Composing with multi-channel spatialisation as an aspect of synthesis

Michael Clarke

Composing with multi-channel spatialisation as an aspect of synthesis

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

Abstract

Spatialisation has played an important role in much electroacoustic music. For the most part, however, it has been used to articulate or decorate existing sound structures. This paper looks at ways in which multichannel, spatialisation can become an integral part of the structure of the music, both on the small and large scale. Examples are given from the author's works.

Original language	English
Title of host publication	Proceedings of International Computer Music Conference, ICMC 1999
Publisher	International Computer Music Association
Pages	17-19
Number of pages	3
Volume	1999
Publication status	Published - 22 Oct 1999
Event	25th International Computer Music Conference - Beijing, China Duration: 22 Oct 1999 → 27 Oct 1999 Conference number: 25

Publication series

Name	International Computer Music Conference, ICMC Proceedings
Publisher	University of Michigan
Volume	1999
ISSN (Print)	2223-3881

Conference

Conference	25th International Computer Music Conference
Abbreviated title	ICMC 1999
Country/Territory	China
City	Beijing
Period	22/10/99 → 27/10/99

Access to Document

http://hdl.handle.net/2027/spo.bbp2372.1999.327Licence: CC BY-NC-ND

Cite this

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title = "Composing with multi-channel spatialisation as an aspect of synthesis",

abstract = "Spatialisation has played an important role in much electroacoustic music. For the most part, however, it has been used to articulate or decorate existing sound structures. This paper looks at ways in which multichannel, spatialisation can become an integral part of the structure of the music, both on the small and large scale. Examples are given from the author's works.",

keywords = "Spatialisation, Electroacoustic music",

author = "Michael Clarke",

note = "Publisher Copyright: {\textcopyright} 1999 International Computer Music Conference, ICMC Proceedings. All rights reserved.; 25th International Computer Music Conference, ICMC 1999 ; Conference date: 22-10-1999 Through 27-10-1999",

year = "1999",

month = oct,

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language = "English",

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Clarke, M 1999, Composing with multi-channel spatialisation as an aspect of synthesis. in Proceedings of International Computer Music Conference, ICMC 1999. vol. 1999, International Computer Music Conference, ICMC Proceedings, vol. 1999, International Computer Music Association, pp. 17-19, 25th International Computer Music Conference, Beijing, China, 22/10/99. <http://hdl.handle.net/2027/spo.bbp2372.1999.327>

Composing with multi-channel spatialisation as an aspect of synthesis. / Clarke, Michael.

Proceedings of International Computer Music Conference, ICMC 1999. Vol. 1999 International Computer Music Association, 1999. p. 17-19 (International Computer Music Conference, ICMC Proceedings; Vol. 1999).

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

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AB - Spatialisation has played an important role in much electroacoustic music. For the most part, however, it has been used to articulate or decorate existing sound structures. This paper looks at ways in which multichannel, spatialisation can become an integral part of the structure of the music, both on the small and large scale. Examples are given from the author's works.

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Composing with multi-channel spatialisation as an aspect of synthesis

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