Wodzimierz Staniewski and the Gardzienice Centre for Theatre Practices. In addition to offering a close analysis of several documented moments – including performances, work demonstrations, expeditions and gatherings – it tests the ability of multimedia documentation to capture performance knowledge, arguing that the work of Gardzienice is a paradigmatic example of ‘practice as research’. Taking the archive as a crucial dimension of the dissemination of knowledge, the article uses multimedia citation to examine the specific contributions of Gardzienice in the context of musicality as a relation between the theatrical and the musical. The article demonstrates that the stability of the archive allows for a detailed explication of performance knowledge in a way that is not possible from live performance alone.
LanguageEnglish
Pages221-235
Number of pages15
JournalStudies in Musical Theatre
Volume7
Issue number2
DOIs
Publication statusPublished - 1 Jun 2013
Externally publishedYes

Fingerprint

Musicality
Multimedia
Practice as Research
Dissemination
Expedition
Explication
Paradigmatics
Citations
Documentation

Cite this

@article{33acd8774d03416cb4fa681f970da705,
title = "Citing musicality: Performance knowledge in the Gardzienice archive",
abstract = "This article draws on previously published multimedia documents to explore the notion of musicality in the work of Wodzimierz Staniewski and the Gardzienice Centre for Theatre Practices. In addition to offering a close analysis of several documented moments – including performances, work demonstrations, expeditions and gatherings – it tests the ability of multimedia documentation to capture performance knowledge, arguing that the work of Gardzienice is a paradigmatic example of ‘practice as research’. Taking the archive as a crucial dimension of the dissemination of knowledge, the article uses multimedia citation to examine the specific contributions of Gardzienice in the context of musicality as a relation between the theatrical and the musical. The article demonstrates that the stability of the archive allows for a detailed explication of performance knowledge in a way that is not possible from live performance alone.",
keywords = "documentation, Gardzienice, musicality, practice as research, rhythm, Staniewski",
author = "Ben Spatz",
year = "2013",
month = "6",
day = "1",
doi = "10.1386/smt.7.2.221_1",
language = "English",
volume = "7",
pages = "221--235",
journal = "Studies in Musical Theatre",
issn = "1750-3159",
publisher = "Intellect",
number = "2",

}

Citing musicality : Performance knowledge in the Gardzienice archive. / Spatz, Ben.

In: Studies in Musical Theatre, Vol. 7, No. 2, 01.06.2013, p. 221-235.

Research output: Contribution to journalArticle

TY - JOUR

T1 - Citing musicality

T2 - Studies in Musical Theatre

AU - Spatz, Ben

PY - 2013/6/1

Y1 - 2013/6/1

N2 - This article draws on previously published multimedia documents to explore the notion of musicality in the work of Wodzimierz Staniewski and the Gardzienice Centre for Theatre Practices. In addition to offering a close analysis of several documented moments – including performances, work demonstrations, expeditions and gatherings – it tests the ability of multimedia documentation to capture performance knowledge, arguing that the work of Gardzienice is a paradigmatic example of ‘practice as research’. Taking the archive as a crucial dimension of the dissemination of knowledge, the article uses multimedia citation to examine the specific contributions of Gardzienice in the context of musicality as a relation between the theatrical and the musical. The article demonstrates that the stability of the archive allows for a detailed explication of performance knowledge in a way that is not possible from live performance alone.

AB - This article draws on previously published multimedia documents to explore the notion of musicality in the work of Wodzimierz Staniewski and the Gardzienice Centre for Theatre Practices. In addition to offering a close analysis of several documented moments – including performances, work demonstrations, expeditions and gatherings – it tests the ability of multimedia documentation to capture performance knowledge, arguing that the work of Gardzienice is a paradigmatic example of ‘practice as research’. Taking the archive as a crucial dimension of the dissemination of knowledge, the article uses multimedia citation to examine the specific contributions of Gardzienice in the context of musicality as a relation between the theatrical and the musical. The article demonstrates that the stability of the archive allows for a detailed explication of performance knowledge in a way that is not possible from live performance alone.

KW - documentation

KW - Gardzienice

KW - musicality

KW - practice as research

KW - rhythm

KW - Staniewski

U2 - 10.1386/smt.7.2.221_1

DO - 10.1386/smt.7.2.221_1

M3 - Article

VL - 7

SP - 221

EP - 235

JO - Studies in Musical Theatre

JF - Studies in Musical Theatre

SN - 1750-3159

IS - 2

ER -