Abstract
Taking classic works of the American experimental movement as the primary focus for discussion, this article examines the nature of interpretative decisions both before and during a performance. The issues which inform a performer's decisions as to when, how, and what to play are placed within the context both of what is known of the composer's intentions and of the performing traditions which have subsequently developed.
| Original language | English |
|---|---|
| Pages (from-to) | 129-140 |
| Number of pages | 12 |
| Journal | Contemporary Music Review |
| Volume | 26 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - 1 Apr 2007 |
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Cite this
Thomas, P. (2007). Determining the indeterminate. Contemporary Music Review, 26(2), 129-140. https://doi.org/10.1080/07494460701250866