Conversations in Berlin: Discourse on Gender, Equilibrium, and Empowerment in Audio Production

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

    Abstract

    Statistics documenting gender diversity in music and audio production have shown audio domains to be overwhelmingly white and cis male across a range of audio industry sectors (Born & Devine, 2015; Dobson, 2018; Gavanas & Reitsamer, 2013; Smith, Choueiti, & Pieper, 2018, female:pressures’ facts survey 1 ). This situation can reinforce assumptions that associate masculinity and technology (Leonard, 2017), where women are believed to understand less while simultaneously being subjected to a higher standard – to a kind of ‘super-surveillance’ (Puwar, 2004: 92). Drawing from a series of 18 interviews conducted with Berlin-based womxn 2 (Gourd, 2018) music producers, this chapter explores some of the ways in which this male and homogenous space becomes a complex terrain for women.
    Original languageEnglish
    Title of host publicationGender in Music production
    EditorsRuss Hepworth-Sawyer, Jay Hogson, Liesl King, Mark Marrington
    Place of PublicationAbingdon & New York
    PublisherRoutledge
    Chapter16
    Pages268-284
    Number of pages17
    Edition1
    ISBN (Electronic)9780429464515
    ISBN (Print)9781138613362, 9781138613379
    DOIs
    Publication statusPublished - 22 Apr 2020

    Publication series

    NamePerspectives on Music Production
    PublisherRoutledge

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