Abstract
The Knitting and Crochet Guild archive, Holmfirth, West Yorkshire hosts a vast array of handmade items, including clothing, artifacts, yarns, and samples, as well as tools, pattern leaflets, booklets, and magazines. This article explores how the collection was used as a starting point for engaging students in new experiential encounters with the archive, as both a concept and as a container for material histories of the past. Two theoretical frameworks of investigation provide an intertwining methodology for reading the project: the first operates as a feminist narrative of intervention in the history of textile craft making, and the second considers how the "thought-images" of Walter Benjamin provide a tool for thinking through student responses. It is argued that as a repository of the home crafts, Lee Mills provides historical materialism with the experiential investigation it needs for a critical pedagogy of the present.
| Original language | English |
|---|---|
| Pages (from-to) | 29-46 |
| Number of pages | 18 |
| Journal | Journal of Modern Craft |
| Volume | 8 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - 1 Mar 2015 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
-
SDG 5 Gender Equality
Fingerprint
Dive into the research topics of 'Crafting stories in the domestic archive'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver